Trio opus 22 in F for violin, cello & piano
Author : Johann Nepomuk Hummel
Publisher :
Page : 24 pages
File Size : 36,23 MB
Release : 1981
Category : Piano trios
ISBN :
Author : Johann Nepomuk Hummel
Publisher :
Page : 24 pages
File Size : 36,23 MB
Release : 1981
Category : Piano trios
ISBN :
Author : Johann Nepomuk Hummel
Publisher :
Page : 0 pages
File Size : 44,10 MB
Release : 1981
Category :
ISBN :
Author : Augener & Co
Publisher :
Page : 1404 pages
File Size : 35,4 MB
Release : 1861
Category : Music
ISBN :
Author : Scheurmann, G., firm, music publishers, London
Publisher :
Page : 904 pages
File Size : 26,82 MB
Release : 1855
Category : Music
ISBN :
Author : Harold Reeves (Firm)
Publisher :
Page : 700 pages
File Size : 38,93 MB
Release : 1919
Category : Music
ISBN :
Author : John CLINTON
Publisher :
Page : 22 pages
File Size : 49,55 MB
Release : 1852
Category :
ISBN :
Author : Anonymous
Publisher : BoD – Books on Demand
Page : 178 pages
File Size : 30,64 MB
Release : 2023-07-19
Category : Fiction
ISBN : 3368185241
Reprint of the original, first published in 1873.
Author : Alberto Bachmann
Publisher : Courier Corporation
Page : 498 pages
File Size : 19,23 MB
Release : 2013-07-24
Category : Music
ISBN : 0486318249
First published in 1925, this renowned reference remains unsurpassed as a source of essential information, from construction and evolution to repertoire and technique. Includes a glossary and 73 illustrations.
Author :
Publisher :
Page : 204 pages
File Size : 49,66 MB
Release : 1852
Category :
ISBN :
Author : Frederick W. Skinner
Publisher : Indiana University Press
Page : 271 pages
File Size : 11,67 MB
Release : 2022-11-01
Category : History
ISBN : 0253063078
How did Ludwig van Beethoven help overthrow a tsarist regime? With the establishment of the Russian Musical Society and its affiliated branches throughout the empire, Beethoven's music reached substantially larger audiences at a time of increasing political instability. In addition, leading music critics of the regime began hearing Beethoven's dramatic works as nothing less than a call to revolution. Beethoven in Russia deftly explores the interface between music and politics in Russia by examining the reception of Beethoven's works from the late 18th century to the present. In part 1, Frederick W. Skinner's clear and sweeping review examines the role of Beethoven's more dramatic works in the revolutionary struggle that culminated in the Revolution of 1917. In part 2, Skinner reveals how this same power was again harnessed to promote Stalin's campaign of rapid industrialization. The appropriation of Beethoven and his music to serve the interests of the state remained the hallmark of Soviet Beethoven reception until the end of communist rule. With interdisciplinary appeal in the areas of history, music, literature, and political thought, Beethoven in Russia shows how Beethoven's music served as a call to action for citizens and weaponized state propaganda in the great political struggles that shaped modern Russian history.