Vatican II


Book Description

From 1962 to 1965, in perhaps the most important religious event of the twentieth century, the Second Vatican Council met to plot a course for the future of the Roman Catholic Church. After thousands of speeches, resolutions, and votes, the Council issued sixteen official documents on topics ranging from divine revelation to relations with non-Christians. In many ways, though, the real challenges began after the council was over and Catholics began to argue over the interpretation of the documents. Many analysts perceived the Council's far-reaching changes as breaks with Church tradition, and soon this became the dominant bias in the American and other media, which lacked the theological background to approach the documents on their own terms. In Vatican II: Renewal Within Tradition, an international team of theologians offers a different reading of the documents from Vatican II. The Council was indeed putting forth a vision for the future of the Church, but that vision was grounded in two millennia of tradition. Taken together, these essays demonstrate that Vatican II's documents are a development from an established antecedent in the Roman Catholic Church. Each chapter contextualizes Vatican II teachings within that rich tradition. The resulting book is an indispensable and accessible companion to the Council's developments, one that focuses on theology and transcends the mass-media storyline of "liberal" versus "conservative."




Gender, Tradition and Renewal


Book Description

This book brings together a number of ground-breaking essays that explore the interface of language and gender-consciousness in foundation texts of Judaism and Christianity. Using critical perspectives that derive from a feminist revaluation of traditional religious discourse, the contributors to this volume address basic questions of meaning and interpretive freedom that are integral to a contemporary reading of Scripture and liturgy. They raise such issues as the relevance of a liturgical tradition in which the Deity is addressed in exclusively masculine terms, and the continued viability of scriptural texts that reflect consistently androcentric values. In each of these essays the authors can be seen to respond to the challenge of the feminist critique of patriarchalism in the Western religious tradition, as well as to the perceived need, within contemporary Judaism and Christianity, for new interpretive models for the reading of sacred texts.







Rituals of Renewal


Book Description




Women's Buddhism, Buddhism's Women


Book Description

A diverse array of scholars, activists, and practitioners explores how women are bringing about the change in the forms, practices, and institutions of Buddhism.




The Finest Traditions of My Calling


Book Description

"Patients and doctors alike are keenly aware that the medical world is in the midst of great change. We live in an era of continuous healthcare reforms, many of which focus on high volume, efficiency, and cost-effectiveness. This compelling, thoughtful book is the response of a practicing physician who explains how population-based reforms are diminishing the relationship between doctor and patients, to the detriment of both. As an antidote to stubbornly held traditions, Dr. Abraham M. Nussbaum suggests ways that doctors and patients can learn what it means to be ill and to seek medical assistance. Drawing on personal stories, validated studies, and neglected history, the author develops a series of metaphors to explore a doctor's role in different healthcare reform scenarios: scientist, technician, author, gardener, teacher, servant, and witness. Each role shapes what physicians see when they encounter a patient. Dr. Nussbaum cautions that true healthcare reform can happen only when those who practice medicine can see, and be seen by, their patients as fellow creatures. His memoir makes a hopeful appeal for change, and his insights reveal the direction that change must take."--Jacket flap.




A Convergent Model of Renewal


Book Description

'A Convergent Model of Renewal' addresses a perceived crisis for faith traditions. How do we continue to value tradition while allowing for innovative and contextual expressions of faith to emerge? How do we foster deeper participation and decentralisation of power rather than entrenched institutionalism? Drawing on insights from contemporary philosophy, contextual theology, and participatory culture, C. Wess Daniels calls for a revitalisation of faith traditions. Here he proposes a model that holds together both tradition and innovation in ways that foster participatory change. This convergent model of renewal is then applied to two case studies based in the Quaker tradition: one from the early part of the tradition and the second from aninnovative community today. The model, however, is capable of being implemented and adapted by communities with various faith backgrounds.




Bartok, Hungary, and the Renewal of Tradition


Book Description

It is well known that Béla Bartók had an extraordinary ability to synthesize Western art music with the folk music of Eastern Europe. What this rich and beautifully written study makes clear is that, contrary to much prevailing thought about the great twentieth-century Hungarian composer, Bartók was also strongly influenced by the art-music traditions of his native country. Drawing from a wide array of material including contemporary reviews and little known Hungarian documents, David Schneider presents a new approach to Bartók that acknowledges the composer’s debt to a variety of Hungarian music traditions as well as to influential contemporaries such as Igor Stravinsky. Putting representative works from each decade beginning with Bartók’s graduation from the Music Academy in 1903 until his departure for the United States in 1940 under critical lens, Schneider reads the composer’s artistic output as both a continuation and a profound transformation of the very national tradition he repeatedly rejected in public. By clarifying why Bartók felt compelled to obscure his ties to the past and by illuminating what that past actually was, Schneider dispels myths about Bartók’s relationship to nineteenth-century traditions and at the same time provides a new perspective on the relationship between nationalism and modernism in early-twentieth century music.