Tradition and Innovation in the Three Late Sonatas of Claude Debussy
Author : Yoohee Kwon
Publisher :
Page : 488 pages
File Size : 44,49 MB
Release : 1997
Category : Sonata
ISBN :
Author : Yoohee Kwon
Publisher :
Page : 488 pages
File Size : 44,49 MB
Release : 1997
Category : Sonata
ISBN :
Author : Maurice Hinson
Publisher : Indiana University Press
Page : 853 pages
File Size : 40,20 MB
Release : 2021-07-27
Category : Music
ISBN : 0253056748
In this expanded and updated edition, The Piano in Chamber Ensemble: An Annotated Guide features over 3200 compositions, from duos to octets, by more than 1600 composers. Maurice Hinson and Wesley Roberts catalog published works for piano with two or more instruments with information on performance level, length, individual movements, overall style, and publisher. Divided into sections according to the number and types of instruments involved, The Piano in Chamber Ensemble then subdivides entries according to the actual scoring. Keyboard, string, woodwind, brass, and percussion players and teachers will find a wealth of chamber works from all periods in this invaluable guide.
Author :
Publisher :
Page : 532 pages
File Size : 47,5 MB
Release : 2006
Category : Dissertations, Academic
ISBN :
Author : Mark Katz
Publisher : Routledge
Page : 423 pages
File Size : 14,20 MB
Release : 2006-02-09
Category : Music
ISBN : 1135576963
The violin was first mentioned in a book in the sixteenth century. An abundant and diverse literature on the instrument has grown since then, and a complete general guide to these materials has not been produced in the modern era. The last, Edward Heron-Allen's De Fidiculis Bibliographia , was published in1894. This book fills that void, organizing and annotating information on the violin from a variety of fields and sources. It provides a comprehensive, though selective, guide to all facets of the instrument. The book is divided into 4 main parts: Reference and General Studies; Acoustics and Construction; Violin Playing, Performance Practice, and Music; and Violinists, Composers, and Violin Teachers. It will serve as a ready reference for students and scholars, and is a welcome addition to the esteemed Routledge Music Bibliography series.
Author : Matthew Ambrosio
Publisher :
Page : 0 pages
File Size : 12,41 MB
Release : 2019
Category :
ISBN :
This dissertation investigates the spatio-temporal experience of listening to music, particularly the narrative impact of musical return, taking Claude Debussy's late works as case studies. These works mark a decisive break with traditional practices in harmonic composition; and as such, they prove evasive under traditional analytical practices of music theory, which often presume a teleological musical narrative. To form an approach to musical analysis consistent with these works' non-linearities, I turn to the metaphysics of post-structuralist philosopher Gilles Deleuze. His immanentist philosophical perspective offers a relief from the transcendentalism that pervades current music-analytical practices. In particular, a Deleuzean perspective provides the tools with which to question assumed notions of musical spatiality, temporality, and, ultimately, narrativity by suggesting a schizoanalytical model of thought. Four select works of Debussy - Sonata for Flute, Viola, and Harp (1915), Cello Sonata (1915), Violin Sonata (1916), and "Éventail" from Trois Poémes de Mallarmé (1913) - feature in this project. Chapter 1 explores Deleuze's notion of territorialization to discuss notions of abstract spatiality in musical listening by way of analyzing Pastorale from the Trio Sonata, arguing that musical return poses a productive problem for the listener. Chapter 2 surveys cyclic return in all three of Debussy's late Sonatas and, using the notion of a time-image from Deleuze's cinematic theory, discusses the temporal impact of this return vis-à-vis montage. In Chapter 3, I espouse a Deleuzian theory of thought based on the philosopher's notion of folding and suggest that Debussy's "Éventail" models this notion on the scale of musical return while also rendering it in large-scale allegory. These case studies propose that listening to these works is a dynamic, ever-changing process. Approaching Debussy's late works from a Deleuzian perspective enables us to avoid a priori notions of how these works should be received by a listener and instead explores how they might be
Author : Barbara L. Kelly
Publisher : University Rochester Press
Page : 300 pages
File Size : 46,37 MB
Release : 2008
Category : History
ISBN : 9781580462723
Heroism, art, and new media : France and identity formation. Unifying the French nation : Savorgnan de Brazza and the Third Republic / Edward Berenson ; New media, source-bonding, and alienation : listening at the 1889 Exposition Universelle / Annegret Fauser ; Debussy and the making of a musicien français : Pelléas, the press, and World War I / Barbara L. Kelly ; A bas Wagner! : the French press campaign against Wagner during World War I / Marion Schmid -- Canon, style, and political alignment. D'Indy's Beethoven / Steven Huebner ; Messidor : republican patriotism and the French revolutionary tradition in Third Republic opera / James Ross ; The symphony and national identity in early twentieth-century France / Brian Hart ; Transcending the word? : religion and music in Gauguin's quest for abstraction / Debora Silverman ; Jolivet's search for a new French voice : spiritual otherness in Mana (1935) / Deborah Mawer -- Regionalism. Rameau in late nineteenth-century Dijon : memorial, festival, fiasco / Katharine Ellis ; Becoming Alsatian : anti-German and pro-French cultural propaganda in Alsace, 1898-1914 / Detmar Klein ; National identity and the double border in Lorraine, 1870-1914 / Didier Francfort.
Author : Douglas Wayne Findley
Publisher :
Page : 250 pages
File Size : 27,46 MB
Release : 1969
Category :
ISBN :
Author :
Publisher :
Page : 776 pages
File Size : 43,72 MB
Release : 2002
Category : Dissertation abstracts
ISBN :
Author : Richard Taruskin
Publisher : Oxford University Press
Page : 610 pages
File Size : 29,77 MB
Release : 2006-08-14
Category : Music
ISBN : 0199796009
The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. Music in the Late Twentieth Century is the final installment of the set, covering the years from the end of World War II to the present. In these pages, Taruskin illuminates the great compositions of recent times, offering insightful analyses of works by Aaron Copland, John Cage, Milton Babbitt, Benjamin Britten, Steve Reich, and Philip Glass, among many others. He also looks at the impact of electronic music and computers, the rise of pop music and rock 'n' roll, the advent of postmodernism, and the contemporary music of Laurie Anderson, John Zorn, and John Adams. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.
Author : Marianne Wheeldon
Publisher :
Page : 0 pages
File Size : 43,47 MB
Release : 2009
Category : World War, 1914-1918
ISBN :