Translating the Monster


Book Description

What can Finland’s greatest and supposedly least translatable novel tell us about translation and world literature?




Can the Monster Speak?


Book Description

Paul Preciado's controversial 2019 lecture at the École de la Cause Freudienne annual conference, published in a definitive translation for the first time. In November 2019, Paul Preciado was invited to speak in front of 3,500 psychoanalysts at the École de la Cause Freudienne's annual conference in Paris. Standing in front of the profession for whom he is a "mentally ill person" suffering from "gender dysphoria," Preciado draws inspiration in his lecture from Kafka's "Report to an Academy," in which a monkey tells an assembly of scientists that human subjectivity is a cage comparable to one made of metal bars. Speaking from his own "mutant" cage, Preciado does not so much criticize the homophobia and transphobia of the founders of psychoanalysis as demonstrate the discipline's complicity with the ideology of sexual difference dating back to the colonial era--an ideology which is today rendered obsolete by technological advances allowing us to alter our bodies and procreate differently. Preciado calls for a radical transformation of psychological and psychoanalytic discourse and practices, arguing for a new epistemology capable of allowing for a multiplicity of living bodies without reducing the body to its sole heterosexual reproductive capability, and without legitimizing hetero-patriarchal and colonial violence. Causing a veritable outcry among the assembly, Preciado was heckled and booed and unable to finish. The lecture, filmed on smartphones, was published online, where fragments were transcribed, translated, and published with no regard for exactitude. With this volume, Can the Monster Speak? is published in a definitive translation for the first time.




Petit, the Monster


Book Description

Petit wonders why some things that he does, like playing with his dog, make him a good boy, while others, like pulling girl's hair, make him bad, and how it is that he can be both bad and good.




The Memory Monster


Book Description

The controversial English-language debut of celebrated Israeli novelist Yishai Sarid is a harrowing, ironic parable of how we reckon with human horror, in which a young, present-day historian becomes consumed by the memory of the Holocaust. Written as a report to the chairman of Yad Vashem, Israel’s memorial to the victims of the Holocaust, our unnamed narrator recounts his own undoing. Hired as a promising young historian, he soon becomes a leading expert on Nazi methods of extermination at concentration camps in Poland during World War II and guides tours through the sites for students and visiting dignitaries. He hungrily devours every detail of life and death in the camps and takes pride in being able to recreate for his audience the excruciating last moments of the victims’ lives. The job becomes a mission, and then an obsession. Spending so much time immersed in death, his connections with the living begin to deteriorate. He resents the students lost in their iPhones, singing sentimental songs, not expressing sufficient outrage at the genocide committed by the Nazis. In fact, he even begins to detect, in the students as well as himself, a hint of admiration for the murderers—their efficiency, audacity, and determination. Force is the only way to resist force, he comes to think, and one must be prepared to kill. With the perspicuity of Kafka’s The Trial and the obsessions of Delillo’s White Noise, The Memory Monster confronts difficult questions that are all too relevant to Israel and the world today: How do we process human brutality? What makes us choose sides in conflict? And how do we honor the memory of horror without becoming consumed by it? Praise for The Memory Monster: “Award-winning Israeli novelist Sarid’s latest work is a slim but powerful novel, rendered beautifully in English by translator Greenspan…. Propelled by the narrator’s distinctive voice, the novel is an original variation on one of the most essential themes of post-Holocaust literature: While countless writers have asked the question of where, or if, humanity can be found within the profoundly inhumane, Sarid incisively shows how preoccupation and obsession with the inhumane can take a toll on one’s own humanity…. it is, if not an indictment of Holocaust memorialization, a nuanced and trenchant consideration of its layered politics. Ultimately, Sarid both refuses to apologize for Jewish rage and condemns the nefarious forms it sometimes takes. A bold, masterful exploration of the banality of evil and the nature of revenge, controversial no matter how it is read.” —Kirkus Reviews, Starred Review “[A] record of a breakdown, an impassioned consideration of memory and its risks, and a critique of Israel’s use of the Holocaust to shape national identity…. Sarid’s unrelenting examination of how narratives of the Holocaust are shaped makes for much more than the average confessional tale.” —Publishers Weekly “Reading The Memory Monster, which is written as a report to the director of Yad Vashem, felt like both an extremely intimate experience and an eerily clinical Holocaust history lesson. Perfectly treading the fine line between these two approaches, Sarid creates a haunting exploration of collective memory and an important commentary on humanity. How do we remember the Holocaust? What tolls do we pay to carry on memory? This book hit me viscerally, emotionally, and personally. The Memory Monster is brief, but in its short account Sarid manages to lay bare the tensions between memory and morals, history and nationalism, humanity and victimhood. An absolute must-read.” —Julia DeVarti, Literati Bookstore (Ann Arbor, MI) “In Yishai Sarid’s dark, thoughtful novel The Memory Monster, a Holocaust historian struggles with the weight of his profession…. The Memory Monster is a novel that pulls no punches in its exploration of the responsibility—and the cost—of holding vigil over the past.” —Eileen Gonzalez, Foreword Reviews




How to Talk Monster


Book Description

A whimsical and giggle-inducing exploration of what might happen when a monster visits at bedtime from award-winning children's author Lynn Plourde and the playful imagination of #1 NYT bestselling illustrator, Mike Lowery. A Little Boy is just trying to go to sleep when a Little Monster creeps up to his window and . . . says goop-zee-googy! Or, peek-a-boo!, in case you don't speak Monster. Hilarity ensues as the Little Monster tries to play with the Little Boy despite the language barrier. While at first scared, the Little Boy comes to Little Monster's rescue when he gets hurt and the two new friends are able to play together all night long. Complete with a glossary translating the monster language used throughout, this classic nighttime adventure story will have little readers wishing for a Little Monster to knock on their window at night.




Monster Nanny


Book Description

When their mother wins a trip while their father is away, Halley, Koby, and Mimi's lives are turned upside-down by a hairy, smelly, half-troll nanny.




I Am a Beautiful Monster


Book Description

The first definitive edition in English of writings by poet, painter, pickpocket-plagiarist, and consummate anti-artist Francis Picabia, one of Dada's leading figures. Poet, painter, self-described funny guy, idiot, failure, pickpocket, and anti-artist par excellence, Francis Picabia was a defining figure in the Dada movement; indeed, André Breton called Picabia one of the only “true” Dadas. Yet very little of Picabia's poetry and prose has been translated into English, and his literary experiments have never been the subject of close critical study. I Am a Beautiful Monster is the first definitive edition in English of Picabia's writings, gathering a sizable array of Picabia's poetry and prose and, most importantly, providing a critical context for it with an extensive introduction and detailed notes by the translator. Picabia's poetry and prose is belligerent, abstract, polemical, radical, and sometimes simply baffling. For too long, Picabia's writings have been presented as raw events, rule-breaking manifestations of inspirational carpe diem. This book reveals them to be something entirely different: maddening in their resistance to meaning, full of outrageous posturing, and hiding a frail, confused, and fitful personality behind egoistic bravura. I Am a Beautiful Monster provides the texts of of Picabia's significant publications, all presented complete, many of them accompanied by their original illustrations.




The Change Monster


Book Description

A Powerful Look at Corporate Change and Why Mergers, Reorganizations, and Transformations Succeed or Fail “[One of the] best business books of 2001 . . . [a] useful and intelligent tool for coping with the inevitable metamorphoses of business (and life).” —Miami Herald “Provocative imagery . . . useful questions for managers to ask themselves.” —Harvard Business Review “The Change Monster not only talks intelligently about the social dynamics and emotions of people [in change efforts], it does so with wisdom, insight, and practicality.”—Daniel Leemon, executive vice president and chief strategy officer, Charles Schwab Corporation “A practitioner’s primer on revitalization that puts you in the shoes of some who have failed and others who have succeeded. In doing so, Jeanie Daniel Duck graphically delivers her main message to management: Learn to master the emotions and obsessions of those who stand in the way of change, including your own, and once you do, you have your hands on a miraculous engine for change.” —Michael Useem, professor of management and director of the Center for Leadership and Change at the Wharton School, University of Pennsylvania, and author of The Leadership Moment and Leading Up “Duck is an acute and empathetic observer of the changes erupting in the workplace from the convulsive nature of corporate evolution. . . . Jeanie Duck’s terrific book is a . . . useful and intelligent tool for coping with the inevitable metamorphoses of business (and life). Sensitive but tough, Duck’s compassionate wisdom is street smart without a trace of glibness.” —Miami Herald




The Monster Book


Book Description

An official guide to Buffy the Vampire Slayer describes the mythology and influences behind the monsters, ghouls, and characters through interviews with the creators and details of the episodes.




Dark as Night


Book Description

Morris White escaped the crime and working-class roots in the Philly projects by learning to cook. He's got great taste and impeccable kitchen skills, and now he's a Sous Chef at a first-rate Philadelphia French bistro. The stove burners aren't the only thing that's on fire in Morris's life, since his affair with Vicky Ward has just heated up. She's the manager at the bistro and comes from money and a privileged background. Together, they're dreaming of opening their own restaurant, where she'll run the front-of-the-house business and he'll run the kitchen. But their dream gets sidetracked when Morris takes in his half-brother, Vince Kammer, who's just been released from prison. Vince did time for a jewelry store robbery that went sideways, and the local mob boss who bankrolled the crime, Johnny "Stacks" Staccardo, is insisting that Vince pull another job to make up for the loss of the jewels he never received. Johnny Stacks has his gangster wannabe henchmen, Lenny and Mo, riding Vince pretty hard, and to make matters worse, Dick Franks, the corrupt cop who originally investigated the jewelry store heist, has gotten wind that Vince is out of the can. Franks believes Vince has the missing diamonds, and there's not much that Franks won't do to get his hands on those stones. When Morris discovers Vince's predicament, he has to summon the inner tough guy from his youth (and dig up a gun he had hidden away), to keep Vince from doing anything stupid. Caught between the gangsters, the vicious Dick Franks, and Vince's own desire for revenge, Morris risks losing his new love, his dreams, even his life in order to save Vince from himself. Praise for DARK AS NIGHT: "Dark as Night is a funny, violent, and damn near perfect noir. If you like your heroes flawed, your villains amoral, and your body count high, you might well think that Mark T. Conard has been reading your mind. A fantastic debut." -Tod Goldberg, author of Living Dead Girl "If you crossed Anthony Bourdain's Bone in the Throat with Abel Ferrara's Bad Lieutenant and threw in a little bit of Carl Hiaasen for good measure you might get something like Mark T. Conard's funny and brutal Dark as Night. He's one to watch." -Scott Phillips, author of The Walkaway