The Ebb Tide


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Treasure Island and The Ebb-Tide


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'"One more step, Mr Hands," said I, "and I'll blow your brains out"' In Treasure Island, a weathered old sailor known as Billy Bones arrives at the inn of young Jim Hawkins's parents - and it is the start of an adventure beyond anything he could have imagined. For when Bones dies mysteriously, Jim stumbles across a map of a mysterious island in his sea chest - where 'X' marks the spot of a stash of buried pirate gold. Setting sail with his friends on the ship Hispaniola to recover the treasure, Jim soon realizes that he's not the only one who knows about the hoard. Suddenly he is thrown into a world of treachery, mutiny, castaways and murder and, at the centre of it all, is the charming but sinister Long John Silver, who will stop at nothing to grab his share of the loot... The Ebb-Tide, a short novel published the year of Stevenson's death, is also a rollicking seafaring adventure, narrating the voyage of a stolen ship whilst exploring such themes as imperialism, violence, dishonesty, Christianity and corruption. The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.




Treasure Island


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In the Enemy's Camp


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Retells, in comic book format, Robert Louis Stevenson's tale of an innkeeper's son who finds a treasure map that leads him to a pirate's fortune.




Cruising with Robert Louis Stevenson


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Cruising with Robert Louis Stevenson: Travel, Narrative, and the Colonial Body is the first booklengthstudy about the influence of travel on RobertLouis Stevenson's writings, both fiction and nonfiction.Within the contexts of late-Victorian imperialism andethnographic discourse, the book offers original closereadings of individual works by Stevenson while bringingnew theoretical insights to bear on the relationshipbetween travel, authorship, and gender identity in theVictorian fin de siècle. Oliver S. Buckton develops "cruising" as a criticalterm, linking Stevenson's leisurely mode of travelwith the striking narrative motifs of disruption andfragmentation that characterize his writings. Bucktontraces the development of Stevenson's career from hisearly travel books to show how Stevenson's majorworks of fiction, such as Treasure Island, Kidnapped, andThe Ebb-Tide, draw on innovative techniques and materialsStevenson acquired in the course of his globaltravels. Exploring Stevenson's pivotal role in the revivalof "romance" in the late nineteenth century, Cruisingwith Robert Louis Stevenson highlights Stevenson's treatmentof the human body as part of his resistance torealism, arguing that the energies and desires releasedby travel are often routed through disturbingly resistantor darkly comic corporeal figures. Buckton gives extensiveattention to Stevenson's writing about the SouthSeas, arguing that his groundbreaking critiques ofEuropean colonialism are formed in awareness of thefragility and desirability of Polynesian bodies and islandlandscapes. Cruising with Robert Louis Stevenson will be indispensableto all admirers of Stevenson as well as of greatinterest to readers of travel writing, Victorian ethnography, gender studies, and literary criticism.




South Sea Tales


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Roslyn Jolly is Lecturer in English at the University of New South Wales, Australia. She is the author of Henry James: History, Narrative, Fiction (OUP, 1993).




Tales of the South Seas


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Tales from the South Seas comprises The Beach at Falesá, The Bottle Imp, The Wrecker, The Ebb Tide, The Isle of Voices, and Letters, and is introduced by Jenni Calder.




A Footnote to History


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Robert Louis Stevenson and the Great Affair


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In his travel narrative Travels with a Donkey in the Cevennes (1879), Robert Louis Stevenson declares, "I travel not to go anywhere, but to go. I travel for travel's sake. The great affair is to move. " Taking up the concepts of time, place, and memory, the contributors to this collection explore in what ways the dynamic view of life suggested by this quotation permeates Stevenson's work. The essays adopt a wide variety of critical approaches, including post-colonial theory, post-structuralism, new historicism, art history, and philosophy, making use of the vast array of literary materials that Stevenson left across a global journey that began in Scotland in 1850 and ended in Samoa in 1894. These range from travel journals, letters, and classic literary staples such as Treasure Island and The Strange Case of Dr. Jekyll and Mr. Hyde, to rarely read masterpieces such as The Master of Ballantrae or The Ebb-Tide. While much recent scholarship on Stevenson foregrounds geography, the present volume also examines the theme of movement across memory, time, and generic boundaries. Taken together, the essays offer a view of Stevenson that demonstrates how the protean nature of his literary output reflects the radical developments in science, technology, and culture that characterized the age in which he lived.