TROPICAL RENAISSANCE


Book Description

Between 1839 and 1879, some thirty American artists--including Frederic Church, Titian Peale, Norton Bush, James M. Whistler, and Martin Heade--trekked through Central and South America. Manthorne (art history, U. of Illinois) outlines the particular circumstances in the 19th-century US that turned national attention southward. With eight color and 100 bandw illustrations. Annotation copyrighted by Book News, Inc., Portland, OR




TROPICAL RENAISSANCE


Book Description

Between 1839 and 1879, some thirty American artists--including Frederic Church, Titian Peale, Norton Bush, James M. Whistler, and Martin Heade--trekked through Central and South America. Manthorne (art history, U. of Illinois) outlines the particular circumstances in the 19th-century US that turned national attention southward. With eight color and 100 bandw illustrations. Annotation copyrighted by Book News, Inc., Portland, OR




TROPICAL RENAISSANCE PB


Book Description

A study of the artists who traveled, studied, and painted in Latin America, showing examples of their work, and interpreting and commenting on the artists' achievements




TROPICAL RENAISSANCE


Book Description




Renaissance in the Tropics


Book Description

GAVIOTAS, For the recovery of Earth’s skin There is a new start towards the world. One age that Mario Calderon Rivera, outstanding thinker and humanist, called Renaissance in the sense of both the Italian Renaissance as a change of mind of man to himself, and the contemporary one as a change of mind from man towards nature. The Renaissance, led by this brilliant saying of Leonardo da Vinci: "Everything comes from everything, and everything is made out of everything, and everything returns into everything" especially in a round planet. This also comes to be true in Centro "Las Gaviotas" where they achieved, among other things, the reawakening of the Amazon rainforest in the Colombian savannas of Orinoco. There they join the community welfare with the wealth generated by the sustainable use of tropical biodiversity, which, being located in the equatorial zone, has one of the highest rates of biological productivity. Within this context, Mario Calderon, travels through the last 60 years showing the ideas of the human being when he began to reflect on the effects of his action on Earth. They consist of a new attitude towards nature, seeing himself as being part of one system, with it he can coexist without destroying, understanding their connections, i.e. its complexity. Gaviotas age is this way of thinking. The author in honor of Gaviotas and its founder, Paolo Lugari, sets the theoretical foundations of the progress mankind has made in this respect since the last half century. Gaviotas is an example, a path, but at the same time an outpost of a bioculture that makes its way to protect both human life as well as that from others, which ultimately are subjected to the recovery of the vegetable skin of Earth, by the increase in biomass, as this determines the dynamic stability of the composition of the atmosphere of 99%, of nitrogen and oxygen If this composition would be disturbed by the continuing decline in biomass it would make impossible for human life to exist, something much more serious than global warming. Just warming is only a reductionist analysis of the issue. Development is seen now in productive harmony with nature, without undermining the very foundations of civilization. With an extensive knowledge of the authors who have made the ecological thinking trends of our time, Calderón contextualizes Gaviotas in the present world highlighting its conceptual contributions and its innovative achievements, always pointing to a decent lifestyle without denying the modernity.




Tropical Aesthetics of Black Modernism


Book Description

In Tropical Aesthetics of Black Modernism, Samantha A. Noël investigates how Black Caribbean and American artists of the early twentieth century responded to and challenged colonial and other white-dominant regimes through tropicalist representation. With depictions of tropical scenery and landscapes situated throughout the African diaspora, performances staged in tropical settings, and bodily expressions of tropicality during Carnival, artists such as Aaron Douglas, Wifredo Lam, Josephine Baker, and Maya Angelou developed what Noël calls “tropical aesthetics”—using art to name and reclaim spaces of Black sovereignty. As a unifying element in the Caribbean modern art movement and the Harlem Renaissance, tropical aesthetics became a way for visual artists and performers to express their sense of belonging to and rootedness in a place. Tropical aesthetics, Noël contends, became central to these artists’ identities and creative processes while enabling them to craft alternative Black diasporic histories. In outlining the centrality of tropical aesthetics in the artistic and cultural practices of Black modernist art, Noël recasts understandings of African diasporic art.




The Duke and the Stars


Book Description

The Duke and the Stars explores science and medicine as studied and practiced in fifteenth-century Italy, including how astrology was taught in relation to astronomy. It illustrates how the “predictive art” of astrology was often a critical, secretive source of information for Italian Renaissance rulers, particularly in times of crisis.




Imagology


Book Description

How do national stereotypes emerge? To which extent are they determined by historical or ideological circumstances, or else by cultural, literary or discursive conventions? This first inclusive critical compendium on national characterizations and national (cultural or ethnic) stereotypes contains 120 articles by 73 contributors. Its three parts offer [1] a number of in-depth survey articles on ethnic and national images in European literatures and cultures over many centuries; [2] an encyclopedic survey of the stereotypes and characterizations traditionally ascribed to various ethnicities and nationalities; and [3] a conspectus of relevant concepts in various cultural fields and scholarly disciplines. The volume as a whole, as well as each of the articles, has extensive bibliographies for further critical reading. Imagologyis intended both for students and for senior scholars, facilitating not only a first acquaintance with the historical development, typology and poetics of national stereotypes, but also a deepening of our understanding and analytical perspective by interdisciplinary and comparative contextualization and extensive cross-referencing.




Current Literature


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Forum


Book Description