Hafiz, Master of Persian Poetry


Book Description

"Within the pantheon of world literature, the Persian poet Hafiz (born in around 1320 in the city of Shiraz) occupies an exalted position, and his poems have long been translated and studied in the West. However, the degree of the English language's "interaction" with the work of Hafiz has often been underestimated. Parvin Loloi's contribution has been to collect and analyse the entire body of translations of Hafiz in English and to identify the specific problems which his writing presents to translators, together with varying strategies adopted by translators to surmount these difficulties. Her book includes a comprehensive first-line index of English translations of individual poems of Hafiz: a rich resource for students of comparative literature or translation studies, which demonstrates widespread and long-established interest in one of the major poets of Persia. It points to cultural encounters which the debate on Orientalism has largely ignored and highlights a significant influence on English poets of the 19th century, including Byron and Tennyson."--Bloomsbury Publishing.




Asian Homosexuality


Book Description

First published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.




Hafiz and His Contemporaries


Book Description

Despite his towering presence in premodern Persian letters, Shams al-Din Muhammad Hafiz of Shiraz (d. 1390) remains an elusive and opaque character for many. In order to look behind the hyperbole that surrounds Hafiz's poetry and penetrate the quasi-hagiographical film that obscures the poet himself, this book attempts a contextualisation of Hafiz that is at once socio-political, historical, and literary. Here, Hafiz's ghazals (short, monorhyme, broadly amorous lyric poems) are read comparatively against similar texts composed by his less-studied rivals in the hyper competitive, imitative, and profoundly intertextual environment of fourteenth-century Shiraz. By bringing Hafiz's lyric poetry into productive, detailed dialogue with that of the counterhegemonic satirist, 'Ubayd Zakani (d. 1371), and the marginalised Jahan-Malik Khatun (d. after 1391; the most prolific female poet of premodern Iran), our received understanding of this most iconic of stages in the development of the Persian ghazal is disrupted, and new avenues for literary exploration open up. Looking beyond the particular milieu of Shiraz, this study re-assesses Hafiz's place in the Persian poetic canon through reading his poems alongside those produced by professional poets in other major centres of Persian literary activity who enjoyed comparable fame in the fourteenth century. Recognising the aesthetic achievements of his contemporaries does not diminish the splendour of Hafiz's, rather it forces us to accept that Hafiz was but one member of a band of poets who jostled for the limelight in competing, often intersecting, patronage and reception networks that facilitated intense cultural exchange between the cities of post-Mongol Iran and Iraq. Hafiz's ghazals, characterised as they are by conscious and deliberate hybridity, ambiguity, and polysemy, are products of a creative mind bent on experimenting with genre. While in no way seeking to deny the mystical stratum of the Persian ghazal in its fourteenth-century manifestation, this study emphasises the courtly and profane dimensions of the form, and regards Hafiz through a sober lens with keen attention to his dynamic role at the heart of a vibrant poetic community that was at once both fiercely local and boldly cosmopolitan.




Bibliographical Guide to Iran


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Diwan of Hafiz


Book Description

DIWAN of HAFIZTranslation & Introduction Paul SmithThis is a completely revised one volume edition of the only modern, poetic version of Hafiz's masterpiece of 791 ghazals, masnavis, ruba'is and other poems/songs. The spiritual and historical and human content is here in understandable, beautiful poetry: the correct rhyme-structure has been achieved, without intruding, in readable English. In the Introduction of 70 pages his wonderful life story is told in greater detail than anywhere else; his spirituality is explored, his influence on the life, poetry and art of the East and the West, the form and function of his poetry, and the use of his book as a worldly guide and spiritual oracle. His Book, like the I Ching, is one of the world's Great Oracles. Included are notes to most poems, glossary and selected bibliography and two indexes. First published in a limited two-volume limited edition in 1986 the book quickly went out of print. Large Format Edition 7" x 10" 806 pages."In his poetry Hafiz inscribed undeniable truth indelibly! He has no peer!" Goethe"It is as if his mental Eye, endowed with wonderful acuteness of vision, had penetrated into those provinces of thought which we of a later age were destined to inhabit." Gertrude Bell"Once a person has studied Hafiz he has reached the top of the mountain, from whence he beholds the sublimity of the immanence of God." Inayat Khan "Hafiz defies you to show him or put him in a condition inopportune or ignoble... He fears nothing. He sees too far; he sees throughout; such is the only man I wish to see or be." Emerson"Hafiz is highly esteemed by his countrymen as Shakespeare by us, and deserves as serious consideration." A.J. Arberry"There is no equal to Hafiz in poetry. He was a Perfect Master... His Divan is the best book in the world because it engenders feelings which ultimately lead to illumination." Meher Baba"Hafiz breathes originality in all his works ... in no other country, was ever born a genius so rare. He dwells on the degeneracy of his age, on the vanity of the world on universal charity, and on toleration and liberty of conscience." H. Wilberforce Clarke"We may state, without incurring the danger of modernization, that in these ghazals Hafiz applied quite consciously and consistently a method of revealing his hero's inner condition at which European literature first arrived only in the XX century." Michael J. ZandCOMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'."It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. I am astonished.." Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran."Superb translations. 99% Hafiz 1% Paul Smith." Ali Akbar Shapurzman, translator of English to Persian and knower of Hafiz's Divan off by heart. "Smith has probably put together the greatest collection of literary facts and history concerning Hafiz." Daniel Ladinsky (Penguin Books author). Paul Smith (b. 1945) is a poet, author and translator of many books of Sufi poets of Persian, Arabic, Urdu, Turkish and other languages including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Mu'in ud-din Chishti, Lalla Ded, Amir Khusrau, Baba Farid, Nesimi, Kabir, Anvari, Ansari, Jami, Khayyam, Hallaj, Rudaki, Yunus Emre, IraqI, Ghalib, Iqbal, Makhfi, Lalla Ded, Abu Nuwas, Ibn al-Farid and many others, as well as his own poetry, fiction, plays, biographies, children's books and a dozen screenplays. www.newhumanitybooks.com




National Union Catalog


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Includes entries for maps and atlases.




Studies in Islam


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Lives of the Prophets


Book Description

In Lives of the Prophets: The Illustrations to Hafiz-i Abru’s “Assembly of Chronicles” Mohamad Reza Ghiasian analyses two extant copies of the Majmaʿ al-tawarikh produced for the Timurid ruler Shahrukh (r. 1405–1447). The first manuscript is kept in Topkapı Palace and the second is widely dispersed. Codicological analysis of these manuscripts not only allows a better understanding of Hafiz-i Abru’s contributions to rewriting earlier history, but has served to identify the existence of a previously unrecognised copy of the Jamiʿ al-tawarikh produced at Rashid al-Din’s scriptorium. Through a meticulous close reading of both text and image, Mohamad Reza Ghiasian convincingly proves that numerous paintings of the dispersed manuscript were painted over the text before its dispersal in the early twentieth century.