Tribes in the Mahabharata


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Adi Deo Arya Devata


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The British claimed that India’s Adivasi population lay beyond the pale of mainstream Hindu society. Yet even a cursory mapping of the spiritual-cultural landscape reveals a deep symbiotic relationship between tribals and non-tribals, which is amply reflected in the ancient literature and inscriptions. Indeed, it was also noted by colonial anthropologists and ethnographers (mainly British officials), who deliberately delinked tribals from Hindu society through the imposition of racial categories and census classifications. Tribals have made an enormous contribution to India’s civilisation; all major gods of the Indic tradition have tribal links. Shiva was worshipped by forest-dwelling communities in large parts of the country, as were Vishnu’s incarnations as Varaha (boar) and Narasimha (lion). Vishnu, in fact, evolved out of several distinct deities, notably Vasudeva, the supreme lord of the Vrishni/Satvata tribe; Krishna of the Yadava clan; Gopala of the Abhira tribe and Narayana of the Hindukush mountains. Similarly, Gautama Buddha hailed from the Sakya tribe; Vardhaman Mahavira was a scion of the Jnatrikas. There is to this day a close relationship between the Kurumba, Lambadi, Yenadi, Yerukula and Chenchu tribes and Shri Venkateshwar of Tirupathi. Lord Ayyappam in Kerala and Mata Vaishno Devi in Jammu also appear to have tribal links. All these gods and temples, as also that of Jagannath in Puri, enjoy a pre-eminent status in the classical Hindu pantheon. Even caste, long regarded as the keynote of Hindu society, possibly originated in the tribal clan or gotra. The term ‘jat’ or ‘jati’ is used equally for caste and tribe in most Indian languages and tribal dialects. Moreover, the defining characteristics of tribes apply equally to castes, such as claims of descent from a common ancestor, common language, endogamy and clan exogamy, caste/tribal councils, certain taboos in matters of diet and marriage alliances, presence of hierarchy within groups and limited self-sufficiency. Mahatma Gandhi insisted that tribals are an inalienable part of Hindu society. This work suggests that tribal society constitutes the keynote and the bedrock of Hindu civilisation.




Mahabharata


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The Mahabharata is an Indian epic, in its original Sanskrit probably the largest ever composed. It is the story of a dynastic struggle that provides a social, moral, and cosmological background to the climatic battle. The present English rendition is a retelling based on a translation of the Sanskrit original published by Pratap Chandra Roy, Published in the beginning of this century. William buck has condensed the story. The old translation from which he worked covers 5800 pages of print, while his own book is less than a tenth of that length. But by and large, Buck`s rendition reflects the sequence of events in the Sanskrit epic, and he uses the traditional techniques for instance, of stories within stories, flashbacks, moral lessons laid in the mouths of principal characters. There are other English versions of the Mahabharata, some shorter, some longer. But apart from William Buck`s rendition, none have been able to capture the blend of religion andmartial spirit that pervades the original epic. It succeeds eminently in illustrating how seemingly grand and magnificent human endeavors turn out to be astoundingly insignificant in the perspective of eternity. CONTENTS Publisher's Preface, Introduction, Part I: In the Beginning, A Mine of Jewels and Gems, The Ring and the Well, Fire and Flame, Indraprastha, The Falling Sand, Part II: In the Middle, 6:00 Nala and Damayanti, 7:00 The Thousand-Petaled Lotus, An Iron Net, Virata, The Invasion, Do Not Tell, Sanjaya Returns, Trees of Gold, The Enchanted Lake, The Night, Part III: In the End, The Blade of Grass, The Lonely Encounter, Parikshita, The Timeless Path, The City of Gates, Notes, Reference List of Characters




Encyclopaedic Profile of Indian Tribes


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Next to Africa, India has the largest tribal population (67.7 million) in the world. Indian tribes, spread over the length and breadth of the country, are concentrated in hilly and forest regions. The tribes of India differ considerably from one another in race, language culture and beliefs, and present a spectacle of striking diversity. It is this diversity marked by varied social characteristics and diverse cultural traditions and linguistic traits that lends lustre to the cultural mosaic of India. Encyclopaedia Profile of Indian Tribes, first of its kind, seeks to present a concise by comprehensive account of the socio-cultural profile of all the tribal communities who have been declared as Scheduled Tribes by the Government of India. The tribes are arranged alphabetically in order to facilitate easy reference. Each profile deals with the geographical distribution of the tribal population, the social structure, the means of subsistence and economic organisation, religious beliefs and practice, the political institutions, and modern social changes sweeping the community. At the end of each profile, there is a short bibliography for the more inquisitive reader. Each entry in this four volume set has been contributed by a scholar who has deep personal knowledge and contact with the community. This classic multi-volume set will be extremely useful to scholars studying tribals in India and abroad and to all those interested in a standard reference work on the Indian tribes.







Evil in the Mahabharata


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Good and evil, loyalty and treachery, faith and doubt, honour and ignominy—the Mahabharata has served as a primer for codes of conduct to generations of Hindus. Over time, the epic has also fascinated those who love a tale well told. In its telling, however, the story has lost much of its richness and nuance, and the characters have become one-dimensional cut-outs—either starkly good or irredeemably evil. In this reinterpretation, Meena Arora Nayak analyses how the values espoused in the Mahabharata came to be distorted into meagre archetypes, creating customary laws that injure society even today.




From Dasarajna to Kuruksetra


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Is it true that the ancient Indians had no sense of History? The book begins with this question, and points out how the ways of perceiving the past could be culture-specific and how the concept of historical traditions can be useful in studying the various ways of memorising and representing the past, even if those ways do not necessarily correspond to the methodology of the Occidental discipline called 'History'. Ancient India had several historical traditions, and the book focuses on one of them, the itihasa. It also shows how the Mahabharata is the best illustration of this tradition, and how a historical study of the contents of the text, with comparison with and corroboration from other contemporary sources and traditions, may help us restore the text in its original context in the bardic historical tradition about the Later Vedic Kurus. Is the Mahabharata then an authentic history? This book does not claim so. However, it shows how the text had originated as a critical reflection on a great period of transition, how it dealt with the conflicting philosophies of the transitional period, how it propounded its thesis by creating new kinds of heroes such as Yudhisthira and Krsna, and how the text was reworked when it was canonized by the brahmanas.




Śakoontalá


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Nonviolence in the Mahabharata


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In Indian mythological texts like the Mahābhārata and Rāmāyaṇa, there are recurrent tales about gleaners. The practice of "gleaning" in India had more to do with the house-less forest life than with residential village or urban life or with gathering residual post-harvest grains from cultivated fields. Gleaning can be seen a metaphor for the Mahābhārata poets’ art: an art that could have included their manner of gleaning what they made the leftovers (what they found useful) from many preexistent texts into Vyāsa’s “entire thought”—including oral texts and possibly written ones, such as philosophical debates and stories. This book explores the notion of non-violence in the epic Mahābhārata. In examining gleaning as an ecological and spiritual philosophy nurtured as much by hospitality codes as by eating practices, the author analyses the merits and limitations of the 9th century Kashmiri aesthetician Anandavardhana that the dominant aesthetic sentiment or rasa of the Mahābhārata is shanta (peace). Mahatma Gandhi's non-violent reading of the Mahabharata via the Bhagavad Gita are also studied. This book by one of the leaders in Mahābhārata studies is of interest to scholars of South Asian Literary Studies, Religious Studies as well as Peace Studies, South Asian Anthropology and History.




Parva


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It Is A Transformation Of An Ancient Legend Into A Modern Novel. In This Process, It Has Gained Rational Credibility And A Human Perspective. The Main Incident, The Bharata War, Symbolic Of The Birthpangs Of A New World-Order, Depicts A Heroic But Vain Effort To Arrest The Disintegration And Continue The Prevailing Order. It Is Viewed From The Stand Points Of The Partisan Participants And Judged With Reference To The Objective Understanding Of Krishna. Narration, Dialogue, Monologue And Comment All Are Employed For Its Presentation. Shot Through With Irony, Pity And Understanding Objectivity, The Novel Ends With The True Tragic Vision Of Faith In Life And Hope For Mankind.