A Legacy in Tramp Art


Book Description

In over 600 color photos, this book presents historical images and introduces newly discovered artists of tramp art, complete with their known biographies. Made from society's discards, primarily wooden cigar boxes and wooden crates, tramp art is the story of the common man, unschooled in the arts, taking a simple tool to carve a legacy from the heart for all of us to enjoy and celebrate. The engaging text tells the personal stories of the creators of tramp art, including Augustus "Gus" Wynn, Levi Fisher Ames, Adolph Vandertie, John Kozimor, Robert Louis Kosmerl, Carl Briston, Ernest Huber, and Charles Mikkelsen. Also discussed are the collectors who cherished and brought tramp art into their lives. Examples of this unique art form include boxes, picture frames, miniature houses, and carousels that are marvels of meticulous detail. For anyone with a passion for folk art, this book will be a much-treasured addition to their library.




Tramp Art


Book Description

"Tramp art was most prevalent during the years of the Great Depression. All of the wood used in its construction is scrap and discard; a craft of itinerant carvers, most of it was made from the wooden cigar boxes of the era. Most fascinating is the fact that there are no written instructions for the construction or crafting of a piece of tramp art and it doesn't appear that there ever were.




Tramp Art


Book Description

Discover the romance of tramp art, folk art made made from discarded wooden cigar boxes, layer upon layer, one notch at a time, by untrained artists using simple tools and recycled materials. Tramp art crafters representing over 40 nationalities carved tramp art in America. It was also practiced throughout the world wherever cigars were smoked. These artists transformed the discarded boxes into pieces of utility and wonder. Never before has the subject been studied in such depth. Over 600 color photographs document 100s of items, ranging from picture frames and mirrors, to boxes, bureaus, and fantasy pieces. The designs and colors reflect a naive sensibility and aesthetic that is at once charming and beautiful. Here is a rich assemblage of the history of the art form and a thorough the study of the artists' lives and work. Misguided romantic mythologies long associated with tramp art are dispelled to leave an accurate picture of these noble notchers. A foreword by award-winning author and art historian Barbara Goldsmith sets the stage, and the pages that follow both celebrate the art and deepen our understanding of its roots and practitioners. This book will be treasured by folk art lovers everywhere.




No Idle Hands


Book Description

This book pays homage to the counterculture movement through the words and photographs of a select gathering of people who lived it.




Tramp


Book Description

A lyrical travelogue charting Tomas Espedal's journeys to and ruminations around the world, from his native Norway to Istanbul and beyond. "Why travel?" asks Tomas Espedal in Tramp, "Why not just stay at home, in your room, in your house, in the place you like better than any other, your own place. The familiar house, the requisite rooms in which we have gathered the things we need, a good bed, a desk, a whole pile of books. The windows giving on to the sea and the garden with its apple trees and holly hedge, a beautiful garden, growing wild." The first step in any trip or journey is always a footstep--the brave or curious act of putting one foot in front of the other and stepping out of the house onto the sidewalk below. Here, Espedal contemplates what this ambulatory mode of travel has meant for great artists and thinkers, including Rousseau, Kant, Hazlitt, Thoreau, Rimbaud, Whitman, Giacometti, and Robert Louis Stevenson. In the process, he confronts his own inability to write from a fixed abode and his refusal to banish the temptation to become permanently itinerant. Lyrical and rebellious, immediate and sensuous, Tramp conveys Espedal's own need to explore on foot--in places as diverse as Wales and Turkey--and offers us the excitement and adventure of being a companion on his fascinating and intriguing travels.




Trump: The Art of the Deal


Book Description

President Donald J. Trump lays out his professional and personal worldview in this classic work—a firsthand account of the rise of America’s foremost deal-maker. “I like thinking big. I always have. To me it’s very simple: If you’re going to be thinking anyway, you might as well think big.”—Donald J. Trump Here is Trump in action—how he runs his organization and how he runs his life—as he meets the people he needs to meet, chats with family and friends, clashes with enemies, and challenges conventional thinking. But even a maverick plays by rules, and Trump has formulated time-tested guidelines for success. He isolates the common elements in his greatest accomplishments; he shatters myths; he names names, spells out the zeros, and fully reveals the deal-maker’s art. And throughout, Trump talks—really talks—about how he does it. Trump: The Art of the Deal is an unguarded look at the mind of a brilliant entrepreneur—the ultimate read for anyone interested in the man behind the spotlight. Praise for Trump: The Art of the Deal “Trump makes one believe for a moment in the American dream again.”—The New York Times “Donald Trump is a deal maker. He is a deal maker the way lions are carnivores and water is wet.”—Chicago Tribune “Fascinating . . . wholly absorbing . . . conveys Trump’s larger-than-life demeanor so vibrantly that the reader’s attention is instantly and fully claimed.”—Boston Herald “A chatty, generous, chutzpa-filled autobiography.”—New York Post




The Tramp in America


Book Description

This book provides the first account of the invention of the tramp as a social type in the United States between the 1870s and the 1930s. Tim Cresswell considers the ways in which the tramp was imagined and described and how, by World War II, it was being reclassified and rendered invisible. He describes the "tramp scare" of the late nineteenth century and explores the assumption that tramps were invariably male and therefore a threat to women. Cresswell also examines tramps as comic figures and looks at the work of prominent American photographers which signaled a sympathetic portrayal of this often-despised group. Perhaps most significantly, The Tramp in America calls into question the common assumption that mobility played a central role in the production of American identity. “This is an effective, and sometimes touching, account of how a social phenomenon was created, classified and reclassified. The quality of the writing, the excellent illustrations and the high production standards give this reasonably-priced hardback a chance of appealing to a general audience . . . an important contribution to American studies, providing new perspectives on the significance of mobility and rootlessness at an important time in the development of the nation. Cresswell successfully illuminates the history of a disadvantaged and marginal group, while providing a lens by which to focus on the thinking and practices of the mainstream culture with which they dealt. As such, this book represents a considerable achievement.”—Cultural Geographies “An important book. Cresswell has made an important contribution to a homelessness literature still lacking a more sophisticated theoretical edge. Clearly written, beautifully illustrated and with a strong argument throughout, the book deserves to be widely read by students and practitioners alike.”—Progress in Human Geography




Confessions of a Work Camper


Book Description

Follow the adventures of a campground worker as she chronicles the delights and disasters of working with the public away from all the conveniences of modern life: electricity, running water, internet access, and phone service. Join her on the top of a mountain, as far from civilization as she's ever lived, in this collection of creative non-fiction essays.




A Tramp's Philosophy


Book Description

A discovery in Feral House’s Tramp Lit Series, Bart Kennedy’s 1908 A Tramp’s Philosophy is Kennedy’s late work distilling his life and experiences into a concept for living. He includes insights on everything from religion to civilization to crime to the lure of the open roads. “No social system or state can be really worth anything where the paramount aim is not to allow the individual to develop to the fullest, both mentally and physically. And this aim has never been the aim of any civilized state. ... The aim of all civilized states has been to keep the masses in subjugation for the benefit of cliques. And this is as true of republics as it is of autocracies. ... The money clique that rules America is more oppressive than is the Grand Ducal clique of Russia. It has a far worse effect on the American character.” About Bart Kennedy: Bart Kennedy was born in Leeds, England on March 9, 1861. He was raised in Manchester where he began his career at the age of six working part-time in a cotton mill. He worked in mills and machine shops throughout Manchester before joining the merchant navy as an able seaman in 1881. Jumped ship in Philadelphia where he tramped and worked odd jobs throughout the United States. Was illiterate until his early twenties until a fellow tramp taught him to read. He travels included all of North America and Europe. Occupations included: oyster fisherman, gold miner, opera singer, actor, writer, lecturer, and builder.




The Art of Michael Whelan


Book Description

Award-winning artist Whelan has illustrated the work of almost every major author in speculative fiction. Here are featured all the artist's major recent paintings, as well as a series of 25 never-before-seen works produced especially for this book. Over 100 full-color reproductions.