Tragedy and Fear; why Modern Tragic Drama Fails


Book Description

This study of the relationship between the world-view in modern serious playwriting and the effectiveness of modern attempts at tragic drama is also an examination of the perennial problem of tragic spirit: is tragedy optimistic or pessimistic? This provocative and stimulating book is the first detailed analysis of whether tragedy hints at hope or acts out dread. Originally published in 1971. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.




Tragedy and Fear; why Modern Tragic Drama Fails


Book Description

This study of the relationship between the world-view in modern serious playwriting and the effectiveness of modern attempts at tragic drama is also an examination of the perennial problem of tragic spirit: is tragedy optimistic or pessimistic? This provocative and stimulating book is the first detailed analysis of whether tragedy hints at hope or acts out dread. Originally published in 1971. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.




The Tragic Odes of Jerry Garcia and The Grateful Dead


Book Description

The Tragic Odes of Jerry Garcia and the Grateful Dead is a multifaceted study of tragedy in the group’s live performances showing how Garcia brought about catharsis through dance by leading songs of grief, mortality, and ironic fate in a collective theatrical context. This musical, literary, and historical analysis of thirty-five songs with tragic dimensions performed by Garcia in concert with the Grateful Dead illustrates the syncretic approach and acute editorial ear he applied in adapting songs of Robert Hunter, Bob Dylan, and folk tradition. Tragically ironic situations in which Garcia found himself when performing these songs are revealed, including those related to his opiate addiction and final decline. This book examines Garcia’s musical craftsmanship and the Grateful Dead’s collective art in terms of the mystery-rites of ancient Greece, Friedrich Nietzsche’s Dionysus, 20th century American music rooted in New Orleans, Hermann Hesse’s Magic Theater, and the Greek Theatre at Berkeley, offering a clear prospect on an often misunderstood phenomenon. Featuring interdisciplinary analysis, close attention to musical and poetic strategies, and historical and critical contexts, this book will be of interest to scholars and researchers of Popular Music, Musicology, Cultural Studies, and American Studies, as well as to the Grateful Dead’s avid listeners.







Greek Tragedy into Film


Book Description

If Greek tragedy is sometimes regarded as a form long dead and buried, both theatre producers and film directors seem slow to accept its interment. Originally published in 1986, this book reflects the renewed interest in questions of staging the Greek plays, to give a comprehensive account and critical analysis of all the important versions of Greek tragedy made on film. From the 1927 footage of the re-enactment of Aeschylus’ Prometheus in Chains at the Delphi Festival organised by Angelos Sikelianos to Pasolini’s Notes for an African Oresteia, the study encompasses the version of Oedipus by Tyrone Guthrie, Tzavellas’s Antigone (with Irene Papas), Michael Cacoyannis’s series which included Electra, The Trojan Women, and Iphigeneia, Pasolini’s Oedipus and Medea (with Maria Callas), Miklos Jancso’s Elektreia, Dassim’s Phaedra and others. Many interesting questions are raised by the transference of a highly stylised form such as Greek tragedy to what is often claimed to be the ‘realistic’ medium of film. What becomes clear is that the heroic myths retain with ease the power to move the audiences in very different milieux through often strikingly different means. The book may be read as an adjunct to viewing of the films, but enough synopsis is given to make its arguments accessible to those familiar only with the classical texts, or with neither version.




Versions of Heroism in Modern American Drama


Book Description

Taking as its starting-point the 'death of tragedy' debate, and focusing on the supposed disappearance from the stage of the individual tragic hero, the book views selected plays and writings on the theatre by Miller, Williams, Maxwell Anderson and O'Neill as exemplifying four versions of heroism: idealism, martyrdom, self-reflection and survival. Julie Adam shows that these diverse playwrights share a desire to redefine tragic heroism in individualistic liberal terms.




Tennessee Williams and Elia Kazan


Book Description

This is a book-length study of the intense creative relationship between Tennessee Williams and Elia Kazan.




Tragic Drama and Modern Society


Book Description

A study that examines the relationship between tragic drama of the late 19th and 20th centuries and present-day society. The author's theories are presented with excerpts from relevant plays, such as "Look Back in Anger", "The Glass Menagerie", "The Iceman Cometh" and "Hedda Gabler".




Principles of Tragedy


Book Description

What is tragedy? What does the term imply? The word had outgrown its original context of literature and art and acquired wider and looser meanings. Originally published in 1968, Dr Brereton seeks to establish the basis of a definition which will hold good on various planes and over a wide range of dramatic and other literature. Various theories are examined, beginning with Aristotle and taking in the Marxist interpretation and the two main religious theories of the sacrificial hero and the built-in conflict in fallen human nature. These theories are tested out on representative works by Sophocles, Shakespeare, Racine, Ibsen, Beckett and others, and the findings which emerge are developed in the course of the book. This is conceived as a re-exploration of a widely debated subject in the light of a few clear basic principles. The result is a lucid study which will be especially valuable for students of literature and drama.




Tennessee Williams - A Streetcar Named Desire/Cat on a Hot Tin Roof


Book Description

A Streetcar Named Desire (1947) and Cat on a Hot Tin Roof (1955) are major plays by Tennessee Williams, one of America's most significant dramatists. They both received landmark productions and are widely-studied and performed around the world. The plays have also inspired popular screen adaptations and have generated a body of important and lasting scholarship. In this indispensable Reader's Guide, Thomas P. Adler: - Charts the development of the criticism surrounding both works, from the mid-twentieth century through to the present day - Provides a readable assessment of the key debates and issues - Examines a range of theoretical approaches from biographical and New Criticism to feminist and queer theory In so doing, Adler helps us to appreciate why these plays continue to fascinate readers, theatregoers and directors alike.