Trois Etudes de Concert


Book Description

Expertly arranged Piano Solo by Franz Liszt from the Kalmus Edition series. These Etudes are from the Romantic era. (Lamento, Leggierezza, Sospiro)




Un sospiro, S. 144:3 (from "Trois í©tudes de concert")


Book Description

The third concert etude in D-flat major from Liszt's Trois etudes de concert will challenge advanced pianists with its constant hand-crossings and varying number of cascading notes per measure in the accompaniment. A lovely pentatonic melody is embedded in the rolling arpeggio-like patterns, frequently played by alternating hands throughout the piece. Keeping this cantando melodic line distinct and phrased while transparently maintaining the flowing accompaniment is the primary challenge of this masterwork. This edition is based on Musikalische Werke herausgegeben von der Franz Liszt-Stifung, Series II, edited by Ferruccio Busoni.




Six grand etudes


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Rigoletto


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Connecting Chords with Linear Harmony


Book Description

(Jazz Book). A study of three basic outlines used in jazz improv and composition, based on a study of hundreds of examples from great jazz artists.




3 Etudes de Concert S.144 - For Solo Piano (1849)


Book Description

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.




The School of Velocity, Op. 299 (Complete)


Book Description

Carl Czerny (1791 – 1857) was an Austrian composer whose books of studies are still widely used in piano teaching.




The 20 Most Famous Pieces by Liszt


Book Description

20 Franz Liszt Masterpieces For Solo Piano. The scores are clearly printed on a light cream-colored thick paper to reduce eye strain. Contents : 1. La Campanella, «Grandes études de Paganini», No. 3, S.141 2. Thèmes et Variations, «Grandes études de Paganini», No. 6, S.141 3. Un Sospiro, «Trois études de concert », No. 3, S.144 4. Waldesrauschen, «2 Konzertetüden », No. 1, S.145 5. Tarantella, « Années de pèlerinage II, Supplément », No. 3, S.162 6. Les jeux d'eaux à la Villa d'Este, « Années de Pèlerinage III », No. 4, S.163 7. Lento Placido, « Consolations », No. 3, S.172 8. Funérailles, « Harmonies Poétiques et Religieuses », No. 7, S.173 9. Piano Sonata in B minor, No. 7, S.178 10. Nuages Gris (Trübe Wolken), S.199 11. Valse oubliée No. 1, « Valses oubliées », S.215 12. Grand Galop Chromatique, S.219 13. Hungarian Rhapsody No. 2, « Hungarian Rhapsodies », S.244 14. Hungarian Rhapsody No. 15, « Hungarian Rhapsodies », S.244 15. Solovei ; The Nightingale (Le Rossignol), S.250 16. El Contrabandista (Rondeau fantastique sur un thème Espagnol), S.252 17. Mephisto Waltz No. 1, S.514 18. Totentanz, S.525 / S.126 19. Liebesträume (Liebestraum) No. 3, S.541 / S.126 20. Ave Maria (Ellens dritter Gesang), « 12 Lieder von Franz Schubert », S.558




Complete etudes for solo piano: Grande fantaisie de bravoure sur La clochette de Paganini : op. 2, 1832 ; Etudes d'exécution transcendante d'après Paganini : 1838 ; Grandes études de Paganini : 1851 ; Morceau de salon : étude de perfectionnement : 1840 ; Ab irato : grande étude de perfectionnement: 1852 ; Trois études de concert : c. 1848 ; Two concert etudes : c. 1862-63


Book Description

Liszt's reputation as perhaps the greatest pianist of all time is powerfully supported by his dazzling body of work for solo piano. The undiminished popularity of his etudes with pianists and audiences alike have made them among the most performed and recorded works for solo piano in the romantic repertoire. This superbly produced yet inexpensive two-volume edition presents all of Liszt's etudes as edited by the great pianist, composer, and musical scholar Ferruccio Busoni for the Franz Liszt Society and published by Breitkopf and H�rtel in Leipzig in 1910–11. This first volume, Series I, includes many of Liszt's most inspired piano works. The Etude en 12 Exercises and the 12 Grandes Etudes can both be regarded as early versions of the Etudes d' Ex�cution Transcendante (Transcendental Etudes). Each set is a highly successful work in its own terms, and both generally surpass the famous final version in difficulty. The separate "Mazeppa" is yet another working of one of the etudes from these sets. The individual etudes range dramatically in style from the delicate refinement of "Feux Follets" to the startling bravura of "Wilde Jagd" (both from the Transcendental Etudes). Each will bring to pianists and their listeners a moving encounter with the genius of this towering musical personality.




New Hungarian Quartet


Book Description