King Lear
Author : William Shakespeare
Publisher :
Page : 152 pages
File Size : 20,89 MB
Release : 1785
Category :
ISBN :
Author : William Shakespeare
Publisher :
Page : 152 pages
File Size : 20,89 MB
Release : 1785
Category :
ISBN :
Author : Rebecca Warren
Publisher : Pearson UK
Page : 389 pages
File Size : 48,99 MB
Release : 2015-10-07
Category : Literary Criticism
ISBN : 1292135395
This updated edition is ideal to support students when studying and revising for the new A level English Literature exams.
Author : Judy Kronenfeld
Publisher :
Page : 408 pages
File Size : 10,14 MB
Release : 1998
Category : Drama
ISBN :
Opening the play up to the implications of these contexts and this interpretive theory, she reveals much about Lear, English Reformation religious culture, and the state of contemporary criticism.
Author : Keith Linley
Publisher : Anthem Press
Page : 307 pages
File Size : 10,34 MB
Release : 2015-02-15
Category : Literary Criticism
ISBN : 1783083743
This engaging book provides in-depth discussion of the various influences that an audience in 1606 would have brought to interpreting ‘King Lear’. How did people think about the world, about God, about sin, about kings, about civilized conduct? Learn about the social hierarchy, gender relationships, parenting and family dynamics, court corruption, class tensions, the literary profile of the time, the concept of tragedy – and all the subversions, transgressions, and oppositions that made the play an unsettling picture of a disintegrating world in free fall.
Author : William Shakespeare
Publisher : Pearson UK
Page : 236 pages
File Size : 11,9 MB
Release : 2014-07-23
Category : Literary Criticism
ISBN : 1447977777
Author : Andrew K. Kennedy
Publisher : Cambridge University Press
Page : 294 pages
File Size : 35,31 MB
Release : 1975-01-23
Category : Drama
ISBN : 9780521204927
In this penetrating study Andrew Kennedy sets out to analyse the modern movement in drama through the theatrical language of six key figures writing in English - Shaw, Eliot, Beckett, Pinter, Osborne and Arden. Dr Kennedy argues that a study of theatrical language should be an exercise in 'practical criticism' and not merely narrowly linguistic. The whole range of theatrical expressiveness must be examined in detail from play text and performance alike and the conclusions correlated with the author's known intentions if a full evaluative judgement is to be attempted. Dr Kennedy shows how the modern movement in drama reveals a growing difficulty in creating any type of fully expressive dramatic language. He has written a work with an unusual breadth of reference, which should prove of value to all students of modern drama, modern English and European literature and to the theatre-going public.
Author : Kenneth Muir
Publisher : Cambridge University Press
Page : 118 pages
File Size : 47,87 MB
Release : 1982-10-28
Category : Literary Criticism
ISBN : 9780521246040
This volume brings together nine essays on King Lear by distinguished scholars, all of which were first published in Shakespeare Survey, the leading journal devoted to Shakespeare studies. A retrospective survey of criticism from 1934 to the present is followed by studies of the play's style and discussion of its background, meaning and theatrical presentation. The volume is illustrated with photographs of post-war productions.
Author : Rebecca Warren
Publisher :
Page : 132 pages
File Size : 27,76 MB
Release : 1998
Category : Drama
ISBN : 9780582329218
Building on the formula of York Notes, this Advanced series introduces students to more sophisticated analysis and wider critical perspectives. The notes enable students to appreciate contrasting interpretations of the text and to develop their own critical thinking. Key features include: study methods; an introduction to the text; summaries with critical notes; themes and techniques; textual analysis of key passages; author biography; historical and literary background; modern and historical critical approaches; chronology; and glossary of literary terms.
Author : Alexander Thom
Publisher : Springer Nature
Page : 268 pages
File Size : 12,36 MB
Release : 2023-12-25
Category : Literary Criticism
ISBN : 3031401573
This book advances five original readings of Shakespeare's King Lear, influenced by Giorgio Agamben, but tempered by primary research into Jacobean literature, law, religion, and philosophy. To grasp Lear’s encounter between politics and identity, the play demands a wider understanding of the religious influence on political thought. As Lear himself realises, sovereignty is an extreme, glamorous example of a deeper category: sacred office. Lear also shows duty intersecting with a hierarchy of bastards, outlaws, women, waifs, and monks. This book introduces concepts like petit treason, civil death, and waivery into political theological studies, complicating Agamben’s models. Goneril’s treason shows the sovereign’s consort and children are consecrated lives too. Lear’s crisis of "self-knowing" stages a landmark critique of office. The promise of his poignant speech before the prison is foreclosed by Shakespeare's invention: an officer dutifully murdering Cordelia. This book’s conclusion, through Hannah Arendt, reconsiders Lear’s persistent association with the Holocaust.
Author : Alisa Manninen
Publisher : Cambridge Scholars Publishing
Page : 350 pages
File Size : 28,56 MB
Release : 2015-10-05
Category : Drama
ISBN : 1443884383
William Shakespeare explores political survival as a question of interaction at court in King Lear, Macbeth, and Antony and Cleopatra. Through a discussion of authority as an element that is distinct from power, this book offers a new perspective on the importance of acts of persuasion and the contribution the late tragedies make to Shakespeare’s portrayal of monarchy. It argues that the most productive uses of the material power to judge or reward are those that reinforce royal authority and establish the monarch at the centre of the web of noble relationships. In the late tragedies, rulership is exercised at court. It acquires a nature of its own as the interaction of powerful and potentially powerful individuals among the nobility. The persuasive exercise of authority complements the tangible power that is founded on the monarch’s material resources, so that consent to the monarch’s supremacy is obtained through various discourses of justification and the performance of the monarch’s social role. Shakespeare’s combination of emotional intimacy with political concerns becomes central to the tragedies of these three plays when the failure to establish control over power and authority leads to the breakdown of established values and political traditions.