Tracks Along the Left Coast


Book Description

“Tracks Along the Left Coast more than accomplishes its self–appointed task of celebrating de Angulo’s legacy.” —Rain Taxi “Schelling’s biography of Jaime de Angulo—'cattle puncher, medical doctor, bohemian, buckeroo,' among other things—presents a fascinating, full–bodied portrait of a man and an era, as well as delving deep into California’s Native history. De Angulo’s isn't a household name, but in Schelling's work the man called by Ezra Pound the 'American Ovid' comes blazing to life in all his singular brilliance.” —Stephen Sparks, Literary Hub California, with its scores of native languages, contains a wealth of old–time stories—a bedrock of the literature of North America. Jaime de Angulo's linguistic and ethnographic work, his writings, as well as the legends that cloak the Old Coyote himself, vividly reflect the particulars of the Pacific Coast. In each retelling, through each storyteller, stories are continually revivified, and that is precisely what Andrew Schelling has done in Tracks Along the Left Coast, weaving together the story of de Angulo's life with the story of the land and the people, languages, and cultures with whom it is so closely tied.




Field Guide to Animal Tracks and Scat of California


Book Description

Spotting an animal’s fresh footprints in the wild can conjure a world for the hiker: Why did the deer tracks disappear? Where did the cougar turn off the trail? What does it mean when two sets of footprints seem to coincide? This beautifully illustrated field guide, the first devoted to the tracks and signs of California animals—including birds, mammals, reptiles, amphibians, and invertebrates like spiders and beetles—blends meticulous science with field experience to provide an engaging companion for both armchair exploration and easy field identification. Filled with useful tools for the wildlife expert, and essential background and visual aids for the novice, including in-depth information about the ecology of each species, this book goes beyond basic recognition of types to interpret what animals leave behind as a way of "seeing" how they move through the world.




Tallgrass


Book Description

An essential American novel from Sandra Dallas, an unparalleled writer of our history, and our deepest emotions... During World War II, a family finds life turned upside down when the government opens a Japanese internment camp in their small Colorado town. After a young girl is murdered, all eyes (and suspicions) turn to the newcomers, the interlopers, the strangers. This is Tallgrass as Rennie Stroud has never seen it before. She has just turned thirteen and, until this time, life has pretty much been what her father told her it should be: predictable and fair. But now the winds of change are coming and, with them, a shift in her perspective. And Rennie will discover secrets that can destroy even the most sacred things. Part thriller, part historical novel, Tallgrass is a riveting exploration of the darkest--and best--parts of the human heart.




Songs of the Sons and Daughters of Buddha


Book Description

A lyrical translation of an inspired selection of verses from the earliest Buddhist monks and nuns. More than two thousand years ago, the earliest disciples of the Buddha put into verse their experiences on the spiritual journey--from their daily struggles to their spiritual realizations. Over time the verses were collected to form the Theragatha and Therigatha, the "Verses of Elder Monks" and "Verses of Elder Nuns" respectively. In Songs of the Sons and Daughters of the Buddha, renowned poets Andrew Schelling and Anne Waldman have translated the most poignant poems in these collections, bringing forth the visceral, immediate qualities that are often lost in more scholarly renditions. These selections reveal the fears, loves, mishaps, expectations, and joys of the early monks and nuns, when, struck by wild insight, they cried out the anguish or solace they knew in their lives.




Wild Form, Savage Grammar


Book Description

These essays are reports from an increasingly important crossroads where art and ecology meet. Andrew Schelling belongs, in the words of Patrick Pritchett, "to a small group of poets who are actively engaged with the rhythms and pulses of the natural world." He is also the preeminent translator into English of the poetries of ancient India.Wild Form, Savage Grammarcollects ten years of essays, many of which investigate the "nature literacy" of American and Asian poetry traditions. Other topics include recollections of Allen Ginsberg and Joanne Kyger, wolf reintroduction in the Rocky Mountains, pilgrimage to Buddhist India, and the possible use of hallucinogens among Paleolithic artists. An underlying commitment to ecology studies, Buddhist teachings, and contemporary poetry weaves the collection together.>/p> "What the archaic traditions (and their echoes in Asia, Native America and elsewhere) might come to mean for a nature literate people of today and the future is very exciting. A way out of the West's goofy pastoralism? Out of the neo-Victorian nature writing which dominates the commercial nature magazines? Let's envision somewhere in the immediate future a tradition grander than Romantic landscape verse or regional painting, and far more heartening than nostalgia for a pre-industrial or pre-agricultural past. What might it look like? Could there be a future in which ecology and art fruitfully interact, inspired by biological discoveries and scarcely envisioned conservation sciences of eras to come? My hope is that projective forms of writing will move quickly past visual descriptions of natural phenomena, to enact or recuperate what Aldo Leopold observed to be the grand theaters of ecology and the epic journeys of evolution."--from theIntroduction




Some Unquenchable Desire


Book Description

An award-winning translator finds surprisingly modern themes in a selection of erotic and religious stanzas from one of classical India's most celebrated poets. Although few facts are known about his life, the Indian poet Bhartrihari leaps from the page as a remarkably recognizable individual. Amidst a career as a linguist, courtier, and hermit, he used poetry to explore themes of love, desire, impermanence, despair, anger, and fear. “A thousand emotions, ideas, words, and rhythmic syllables stormed through him,” writes translator Andrew Schelling in an evocative introduction. “In particular he shows himself torn between sexual desire and a hunger to be free of failed love affairs and turbulent karma.” Schelling’s translation represents a rare opportunity for English-language readers to become acquainted with this fascinating poet. Attuned to Bhartrihari’s unique poetic sensibility, Schelling has produced a compelling, personally curated set of translations.




The Lariat


Book Description

The Lariat tells the story of Fray Luis, a Franciscan monk, who comes to Northern California to convert the Native Americans to Christianity. This text includes other stories as well.




Blood on the Tracks


Book Description

“We are not worth more, they are not worth less.” This is the mantra of S. Brian Willson and the theme that runs throughout his compelling psycho-historical memoir. Willson’s story begins in small-town, rural America, where he grew up as a “Commie-hating, baseball-loving Baptist,” moves through life-changing experiences in Viet Nam, Nicaragua and elsewhere, and culminates with his commitment to a localized, sustainable lifestyle. In telling his story, Willson provides numerous examples of the types of personal, risk-taking, nonviolent actions he and others have taken in attempts to educate and effect political change: tax refusal—which requires simplification of one’s lifestyle; fasting—done publicly in strategic political and/or therapeutic spiritual contexts; and obstruction tactics—strategically placing one’s body in the way of “business as usual.” It was such actions that thrust Brian Willson into the public eye in the mid-’80s, first as a participant in a high-profile, water-only “Veterans Fast for Life” against the Contra war being waged by his government in Nicaragua. Then, on a fateful day in September 1987, the world watched in horror as Willson was run over by a U.S. government munitions train during a nonviolent blocking action in which he expected to be removed from the tracks and arrested. Losing his legs only strengthened Willson’s identity with millions of unnamed victims of U.S. policy around the world. He provides details of his travels to countries in Latin America and the Middle East and bears witness to the harm done to poor people as well as to the environment by the steamroller of U.S. imperialism. These heart-rending accounts are offered side by side with inspirational stories of nonviolent struggle and the survival of resilient communities Willson’s expanding consciousness also uncovers injustices within his own country, including insights gained through his study and service within the U.S. criminal justice system and personal experiences addressing racial injustices. He discusses coming to terms with his identity as a Viet Nam veteran and the subsequent service he provides to others as director of a veterans outreach center in New England. He draws much inspiration from friends he encounters along the way as he finds himself continually drawn to the path leading to a simpler life that seeks to “do no harm.&rdquo Throughout his personal journey Willson struggles with the question, “Why was it so easy for me, a ’good’ man, to follow orders to travel 9,000 miles from home to participate in killing people who clearly were not a threat to me or any of my fellow citizens?” He eventually comes to the realization that the “American Way of Life” is AWOL from humanity, and that the only way to recover our humanity is by changing our consciousness, one individual at a time, while striving for collective cultural changes toward “less and local.” Thus, Willson offers up his personal story as a metaphorical map for anyone who feels the need to be liberated from the American Way of Life—a guidebook for anyone called by conscience to question continued obedience to vertical power structures while longing to reconnect with the human archetypes of cooperation, equity, mutual respect and empathy.




Indian Tales


Book Description

Hailed by Ezra Pound as the "American Ovid" and renowned as a linguist and a self-described "amateur anthropologist," Jaime de Angulo drew on his forty years among the Pit River tribe of California to create the amalgam of fiction, folklore, tall tales, jokes, ceremonial ritual, and adventure that is Indian Tales. He first wrote these stories to entertain his children, borrowing freely from the worlds of the Pit, and also of the Miwok, Pomo, and Karok. Here are the adventures of Father Bear, Mother Antelope, the little boy Fox, and, of course, Old Man Coyote in a time when people and animals weren't so very far apart. The author's intent was not so much to rer anthropologically faithful translations-though they are here-as to create a magical world fueled by the power of storytelling while avoiding the dangers for the romantic and picturesque. True to the playful and imaginative spirit he portrays, de Angulo mischievously recommends to readers: "When you find yourself searching for some mechanical explanation, if you don't know the answer, invent one. When you pick out some inconsistency or marvelous improbability, satisfy your curiosity like the old Indian folk: 'Well, that's the way they tell that story. I didn't make it up!'"




Port Series


Book Description