Author : Ann Cooper Albright
Publisher : Wesleyan University Press
Page : 252 pages
File Size : 38,63 MB
Release : 2007-09-04
Category : Biography & Autobiography
ISBN : 9780819568434
The first major English-language study of a legendary dancer
Author : Susan Holoubek
Publisher : Macmillan
Page : 313 pages
File Size : 16,37 MB
Release : 2013
Category : Argentina
ISBN : 9781742612171
A missing daughter, her distraught mother.A foreign country. A history of deceit.When Dee's daughter, Corrie, decides to spend her gap year in Argentina, it seems like the perfect solution to their strained relationship. That is, until Corrie goes missing. Facing every mother's worst nightmare, Dee boards a plane from Australia to launch a frantic search. Four years later, Dee returns to Buenos Aires for what she concedes may be the last time. But on this visit, a fresh lead triggers a new search – one where Dee must place her trust in strangers to help her navigate the vibrant but often threatening city.Dee's search for Corrie is overshadowed by the fear that her failings as a mother may have had something to do with Corrie's disappearance. To what extent is Dee to blame? And is this a question that she will ever be able to answer?Traces of Absence is a stirring and thoughtful portrayal of parenthood, guilt, faith and hope. And of the redemptive power of simple human kindness.
Author : Beatrice Galinon-Melenec
Publisher : John Wiley & Sons
Page : 210 pages
File Size : 31,90 MB
Release : 2021-04-01
Category : Social Science
ISBN : 1119817803
Whether it is to look to the past in search of their origins, analyze their present activity, particularly digital, or to think about the effects of their actions on the future, 21st century humans regularly question their traces. Collective questions and technical progress offer new resources which, in turn, raise the problems of traces. In order to reveal the difficulties posed by the unanalyzed trace, this book proposes a journey through different contexts. Along the way, intellectuals (including Bateson, Barthes, Bourdieu, Derrida, Goffman, Peirce, Ricoeur, Varela, Thompson, Watsuji and Watzlawick) and trace professionals (such as police officers or computer scientists) shed light on the background to this veritable odyssey. This didactic book presents a contemporary exploration of the fundamental nature of the trace via the new French paradigm of the Ichnos-Anthropos (Homme-trace) and its corollary, the corps-trace.
Author : Peter J. Leithart
Publisher : Brazos Press
Page : 176 pages
File Size : 29,63 MB
Release : 2015-03-10
Category : Religion
ISBN : 1441222510
As the Triune God created the world, so creation bears the signs of its Creator. This evocative book by an influential Christian thinker explores the pattern of mutual indwelling that characterizes the creation at every level. Traces of the Trinity appear in myriad ways in everyday life, from our relations with the world and our relationships with others to sexuality, time, language, music, ethics, and logic. This small book with a big idea--the Trinity as the Christian theory of everything--changes the way we view and think about the world and places demands on the way we live together in community.
Author : Timothy Holland
Publisher : Oxford University Press
Page : 281 pages
File Size : 49,86 MB
Release : 2024
Category : Art
ISBN : 0197694381
Situated at the intersection of film and media studies, literary theory, and continental philosophy, The Traces of Jacques Derrida's Cinema provides a trenchant account of the role of cinema in the oeuvre of one of the most influential philosophers of the twentieth century, Jacques Derrida (1930-2004). The book is animated by Derrida's self-confessed passion for the movies, his reluctance to write about film despite the range of his corpus, and the generative encounters arising between his legacy and the field of film and media studies as a result. Given the expanse of its references, interdisciplinarity, and consideration of Derrida's approach to the experience of both spectatorship and the act of being filmed, The Traces of Jacques Derrida's Cinema contributes to the ongoing close analyses of the philosopher's work while also providing a rigorous introduction to deconstruction. Author Timothy Holland interweaves historical and speculative modes of research and writing to articulate the peripheral-yet surprisingly crucial-place of the cinematic medium for Derrida and his philosophical enterprise. The outcome is a meticulously detailed survey of the centers and margins of Derrida's oeuvre that include forays into such terrain as: his notable appearances in films; an unrealized project on cinema and belief that Derrida proposed in a 2001 interview; the correspondences between the strategies of deconstruction and the traditions, homecomings, and wordplay of David Lynch's cinematic media; and the questions wedded to the future of film studies amid the vicissitudes of the modern, virtual university. Ultimately, Holland pursues the thinking activated by the flickering of Derrida's cinema-not only the absence and presence of film in Derrida's professional and personal life, but also the rigor of academic discourse and the pleasures of the movies, ghosts and technology, religious faith and scientific knowledge, and ruination and survival-as a critical chance for reflection.
Author : Angela Bartram
Publisher : Routledge
Page : 273 pages
File Size : 33,63 MB
Release : 2016-04-08
Category : Architecture
ISBN : 1317070003
Bringing together a broad range of contributors including art, architecture, and design academic theorists and historians, in addition to practicing artists, architects, and designers, this volume explores the place of the sketchbook in contemporary art and architecture. Drawing upon a diverse range of theories, practices, and reflections common to the contemporary conceptualisation of the sketchbook and its associated environments, it offers a dialogue in which the sketchbook can be understood as a pivotal working tool that contributes to the creative process and the formulation and production of visual ideas. Along with exploring the theoretical, philosophical, psychological, and curatorial implications of the sketchbook, the book addresses emergent digital practices by way of examining contemporary developments in sketchbook productions and pedagogical applications. Consequently, these more recent developments question the validity of the sketchbook as both an instrument of practice and creativity, and as an educational device. International in scope, it not only explores European intellectual and artistic traditions, but also intercultural and cross-cultural perspectives, including reviews of practices in Chinese artworks or Islamic calligraphy, and situational contexts that deal with historical examples, such as Roman art, or modern practices in geographical-cultural regions like Pakistan.
Author : Elina Gertsman
Publisher : Penn State Press
Page : 599 pages
File Size : 37,32 MB
Release : 2021-06-24
Category : Art
ISBN : 0271089016
Winner of the 2022 Charles Rufus Morey Award from the College Art Association Guided by Aristotelian theories, medieval philosophers believed that nature abhors a vacuum. Medieval art, according to modern scholars, abhors the same. The notion of horror vacui—the fear of empty space—is thus often construed as a definitive feature of Gothic material culture. In The Absent Image, Elina Gertsman argues that Gothic art, in its attempts to grapple with the unrepresentability of the invisible, actively engages emptiness, voids, gaps, holes, and erasures. Exploring complex conversations among medieval philosophy, physics, mathematics, piety, and image-making, Gertsman considers the concept of nothingness in concert with the imaginary, revealing profoundly inventive approaches to emptiness in late medieval visual culture, from ingenious images of the world’s creation ex nihilo to figurations of absence as a replacement for the invisible forces of conception and death. Innovative and challenging, this book will find its primary audience with students and scholars of art, religion, physics, philosophy, and mathematics. It will be particularly welcomed by those interested in phenomenological and cross-disciplinary approaches to the visual culture of the later Middle Ages.
Author : William James Booth
Publisher : Cornell University Press
Page : 264 pages
File Size : 44,65 MB
Release : 2018-07-05
Category : Political Science
ISBN : 1501726862
"Memory has fueled merciless, violent strife, and it has been at the core of reconciliation and reconstruction. It has been used to justify great crimes, and yet it is central to the pursuit of justice. In these and more everyday ways, we live surrounded by memory, individual and social: in our habits, our names, the places where we live, street names, libraries, archives, and our citizenship, institutions, and laws. Still, we wonder what to make of memory and its gifts, though sometimes we are hardly even certain that they are gifts. Of the many chambers in this vast palace, I mean to ask particularly after the place of memory in politics, in the identity of political communities, and in their practices of doing justice."—from the Preface W. James Booth seeks to understand the place of memory in the identity, ethics, and practices of justice of political communities. Identity is, he believes, a particular kind of continuity across time, one central to the possibility of agency and responsibility, and memory plays a central role in grounding that continuity. Memory-identity takes two forms: a habitlike form, the deep presence of the past that is part of a life-led-in-common; and a more fragile, vulnerable form in which memory struggles to preserve identity through time—notably in bearing witness—a form of memory work deeply bound up with the identity of political communities. Booth argues that memory holds a defining place in determining how justice is administered. Memory is tied to the very possibility of an ethical community, one responsible for its own past, able to make commitments for the future, and driven to seek justice. "Underneath (and motivating) the politics of memory, understood as contests over the writing of history, over memorials, museums, and canons," he writes, "there lies an intertwining of memory, identity, and justice." Communities of Memory both argues for and maps out that intertwining.
Author : Geoffrey Bennington
Publisher : University of Chicago Press
Page : 444 pages
File Size : 26,43 MB
Release : 1993-05
Category : Biography & Autobiography
ISBN : 9780226042619
Geoffrey Bennington sets out here to write a systematic account of the thought of Jacques Derrida. Responding to Bennington's text at every turn is Derrida's own excerpts from his life and thought that, appearing at the bottom of each page, resist circumscription. Together these texts, as a dialogue and a contest, constitute a remarkably in-depth, critical introduction to one of the leading philosophers of the twentieth century and, at the same time, demonstrate the illusions inherent in such a project. Bennington's account of Derrida, broader in scope than any previously done, leads the reader through the philosopher's familiar yet still widely misunderstood work on language and writing to the less familiar and altogether more mysterious themes of signature, sexual difference, law, and affirmation. Seeking to escape this systematic rendering - in fact, to prove it impossible - Derrida interweaves Bennington's text with surprising and disruptive "periphrases": reflections on his mother's death agony, commentaries on St. Augustine's Confessions, memories of childhood, remarks on Judaism, and references to his collaborator's efforts. This extraordinary book offers, on the one hand, a clear and compelling account of one of the most difficult and important contemporary thinkers and, on the other, one of that thinker's strangest and most unexpected texts. Far from putting an end to the need to discuss Derrida, Bennington's text might have originally intended or pretended, this dual text opens new dimensions in the philosopher's thought and work and extends its challenge.
Author : Lauret Savoy
Publisher : Catapult
Page : 240 pages
File Size : 16,43 MB
Release : 2015-11-01
Category : History
ISBN : 1619026686
With a New Preface by the Author Through personal journeys and historical inquiry, this PEN Literary Award finalist explores how America’s still unfolding history and ideas of “race” have marked its people and the land. Sand and stone are Earth’s fragmented memory. Each of us, too, is a landscape inscribed by memory and loss. One life–defining lesson Lauret Savoy learned as a young girl was this: the American land did not hate. As an educator and Earth historian, she has tracked the continent’s past from the relics of deep time; but the paths of ancestors toward her—paths of free and enslaved Africans, colonists from Europe, and peoples indigenous to this land—lie largely eroded and lost. A provocative and powerful mosaic that ranges across a continent and across time, from twisted terrain within the San Andreas Fault zone to a South Carolina plantation, from national parks to burial grounds, from “Indian Territory” and the U.S.–Mexico Border to the U.S. capital, Trace grapples with a searing national history to reveal the often unvoiced presence of the past. In distinctive and illuminating prose that is attentive to the rhythms of language and landscapes, she weaves together human stories of migration, silence, and displacement, as epic as the continent they survey, with uplifted mountains, braided streams, and eroded canyons. Gifted with this manifold vision, and graced by a scientific and lyrical diligence, she delves through fragmented histories—natural, personal, cultural—to find shadowy outlines of other stories of place in America. "Every landscape is an accumulation," reads one epigraph. "Life must be lived amidst that which was made before." Courageously and masterfully, Lauret Savoy does so in this beautiful book: she lives there, making sense of this land and its troubled past, reconciling what it means to inhabit terrains of memory—and to be one.
