The Life of William Wordsworth, Vol. 2 (Classic Reprint)


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Excerpt from The Life of William Wordsworth, Vol. 2 MY dear poole, At present I have taken up the pen solely on Coleridge's account, and must confine my letter to him and his affairs. I know how much you will be concerned to hear that his health cannot be said to be much better, indeed any better at all. He is apparently quite well one day, and the next the fit comes on him again with as much violence as ever. These repeated shocks cannot but greatly weaken his constitution; and he is himself afraid that, as the disease (which is manifestly gout) keeps much about his stomach, he may be carried off by it, with little or no warning. We all here feel deeply persuaded that nothing can do him any effectual good, but a change of climate. And it is, on this subject that I have now written to you. The place which he thinks of going to is the Azores; both for the climate and the baths - which are known to be exceedingly salutary in cases of gout and rheumatism and on account of the cheapness of living there, and the little expense in getting thither. But you know well how poor Coleridge is situated with respect to money affairs; indeed, it will be impossible for him to accomplish the journey without some assistance. Further, it seems to me absolutely necessary that this should be procured in a manner the least burthensome to his feelings possible. If the thought of it should hang upon his mind when he is away, it will undo, or rather prevent, all the salutary effects of the climate. I have thought it my duty to mention these circumstances to you, as being a person more interested than perhaps any other in what befalls our common friend. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Selected Poetry of William Wordsworth


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Selected Poetry of William Wordsworth represents Wordsworth’s prolific output, from the poems first published in Lyrical Ballads in 1798 that changed the face of English poetry to the late “Yarrow Revisited.” Wordsworth’s poetry is celebrated for its deep feeling, its use of ordinary speech, the love of nature it expresses, and its representation of commonplace things and events. As Matthew Arnold notes, “[Wordsworth’s poetry] is great because of the extraordinary power with which [he] feels the joy offered to us in nature, the joy offered to us in the simple elementary affections and duties.”




Wordsworth's Vagrant Muse


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William Wordsworth's poems are inhabited by beggars, vagrants, peddlers, and paupers. This book analyzes how a few key poems from Wordsworth's early years constitute a direct engagement with and intervention into the politics of poverty and reform that swept the social, political, and cultural landscape in England during the 1790s. In Wordsworth's Vagrant Muse, Gary Harrison argues that although Wordsworth's poetry is implicated in an ideology that idealizes rustic poverty, it nonetheless invests the image of the rural poor with a certain, if ambiguously realized, power. The early poems challenge the complacency of middle-class readers by constructing a mirror in which they confront the possibility of their own impoverishment (both economic and moral), and by investing the marginal poor with a sense of dignity and morality otherwise denied them.




A Primer of Wordsworth


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William Wordsworth and the Invention of Tourism, 1820-1900


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In her study of the opening of the English Lake District to mass tourism, Saeko Yoshikawa examines William Wordsworth’s role in the rise and development of the region as a popular destination. For the middle classes on holiday, guidebooks not only offered practical information, but they also provided a fresh motive and a new model of appreciation by associating writers with places. The nineteenth century saw the invention of Robert Burns’s and Walter Scott’s Borders, Shakespeare’s Stratford, and the Brontë Country as holiday locales for the middle classes. Investigating the international cult of Wordsworthian tourism, Yoshikawa shows both how Wordsworth’s public celebrity was constructed through the tourist industry and how the cultural identity of the Lake District was influenced by the poet’s presence and works. Informed by extensive archival work, her book provides an original case study of the contributions of Romantic writers to the invention of middle-class tourism and the part guidebooks played in promoting the popular reputations of authors.




The Penguin Book of Romantic Poetry


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The Romanticism that emerged after the American and French revolutions of 1776 and 1789 represented a new flowering of the imagination and the spirit, and a celebration of the soul of humanity with its capacity for love. This extraordinary collection sets the acknowledged genius of poems such as Blake's 'Tyger', Coleridge's 'Khubla Khan' and Shelley's 'Ozymandias' alongside verse from less familiar figures and women poets such as Charlotte Smith and Mary Robinson. We also see familiar poets in an unaccustomed light, as Blake, Wordsworth and Shelley demonstrate their comic skills, while Coleridge, Keats and Clare explore the Gothic and surreal.













Women in Love Illustrated


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Widely regarded as D. H. Lawrence's greatest novel, Women in Love is both a lucid account of English society before the First World War, and a brilliant evocation of the inexorable power of human desire.Women in Love continues where The Rainbow left off, with the third generation of Brangwens: Ursula Brangwen, now a teacher at Beldover, a mining town in the Midlands, and her sister Gudrun, who has returned from art school in London. The focus of the novel is primarily on their relationships, Ursula's with Rupert Birkin, a school inspector, and Gudrun's with industrialist Gerald Crich, and later with a sculptor, Loerke. Quintessentially modernist, Women in Love is one of Lawrence's most extraordinary, innovative and unsettling works