The Art of Ancient Egypt


Book Description

An illustrated history of over 3,000 years of Egyptian artwork arranged chronologically from the early dynastic period to the Ptolemaic period.




The Tomb of Three Foreign Wives of Tuthmosis III


Book Description

This book results from a collaborative effort to reconstruct the 15th-century BC tomb of three foreign wives of Tuthmosis III, discovered and robbed by villagers near Luxor in 1916. A general account was published by Herbert Winlock in 1948 (The Treasure of Three Egyptian Princesses, New York, The Metropolitan Museum of Art). The present volume differs substantially in the type and extent of documentation provided and in interpretation. Verification is provided of tomb provenance for a number of objects, for example, while other objects previously thought to have come from the tomb are now considered forgeries. The text explores and documents the location of the tomb in the southwest valleys at Thebes; field work conducted by The Metropolitan Museum of Art at the site in 1988; art market finds alleged to have come from the tomb; and the names of the foreign wives and the life they might have led.




Mural Decoration in the Theban Necropolis


Book Description

The tombs and mortuary temples of Thebes have proved an enduring topic of interest thanks to a quickly expanding corpus of field materials and a series of conferences devoted to the subject. This volume, the fourth in a series of occasional proceedings from the ongoing Theban Workshop, presents new research on wall decoration in the Theban necropolis. Its thirteen essays, by an international array of leading scholars, attest to the wide and varied scope of the theme.







Proportion and Style in Ancient Egyptian Art


Book Description

This study of ancient Egyptian art reveals the evolution of aesthetic approaches to proportion and style through the ages. The painted and relief-cut walls of ancient Egyptian tombs and temples record an amazing continuity of customs and beliefs over nearly 3,000 years. Even the artistic style of the scenes seems unchanging, but this appearance is deceptive. In this work, Gay Robins offers convincing evidence, based on a study of Egyptian usage of grid systems and proportions, that innovation and stylistic variation played a significant role in ancient Egyptian art. Robins thoroughly explores the squared grid systems used by the ancient artists to proportion standing, sitting, and kneeling human figures. This investigation yields the first chronological account of proportional variations in male and female figures from the Early Dynastic to the Ptolemaic periods. Robins discusses the proportional changes underlying the revolutionary style instituted during the Amarna Period. She also considers how the grid system influenced the overall composition of scenes. Numerous line drawings with superimposed grids illustrate the text.