Battling Editor


Book Description

In 1978, Harry Rosenfeld left the Washington Post, where he oversaw the paper's standard-setting coverage of Watergate, to take charge of two daily papers under co-ownership in Albany, New York: the morning Times Union and the evening Knickerbocker News. It was a particularly challenging moment in newspaper history. While new technologies were reducing labor costs on the production side and providing ever more sophisticated tools for journalists to practice their craft, those very same technologies would soon turn a comparatively short-lived boom into a grave threat, as ever more digitally distracted readers turned to sources other than print and other legacy media for their news. Between these boundaries, Rosenfeld set about to do his work. Picking up where his previous memoir, From Kristallnacht to Watergate, left off, Battling Editor tells the story of how Rosenfeld and his colleagues transformed two daily publications into alert and aggressive newspapers even in times of economic downturn. Bringing the investigative habits he had honed in his years at the New York Herald Tribune and the Washington Post, Rosenfeld's objective was to tell the fully rounded stories of the region's cities, suburbs, and rural towns, with awareness of both their achievements and their shortcomings. Furthermore, the misuse of power, whenever it happened, whether in city hall or the state capitol, in courtrooms or prisons, or in hospitals, corporations, community organizations, was to be exposed, and those accountable were to be held responsible. More importantly, however, Rosenfeld's account is enlisted in the growing call to arms for all who cover the news and all who consume it. Written at a time when the credibility of news organizations is under attack by those at the highest levels of government, Battling Editor is a full-throated defense of fact-based journalism and hard-hitting reporting at the local as well as national level.




Jews, Cinema and Public Life in Interwar Britain


Book Description

This book investigates a Jewish orientation to film culture in interwar Britain. It explores how pleasure, politics and communal solidarity intermingled in the cinemas of Jewish neighbourhoods, and how film was seen as a vessel through which Jewish communal concerns might be carried to a wider public. Addressing an array of related topics, this volume examines the lived expressive cultures of cinemas in Jewish areas and the ethnically specific films consumed within these sites; the reception of film stars as representations of a Jewish social body; and how an antisemitic canard that understood the cinema as a Jewish monopoly complicated its use as a base for anti-fascist activity. In shedding light on an unexplored aspect of British film reception and exhibition, Toffell provides a unique insight into the making of the modern city by migrant communities. The title will be of use to anyone interested in Britain’s interwar leisure landscape, the Jewish presence in modernity, and a cinema studies sensitised to the everyday experience of audiences.







Why Harry Met Sally


Book Description

Explicating one of the most potent and recurring mass-culture fantasies, this book explores Jewish-Christian couplings across a century of popular American literature, theater, film, and television.




The Jewish Year Book


Book Description







Willing's Press Guide


Book Description

Coverage of publications outside the UK and in non-English languages expands steadily until, in 1991, it occupies enough of the Guide to require publication in parts.




Too Jewish or Not Jewish Enough


Book Description

Displays of Jewish ritual objects in public, non-Jewish settings by Jews are a comparatively recent phenomenon. So too is the establishment of Jewish museums. This volume explores the origins of the Jewish Museum of New York and its evolution from collecting and displaying Jewish ritual objects, to Jewish art, to exhibiting avant-garde art devoid of Jewish content, created by non-Jews. Established within a rabbinic seminary, the museum’s formation and development reflect changes in Jewish society over the twentieth century as it grappled with choices between religion and secularism, particularism and universalism, and ethnic pride and assimilation.