Typical Tragedies


Book Description

From Patrick Ashe, longtime writer and only recently published novelist, now comes a collection of poetry spanning 21 years. While often brooding and expressive, Ashe's poetry goes for society's jugular while yearning for its heart, leaving sardonic questions and sincere affections in its wake. Inspirations span poetry giants like W.B. Yeats and Sylvia Plath as well as rock greats like Leonard Cohen and Trent Reznor. "Hear the sound of the Truth / In the stuttering of forced feat / The feckless tries and holy cries / Of failure propped on honored seat."




Tragedy to Triumph Poetry


Book Description

This is the second iteration of Stevie Kane's poetry. Turning his strife into creative beauty, Kane comes back after "White Boy Writes Poetry" with poems of overcoming suffering, mental health and spirituality. Like his first work, Stevie hopes this inspires your own creative potential. Enjoy, and vibe.




Three Tragedies


Book Description

Here in the authorized translation by James Graham-Luján and Richard L. O'Connell, with an illuminating biographical introduction by the poet's brother, Francisco García Lorca, are three tragic dramas by the great modern Spanish poet and playwright which have caught the imagination and won the critical acclaim of the literate world.




The Sisters' Tragedy


Book Description




Small Disasters Seen in Sunlight


Book Description

"A polished poet of extraordinary skill.... Levine is caught between wholehearted love of the world's beauty and sorrow at its unavoidable misery and suffering." -- Library Journal With an astonishing grasp of language and detail, Julia Levine enacts a visceral, lyric experience that slips wildly between and within tragedy and grace. In Small Disasters Seen in Sunlight, her fourth collection, Levine offers far-ranging subjects, including poems about a friend's suicide and the poet's own interactions with traumatized children, as well as a series of revision poems that question the imagination's infinite possibilities for creation. In "Strolling in Late April," a woman with dementia wanders in a park filled with springtime beauty, while in "Tahoe Wetlands," the speaker recalls a rape at gunpoint through the merciful distance of time. At times humorous, ironic, and even redemptive, these poems are infused with lush images of the natural and physical world. Levine's work pries apart small places that exist within the spaces between beauty and trauma in an ordinary life. Ultimately, the poems affirm our human resilience, made possible by the presence and help of others: "carrying something of the unbearable / between us until it could be borne."




Interpreting Greek Tragedy


Book Description

This generous selection of published essays by the distinguished classicist Charles Segal represents over twenty years of critical inquiry into the questions of what Greek tragedy is and what it means for modern-day readers. Taken together, the essays reflect profound changes in the study of Greek tragedy in the United States during this period-in particular, the increasing emphasis on myth, psychoanalytic interpretation, structuralism, and semiotics.




From Homer to Tragedy


Book Description

The role of poetic allusion in classical Greek poetry, to Homer especially, has often largely been neglected or even almost totally ignored. This book, first published in 1990, clarifies the place of Homer in Greek education, as well as adding to the interpretation of many important tragedies. Focussing on the dramatic masterpieces of Aeschylus, Sophocles, and Euripides, and how these writers imitated and alluded to other poetry, the author reveals the immense dependence on Homer which can be seen throughout the corpus of Attic tragedy. It is argued that the practice of the art of allusion indicates certain conventions in fifth-century Athenian education, and perhaps also suggests something in the way of public, political, and historical self-awareness. Invaluable to anyone interested in the reception of Homer in the classical age, and to students of comparative literature and linguistic theory.




The Poetics of Aristotle


Book Description

In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama - comedy, tragedy, and the satyr play - as well as lyric poetry and epic poetry). They are similar in the fact that they are all imitations but different in the three ways that Aristotle describes: 1. Differences in music rhythm, harmony, meter and melody. 2. Difference of goodness in the characters. 3. Difference in how the narrative is presented: telling a story or acting it out. In examining its "first principles," Aristotle finds two: 1) imitation and 2) genres and other concepts by which that of truth is applied/revealed in the poesis. His analysis of tragedy constitutes the core of the discussion. Although Aristotle's Poetics is universally acknowledged in the Western critical tradition, "almost every detail about his seminal work has aroused divergent opinions."




Tragedies. Poems


Book Description




Poem Without Suffering


Book Description

Poetry. POEM WITHOUT SUFFERING is a book-length elegy, composed in slow motion alongside the path of a .224-inch, jacketed hollow point bullet one that's been fired into the bodies of at least two children, maybe more. Combining Alice Notley with a ballistics report, Tobias Wolff with Antonin Artaud, Kaplan's relentless examination of grief evokes a poetics through which the mechanics of atrocity are indistinguishable from those of the literary imagination. At turns tender, comic, and soberingly extirpative, POEM WITHOUT SUFFERING presents a thin column of writing from within a world of ever-expanding cruelty. To have it happen, but to have it not be considered tragedy, at least not in the traditional sense, the way in which one senses form in drama as human suffering. "POEM WITHOUT SUFFERING produces catharsis of the most extreme kind, partly through the tensions it sustains throughout. To the lethal speed of bullets, Kaplan opposes a relentless durational performance. To common pieties, the exactness of forensic knowledge. To knowledge in general, its utter inconsequence when it comes to reversing the damage. Awful, and yet I'm in awe." Monica de la Torre "Who cares about a dead kid except for like every person on earth? In Josef Kaplan's terrific new book POEM WITHOUT SUFFERING, the 'kid' in question is painstakingly literalized. Deprived of the abstract qualities which make any kid normally the breathing guarantor of futurity, the kid in POEM WITHOUT SUFFERING is just a bunch of epigastric arteries walking around waiting to get shot. And yet if that's where Kaplan's poem begins, it's not where it leads. Through its radically unsentimental look at death, this book actually gives us a vision of life: a life which includes epigastric arteries, vacuous politesse, the gruesome spectacles of contemporary warfare, the magnificence of birth, the endlessly beautiful scenes of parents and children at play. Maybe our lives, maybe the lives of kids, are just toilets, inheriting and remitting piss and shit. Maybe this book is a song of those toilets. I mean, maybe toilets sing. I love this extraordinary work." Brandon Brown"