Transactions of the New York Ecclesiological Society
Author : New-York Ecclesiological Society
Publisher :
Page : 126 pages
File Size : 32,19 MB
Release : 1857
Category : Church architecture
ISBN :
Author : New-York Ecclesiological Society
Publisher :
Page : 126 pages
File Size : 32,19 MB
Release : 1857
Category : Church architecture
ISBN :
Author : James F. White
Publisher : Wipf and Stock Publishers
Page : 275 pages
File Size : 27,48 MB
Release : 2004-10-08
Category : Religion
ISBN : 1592449379
For over a hundred years, Anglican church buildings in every part of the world were dominated by a single idea of what churches should look like and how they should be arranged inside. Only since Vatican II has the dominance of this idea been finally overthrown. Thousands of churches still reflect the architectural dogmas of the Cambridge Camden Society. Millions of worshippers still imbibe the theology so effectively promoted by this group through its powerful influence on the arrangement of church interiors and the style of such buildings. And many of these architectural images of what is the nature of the Church itself have proved to be the most stubborn resisters of Vatican II reforms. The Cambridge Camden Society was so successful in changing the outward aspects of Anglican worship because it had specific ideas as to how churches should be arranged. The Society's infatuation with a certain period of gothic architecture and with the whole medieval 'cultus' brought about drastic changes in worship according to the 'Book of Common Prayer' without changing a single letter of the prayer book itself. The members of the Society led the way not only in the revival of medieval architecture but also of vestments and ceremonial. Though much of the Cambridge Camden theology reflects that of the Oxford Movement, Dr. White shows both parallels and contrasts between the aims of Oxford tractarians and Cambridge ecclesiologists. Architecture proved to be every bit as effective a form of propaganda as tracts, and a good deal more permanent. The public, at first hostile, eventually became receptive to the ideals of the Cambridge Movement. The measure of the Movement's success is seen in almost all Anglican (and many Protestant) churches built or remodelled between 1840 and the 1960s. This is a valuable contribution to nineteenth-century studies, especially to the visual history of the period.
Author :
Publisher :
Page : 444 pages
File Size : 19,11 MB
Release : 1858
Category : Church architecture
ISBN :
Author : Joseph Sabin
Publisher :
Page : 600 pages
File Size : 43,87 MB
Release : 1881
Category : America
ISBN :
Author : Joseph Sabin
Publisher :
Page : 596 pages
File Size : 45,54 MB
Release : 1881
Category : America
ISBN :
Author : Henry Stevens
Publisher :
Page : 56 pages
File Size : 32,43 MB
Release : 1873
Category : American newspapers
ISBN :
Author : Astor Library
Publisher :
Page : 1104 pages
File Size : 19,61 MB
Release : 1887
Category :
ISBN :
Author :
Publisher :
Page : 1100 pages
File Size : 35,20 MB
Release : 1886
Category :
ISBN :
Author : Henry Stevens (Jr.)
Publisher :
Page : 54 pages
File Size : 19,28 MB
Release : 1873
Category :
ISBN :
Author : John Dillenberger
Publisher : Wipf and Stock Publishers
Page : 482 pages
File Size : 11,76 MB
Release : 2004-09-13
Category : Religion
ISBN : 1725211963
How has religion affected the creation and patronage of American art? This is the question explored in 'The Visual Arts and Christianity in America', the most comprehensive treatment of this subject to date. With its 184 illustrations, the volume is a visual and textual survey of both the religious paintings, statuary, and architecture produced in America since colonial times and the attitudes toward such art expressed by the artists, the clergy, and the religious press. By means of a multifaceted approach that includes investigation of biographical, journalistic, art historical, as well as religious literature, a broad range of art objects and buildings are carefully placed in their social and intellectual context. Part One presents the colonial backdrop, both English and Spanish, against which and out of which the ensuing developments in American art and religious life took shape. Part Two treats nineteenth-century views of art and architecture, focusing on the views held by the clergy and conveyed in religious journals as well as the religious views of the artists and architects themselves. In Part Three, devoted to art in private and public life, major issues emerge that will remain as such into the twentieth century: the relation between nature and history, the place of art in civil religion, and the presence or absence of explicit biblical themes. The fourth and entirely new portion of the book, devoted to the twentieth century, examines the continuities and discontinuities in style and content between nineteenth- and twentieth-century art in relation to spiritual and religious perceptions.