Tracking the Tempest


Book Description

Valentine's Day is fast approaching, and Ryu -- Jane's bloodsucking boyfriend -- can't let a major holiday go by without getting all gratuitous. An overwhelming dose of boyfriend interference and a last-minute ticket to Boston later, and Jane's life is thrown off course. Ryu's well-intentioned plans create mayhem, and Jane winds up embroiled in an investigation involving a spree of gruesome killings. All the evidence points towards another Halfling, much to Jane's surprise. . .




Tempest's Fury


Book Description

Jane's not happy. She's been packed off to England to fight in a war when she'd much rather be snogging Anyan. Unfortunately, Jane's enemies have been busy stirring up some major trouble -- the kind that attracts a lot of attention. In other words, they're not making it easy for Jane to get any alone time with the barghest, or to indulge in her penchant for stinky cheese. Praying she can pull of a Joan of Arc without the whole martyrdom thing, Jane must lead Alfar and halflings alike in a desperate battle to combat an ancient evil. Catapulted into the role of Most Unlikely Hero Ever, Jane also has to fight her own insecurities as well as the doubts of those who don't think she can live up to her new role as Champion. Along the way, Jane learns that some heroes are born. Some are made. And some are bribed with promises of food and sex.




Tempest Rising


Book Description

Jane True has always felt like a misfit in Rockabill. With a shady family background and a tragic past, she's used to being rejected by so-called 'normal' society. But she's about to discover there's more to this town than meets the eye. During her nightly swim in the ocean, a grisly find leads Jane to some startling revelations about Rockabill - and about her own dark heritage. Behind everyday life, she uncovers a world filled with strange, powerful (not to mention alluring) supernatural beings. It's a world both frightening and deadly. But it could be just what Jane's looking for . . .




Hag-Seed


Book Description

NEW YORK TIMES BESTSELLER • The beloved author of The Handmaid’s Tale reimagines Shakespeare’s final, great play, The Tempest, in a gripping and emotionally rich novel of passion and revenge. “A marvel of gorgeous yet economical prose, in the service of a story that’s utterly heartbreaking yet pierced by humor, with a plot that retains considerable subtlety even as the original’s back story falls neatly into place.”—The New York Times Book Review Felix is at the top of his game as artistic director of the Makeshiweg Theatre Festival. Now he’s staging aTempest like no other: not only will it boost his reputation, but it will also heal emotional wounds. Or that was the plan. Instead, after an act of unforeseen treachery, Felix is living in exile in a backwoods hovel, haunted by memories of his beloved lost daughter, Miranda. And also brewing revenge, which, after twelve years, arrives in the shape of a theatre course at a nearby prison. Margaret Atwood’s novel take on Shakespeare’s play of enchantment, retribution, and second chances leads us on an interactive, illusion-ridden journey filled with new surprises and wonders of its own. Praise for Hag-Seed “What makes the book thrilling, and hugely pleasurable, is how closely Atwood hews to Shakespeare even as she casts her own potent charms, rap-composition included. . . . Part Shakespeare, part Atwood, Hag-Seed is a most delicate monster—and that’s ‘delicate’ in the 17th-century sense. It’s delightful.”—Boston Globe “Atwood has designed an ingenious doubling of the plot of The Tempest: Felix, the usurped director, finds himself cast by circumstances as a real-life version of Prospero, the usurped Duke. If you know the play well, these echoes grow stronger when Felix decides to exact his revenge by conjuring up a new version of The Tempest designed to overwhelm his enemies.”—Washington Post “A funny and heartwarming tale of revenge and redemption . . . Hag-Seed is a remarkable contribution to the canon.”—Bustle




A Different Mirror for Young People


Book Description

A longtime professor of Ethnic Studies at the University of California at Berkeley, Ronald Takaki was recognized as one of the foremost scholars of American ethnic history and diversity. When the first edition of A Different Mirror was published in 1993, Publishers Weekly called it "a brilliant revisionist history of America that is likely to become a classic of multicultural studies" and named it one of the ten best books of the year. Now Rebecca Stefoff, who adapted Howard Zinn's best-selling A People's History of the United States for younger readers, turns the updated 2008 edition of Takaki's multicultural masterwork into A Different Mirror for Young People. Drawing on Takaki's vast array of primary sources, and staying true to his own words whenever possible, A Different Mirror for Young People brings ethnic history alive through the words of people, including teenagers, who recorded their experiences in letters, diaries, and poems. Like Zinn's A People's History, Takaki's A Different Mirror offers a rich and rewarding "people's view" perspective on the American story.




The Tempest


Book Description

The New Oxford Shakespeare edition of The Tempest provides a friendly yet authoritative introduction to Shakespeare's famous play.




Tracking the Literature of Tropical Weather


Book Description

This book tracks across history and cultures the ways in which writers have imagined cyclones, hurricanes, and typhoons, collectively understood as “tropical weather.” Historically, literature has drawn upon the natural world for its store of symbolic language and technical device, making use of violent storms in the form of plot, drama, trope, and image in order to highlight their relationship to the political, social, and psychological realms of human affairs. Charting this relationship through writers such as Joseph Conrad, Herman Melville, Gisèle Pineau, and other writers from places like Australia, Japan, Mauritius, the Caribbean, and the Philippines, this ground-breaking collection of essays illuminates the specificities of the ways local, national, and regional communities have made sense and even relied upon the literary to endure the devastation caused by deadly tropical weather.




Eye of the Tempest


Book Description

Nothing says "home" like being attacked by humans with very large guns, as Jane and Anyan discover when they arrive in Rockabill. These are professionals, brought into kill, and they bring Anyan down before either Jane or the barghest can react. Seeing Anyan fall awakens a terrible power within Jane, and she nearly destroys herself taking out their attackers. Jane wakes, weeks later, to discover that she's not the only thing that's been stirring. Something underneath Rockabill is coming to life: something ancient, something powerful, and something that just might destroy the world. Jane and her friends must act, striking out on a quest that only Jane can finish. For whatever lurks beneath the Old Sow must be stopped. . .and Jane's just the halfling for the job.




Tempest


Book Description

Liz Skilton’s innovative study tracks the naming of hurricanes over six decades, exploring the interplay between naming practice and wider American culture. In 1953, the U.S. Weather Bureau adopted female names to identify hurricanes and other tropical storms. Within two years, that convention came into question, and by 1978 a new system was introduced, including alternating male and female names in a pattern that continues today. In Tempest: Hurricane Naming and American Culture, Skilton blends gender studies with environmental history to analyze this often controversial tradition. Focusing on the Gulf South—the nation’s “hurricane coast”—Skilton closely examines select storms, including Betsy, Camille, Andrew, Katrina, and Harvey, while referencing dozens of others. Through print and online media sources, government reports, scientific data, and ephemera, she reveals how language and images portray hurricanes as gendered objects: masculine-named storms are generally characterized as stronger and more serious, while feminine-named storms are described as “unladylike” and in need of taming. Further, Skilton shows how the hypersexualized rhetoric surrounding Katrina and Sandy and the effeminate depictions of Georges represent evolving methods to define and explain extreme weather events. As she chronicles the evolution of gendered storm naming in the United States, Skilton delves into many other aspects of hurricane history. She describes attempts at scientific control of storms through hurricane seeding during the Cold War arms race of the 1950s and relates how Roxcy Bolton, a member of the National Organization for Women, led the crusade against feminizing hurricanes from her home in Miami near the National Hurricane Center in the 1970s. Skilton also discusses the skyrocketing interest in extreme weather events that accompanied the introduction of 24-hour news coverage of storms, as well as the impact of social media networks on Americans’ tracking and understanding of hurricanes and other disasters. The debate over hurricane naming continues, as Skilton demonstrates, and many Americans question the merit and purpose of the gendered naming system. What is clear is that hurricane names matter, and that they fundamentally shape our impressions of storms, for good and bad.




Tempest


Book Description

The year is 2009. Nineteen-year-old Jackson Meyer is a normal guy... he's in college, has a girlfriend... and he can travel back through time. But it's not like the movies – nothing changes in the present after his jumps, there's no space-time continuum issues or broken flux capacitors – it's just harmless fun. That is... until the day strangers burst in on Jackson and his girlfriend, Holly, and during a struggle with Jackson, Holly is fatally shot. In his panic, Jackson jumps back two years to 2007, but this is not like his previous time jumps. Now he's stuck in 2007 and can't get back to the future. Desperate to somehow return to 2009 to save Holly but unable to return to his rightful year, Jackson settles into 2007 and learns what he can about his abilities. But it's not long before the people who shot Holly in 2009 come looking for Jackson in the past, and these "Enemies of Time" will stop at nothing to recruit this powerful young time-traveler. Recruit... or kill him. Piecing together the clues about his father, the Enemies of Time, and himself, Jackson must decide how far he's willing to go to save Holly... and possibly the entire world.