Too Many Songs


Book Description

The subversive songs of Tom Lehrer, the sardonic piano-wielding fugitive from Harvard, have corrupted generations of Americans since he first began recording and performing in the 1950s. His uniquely depraved wit has been forced again on an unsuspecting public' via Tomfoolery, the stage revue based on his ever-trenchant observation of the American scene. This new songbook, with old favorites unavailable for years as well as never-published songs, is the most comprehensive ever assembled. It contains the words, tunes, piano accompaniments, and guitar chords for these thirty-four classics: The Irish Ballad Fight Fiercely, Harvard! Be Prepared The Old Dope Peddler The Wild West Is Where I Want to Be I Wanna Go Back to Dixie Lobachevsky The Hunting Song I Hold Your Hand in Mine My Home Town L-Y When You Are Old and Gray The Wiener Schnitzel Waltz Poisoning Pigeons in the Park A Christmas Carol Bright College Days In Old Mexico She's My Girl The Elements The Masochism Tango National Brotherhood Week MLF Lullaby The Folk Song Army Smut Send the Marines New Math Pollution So Long, Mom Who's Next? Wemher Von Braun We Will All Go Together When We Go I Got It from Agnes Silent E The Vatican Rag




Too Many Songs


Book Description

The subversive songs of Tom Lehrer, the sardonic piano-wielding fugitive from Harvard, have corrupted generations of Americans since he first began recording and performing in the 1950s. His uniquely depraved wit has been forced again on an unsuspecting public' via Tomfoolery, the stage revue based on his ever-trenchant observation of the American scene. This new songbook, with old favorites unavailable for years as well as never-published songs, is the most comprehensive ever assembled. It contains the words, tunes, piano accompaniments, and guitar chords for these thirty-four classics: The Irish Ballad Fight Fiercely, Harvard! Be Prepared The Old Dope Peddler The Wild West Is Where I Want to Be I Wanna Go Back to Dixie Lobachevsky The Hunting Song I Hold Your Hand in Mine My Home Town L-Y When You Are Old and Gray The Wiener Schnitzel Waltz Poisoning Pigeons in the Park A Christmas Carol Bright College Days In Old Mexico She's My Girl The Elements The Masochism Tango National Brotherhood Week MLF Lullaby The Folk Song Army Smut Send the Marines New Math Pollution So Long, Mom Who's Next? Wemher Von Braun We Will All Go Together When We Go I Got It from Agnes Silent E The Vatican Rag







Fractured Biographies


Book Description

A physical chemist (Fritz Haber), a photographer (Josef Breitenbach), a cabaret artist (Georg Kreisler), two writers (Otto Alscher and Albin Stuebs), a pioneering scholar in Irish-German studies (John Hennig) and a Celtic philologist (Julius Pokorny) are the focus of this volume. What they have in common is a biography fractured by the Nazis' rise to power in 1933. Six were forced into exile; the life of the seventh, the Romanian-German writer Otto Alscher, shows that even the biography of a Nazi sympathiser could be dislocated by the years of dictatorship. As the previously unpublished letters which are reproduced here show, Fritz Haber, a Nobel prize winner, spent 'his last lonely months' seeking a dignified way to leave the country to which he had once felt the deepest attachment. Although a prominent member of Germany's academic Ă©lite, Julius Pokorny had to retire because of his Jewish ancestry in December 1935 and yet was allowed to continue publishing on ethnic themes until his exile in 1943. Albin Stuebs was forced to seek refuge in Prague and later England when his left-wing political convictions made him a certain target for the Nazis. Because of his marriage into a liberal Jewish family, John Hennig had to renounce all hope of an academic career in Nazi Germany and, after his exile to Ireland, struggled in straitened circumstances to support his family while at the same time developing into an unusually prolific scholar. Proof that exile may stimulate creative energy is provided by Josef Breitenbach, whose remarkable biography appears to show that loss and uprootedness may release otherwise undeveloped creative potential. Similarly, the flight of Georg Kreisler from Vienna in 1938 was the start of 'a remarkable voyage of discovery' which saw him grow into a major, if consistently undervalued figure in the world of post-war German cabaret.




Yet Another Song Book by Tom Lehrer


Book Description

A new collection of songs by the American musician, singer-songwriter, satirist, and mathematician. His pithy and humorous songs often parodied popular musical forms, such as the famous "The Elements". Lehrer's work typically is also noted for its black humor in songs such as "Poisoning Pigeons in the Park". In the 1960s, he produced a number of songs that dealt with social and political issues of the day, particularly when he wrote for the U.S. version of the television show That Was the Week That Was. The popularity of these songs has far outlasted their topical subjects and references. Lehrer quoted a friend's explanation: "Always predict the worst and you'll be hailed as a prophet." In the early 1970s, Lehrer largely retired from public performances to devote his time to teaching mathematics and musical theater history at the University of California, Santa Cruz.




American Political Humor [2 volumes]


Book Description

This two-volume set surveys the profound impact of political humor and satire on American culture and politics over the years, paying special attention to the explosion of political humor in today's wide-ranging and turbulent media environment. Historically, there has been a tendency to regard political satire and humor as a sideshow to the wider world of American politics—entertaining and sometimes insightful, but ultimately only of modest interest to students and others surveying the trajectory of American politics and culture. This set documents just how mistaken that assumption is. By examining political humor and satire throughout US history, these volumes not only illustrate how expressions of political satire and humor reflect changes in American attitudes about presidents, parties, and issues but also how satirists, comedians, cartoonists, and filmmakers have helped to shape popular attitudes about landmark historical events, major American institutions and movements, and the nation's political leaders and cultural giants. Finally, this work examines how today's brand of political humor may be more influential than ever before in shaping American attitudes about the nation in which we live.







Translating For Singing


Book Description

Translating for Singing discusses the art and craft of translating singable lyrics, a topic of interest in a wide range of fields, including translation, music, creative writing, cultural studies, performance studies, and semiotics. Previously, such translation has most often been discussed by music critics, many of whom had neither training nor experience in this area. Written by two internationally-known translators, the book focusses mainly on practical techniques for creating translations meant to be sung to pre-existing music, with suggested solutions to such linguistic problems as those associated with rhythm, syllable count, vocal burden, rhyme, repetition and sound. Translation theory and translations of lyrics for other purposes, such as surtitles, are also covered. The book can serve as a primary text in courses on translating lyrics and as a reference and supplementary text for other courses and for professionals in the fields mentioned. Beyond academia, the book is of interest to professional translators and to librettists, singers, conductors, stage directors, and audience members.




Tom Foolery


Book Description

A musical revue based on the songs of American satirist Tom Lehrer. The revue features 28 of Lehrer's satirical songs that were written in the 1950s and 1960s. Stage directions suggest each actor use their own name and wait onstage in a bar area while the others perform.




1066 and All That


Book Description

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.