Trimalchio's Dinner


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A Curious Invitation


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Theatrum Arbitri


Book Description

Theatrum Arbitri is a literary study dealing with the possible influence of Roman comic drama (comedies of Plautus and Terence, theatre of the Greek and Roman mimes, and fabula Atellana) on the surviving fragments of Petronius' Satyrica. The theatrical assessment of this novel is carried out at the levels of plot-construction, characterization, language, and reading of the text as if it were the narrative equivalent of a farcical staged piece with the theatrical structure of a play produced before an audience. The analysis follows the order of each of the scenes in the novel. The reader will also find a brief general commentary on the less discussed scenes of the Satyrica, and a comprehensive account of the theatre of the mimes and its main features.




The Ancient Economy


Book Description

"The Ancient Economy holds pride of place among the handful of genuinely influential works of ancient history. This is Finley at the height of his remarkable powers and in his finest role as historical iconoclast and intellectual provocateur. It should be required reading for every student of pre-modern modes of production, exchange, and consumption."--Josiah Ober, author of Political Dissent in Democratic Athens




Satyricon's Trimalchio


Book Description

Of all the stories narrated, "Trimalchio" tells the story from beginning to end, though in bits and pieces; that is, in the fragments that have survived. When readers think of a dinner banquet in ancient times, what comes to mind is Plato's Symposium, in which Plato treats his readers to a discussion of the most delicious intellectual delicacies, such as the theme of love. In contrast what one finds in "Trimalchio," is a dinner of the most delicious culinary delicacies, and a dearth of intellectual discussion. The guests at the dinner table consist of gabby table-talkers who delight in conversing about the most trivial themes-supernatural tales- which they cap with obscene and vulgar behavior, such as the mistreatment of slaves and women. The nouveau riche Trimalchio, holds the dinner party at his grossly expensive estate, where a retinue of slaves, cooks, and servants, serve the guests with exotic, abundant, extravagant, and wasteful dishes. Given that F. Scott Fitzgerald's recreates such extravagant parties in his novel The Great Gatsby, he initially named the novel, Trimalchio. While both, Petronius and Fitzgerald, appear to have been concerned with portraying the moral decay that accompanies the noveau riche, Petronius' book manages to capture the spirit of ancient Rome, through its low characters; Fitzgerald fails to capture the spirit of New York in the 1920s. This selection presents only one story of the Satyricon: "Dinner at Trimalchio's." The reader should not expect all the stories of the Satyricon.




The Roman Banquet


Book Description

Dining was an important social occasion in the classical world. Scenes of drinking and dining decorate the wall paintings and mosaic pavements of many Roman houses. They are also painted in tombs and carved in relief on sarcophagi and on innumerable smaller grave monuments. Drawing frequently upon ancient literature inscriptions as well as archaeological evidence, this book examines the visual and material evidence for dining through Roman antiquity. Richly illustrated, Roman Banqueting offers the fullest and varied picture of the role of the banquet in Roman life.




The Classical Cookbook


Book Description

Explores the cuisine of the Mediterranean in ancient times from 750 B.C. to A.D. 450.




A Writer's Guide to Ancient Rome


Book Description

'A really fun idea for a book - and full of great stuff.' Greg Jenner, Public HistorianThis is the perfect guide for any writer who wants to recreate the Roman world accurately in their fiction. It will aid any novelist, screenwriter, games designer or re-enactor in populating their story with authentic characters and scenes, costumes and locations. Written from a historian's perspective, this guide pulls back the curtain to show the reader what life in Ancient Rome was really like: what they wore, what they ate, and how they spent their time at work, at home, at war, and at play. Individual chapters focus on different aspects of Romans' lives, to give you specific knowledge of what they looked like and how they behaved, as well as a broad appreciation of what held their civilisation together, from religion, to the economy, to law and order. You may wish to work your way through the book from cover to cover, or focus specifically on individual chapters as you hone your creative writing skills. Covering the period between 200 BCE and 200 CE, A writer's guide to Ancient Rome surveys the vast amount of sources and scholarship on the Classical world so you don't have to! It outlines current scholarly debates and changing interpretations, suggests further reading, and recommends particular resources to mine for each topic. It gives you plenty to consider while you construct your own Roman world.




The Scrap Book


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--Cena Trimalchionis


Book Description

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1905 edition. Excerpt: ...inquit " emeram, sed malui illos Atellanam facere, et choraulen meum iussi Latine cantare." m cum maxime haec dicente Gaio puer Trimalchionis delapsus est. conclamauit familia, nec minus conuiuae, non propter hominem tam putidum, cuius et ceruices fractas libenter uidissent, sed propter malum exitum cenae, ne necesse haberent alienum mortuum plorare. ipse Trimalchio cum grauiter ingemuisset superque bracchium tamquam laesum incubuisset, concurrere medici, et inter primos F ortunata crinibus passis cum scypho, miseramque se atque infelicem proclamauit. nam puer quidem, qui ceciderat, circumibat iam dudum pedes transire H. cornices H. cubicularios, valets-de-chambre: they also waited in the ante'rooms to announce visitors. L. and S. cubicularius, II. baro, s 63 bis. Pers. 5. 138, where uaro has also MS. support. It probably signified "a man." per gradus, Mart. 2. 86. 7 quid si per graciles uias petauri inuitum iubeas subire Ladan? Juv. 14. 265 iactata petauro corpora, Mayor's note. See on petauristarios, 47. odaria. saltare, Ov. Tr. 5. 7. 2s carmina quod pleno saltari nostra theatro scribis. circulos, Mart. 11. 21. 3 rota transmissa totiens intacta petauro. Manil. 5. ua membraue per flammas urbesque emissa flagrantes. cornicines, so Heinsius for MS. cornices. Juv. 3. 3m s 78 nouum acroama, cornicines, in triclinium iussit adduci. s 64. Trimalchio ipse cum tubicines esset imitatus. acroamata tricas, so Biicheler for animalia cromataricas, which is meaning less. s 78 nouum acroama. Heinsius suggested reliqua animalia acroamata ac tricas. Recitations with and without music during the dinner and with the wine were very popular. See on Eomeriatas, s9. Einhard V. Car. inter cenam dum aut aliquod acroan1a...