Tuscany in the Age of Empire


Book Description

Winner of the American Association for Italian Studies Book Prize A new history explores how one of Renaissance Italy’s leading cities maintained its influence in an era of global exploration, trade, and empire. The Grand Duchy of Tuscany was not an imperial power, but it did harbor global ambitions. After abortive attempts at overseas colonization and direct commercial expansion, as Brian Brege shows, Tuscany followed a different path, one that allowed it to participate in Europe’s new age of empire without establishing an empire of its own. The first history of its kind, Tuscany in the Age of Empire offers a fresh appraisal of one of the foremost cities of the Italian Renaissance, as it sought knowledge, fortune, and power throughout Asia, the Americas, and beyond. How did Tuscany, which could not compete directly with the growing empires of other European states, establish a global presence? First, Brege shows, Tuscany partnered with larger European powers. The duchy sought to obtain trade rights within their empires and even manage portions of other states’ overseas territories. Second, Tuscans invested in cultural, intellectual, and commercial institutions at home, which attracted the knowledge and wealth generated by Europe’s imperial expansions. Finally, Tuscans built effective coalitions with other regional powers in the Mediterranean and the Islamic world, which secured the duchy’s access to global products and empowered the Tuscan monarchy in foreign affairs. These strategies allowed Tuscany to punch well above its weight in a world where power was equated with the sort of imperial possessions it lacked. By finding areas of common interest with stronger neighbors and forming alliances with other marginal polities, a small state was able to protect its own security while carving out a space as a diplomatic and intellectual hub in a globalizing Europe.




The Empire that Wasn't


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This dissertation considers the Grand Duchy of Tuscany's long-distance activities during the reigns of Grand Dukes Francesco I (r. 1574-1587) and Ferdinando I (r. 1587-1609), including long-distance commercial and imperial projects, military adventures, diplomacy and espionage, collecting, and information-gathering, to explore how the vast empires and emergent global economy of the late sixteenth and early seventeenth century functioned in practice, the role of small powers in these systems, and the wide range of prospects contemporaries saw. The projects and adventures of Tuscan affiliated diplomats, spies, mariners, and merchants who traveled to Morocco, Syria, Iran, Muscovy, India, China, Japan, Spanish America and Brazil reveal an early modern world still very much in flux, open to an almost limitless array of possibilities. This case study of Tuscany's role demonstrates both the breadth of Tuscan ambition and the centrality of politics to structuring participation in the global economy and overseas empire in the early modern world, which in turn suggests a need to revise traditional nationalist and determinist accounts of Europe's engagement with the broader world.




Tuscany


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Discover the rich history and culture of some of the world¿s most influential historical places with these highly illustrated books, packed with information and enlightening descriptions.




The History of Tuscany


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The History of Tuscany


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The "Other Tuscany"


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Studies of late medieval Tuscany have traditionally relied on historiographical premises derived from the experience of its intensely investigated capital city. Specifically, normative and quantitative data from Florentine sources have been employed to chart demographic, social, and economic trends during the communal age and across the period of the Black Death and its aftermath. The results have invited instructive comparisons with other regions of Italy, as well as other parts of Europe. At the same time, however, the focus on Florence in its role as a metropolitan center belies the conceptual problems inherent in the modern definition of region, applicable only with hindsight to medieval juridical and topographical boundaries. The essays in this volume offer non-Italian scholars a representative sample of current European research and a summary of recent debates regarding the historical evolution of those republics that posed the most formidable obstacles to the extension of Florentine hegemony. While they cover a range of topics, they all provide evidence of the important resources available to scholars working in provincial Tuscan archives and the volume offers an excellent sampling of the state of scholarship on these Italian communities.







Drama, Poetry and Music in Late-Renaissance Italy


Book Description

Leonora Bernardi (1559-1616), a gentlewoman of Lucca, was a highly regarded poet, dramatist and singer. She was active in the brilliant courts of Ferrara and Florence at a time when creative women enjoyed exceptional visibility in Italy. Like many such figures, she has since suffered historical neglect. Drama, Poetry and Music in Late-Renaissance Italy presents the first ever study of Bernardi’s life, and modern edition of her recently discovered literary corpus, which mostly exists in manuscript. Her writings appear in the original Italian with new English translations, scholarly notes, critical essays and contributions by Eric Nicholson, Eugenio Refini and Davide Daolmi. Based on new archival research, the substantial opening section reconstructs Bernardi’s unusually colourful life. Bernardi’s works reveal her connections with some of the most pioneering poets, dramatists and musicians of the day, including her mentor Angelo Grillo and the first opera librettist Ottavio Rinuccini. The second major section presents her pastoral tragicomedy Clorilli, one of the earliest secular dramatic works by a woman. It was apparently performed in the early 1590s at a Medici villa near Florence, before Grandduke Ferdinando I de’ Medici, and his consort Christine of Lorraine, but now exists in an enigmatic Venetian manuscript. The third section presents Bernardi’s secular and religious verse, which engaged with new trends in lyric and poetry for music, and was set by various key composers across Italy.




The History of Tuscany


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