Twentieth-Century Honky-Tonk


Book Description

It was supposed to be a car dealership. Instead, it became one of the most famous American music venues of all time... Only one place in the whole world can claim to be both the Carnegie Hall of western swing and the penultimate stop on the Sex Pistols’ infamous American tour. Now, for the first time ever, all the secrets of the hottest honky-tonk of the 20th Century—Cain’s Ballroom—are revealed, in the words of the people who made it happen. Spanning the famed venue’s first 75 years, from 1924 through 1999, Twentieth-Century Honky-Tonk tells it all, from Bob Wills and His Texas Playboys—who became a national sensation with their clear-channel ballroom broadcasts—to U2, the Police, and Van Halen—as Cain's became an essential stop for breakout acts and cosmic cowboys. The book also covers cutting-edge alt-rock acts, metal bands, and off-the-wall attractions like ladies’ mud wrestling (which worked) and Pig Time Racing (which didn’t).




Twentieth-Century Honky-Tonk


Book Description

Only one place in the whole world can claim to be both the Carnegie Hall of western swing and the penultimate stop on the Sex Pistols' infamous American tour. Now, for the first time ever, all the secrets of the hottest honky-tonk of the 20th Century-Cain's Ballroom-are revealed, in the words of the people who made it happen.







Thanks—Thanks A Lot


Book Description

"Billy Parker will always be one of the greats…I’m proud that he has this autobiography to really show who he was and is." ~ Dolly Parton A lover of country music and broadcasting from his earliest days, Billy Parker took his first tentative steps into both those fields while still in his teens, leading to lasting renown as both a top-rated deejay and country recording artist. Following a stint as the front man for Ernest Tubb’s famed Texas Troubadours, Billy returned to his native Oklahoma, where he originated one of the first nationally known overnight radio shows of the ‘70s. For years, Billy’s voice rode nightly over the mighty airwaves of the original KVOO, a 50,000-watt flamethrower that spread Billy Parker’s Big Rigger show all across the country. Later, as program director for the station, he helped many country performers at all levels, becoming well-known for giving everyone a fair shake, regardless of their stature in the industry. Thanks – Thanks A Lot doesn’t just refer to the famous hit record he cut back in the 1960s; it’s also Billy Parker’s sincere nod to those who helped make him what he is today: a performer with several national hits; a trailblazing, multiple-award-winning deejay; and—as the call letters of the station that brought him stardom indicate —nothing less than the Voice of Oklahoma. "Billy was so important to the Oak Ridge Boys. He helped break all our songs and the Midwest followed. Billy was a trusted voice of radio. I am so blessed that our paths crossed and we became good friends for over five decades." ~ Duane Allen (of the Oak Ridge Boys)




The First Generation of Country Music Stars


Book Description

This book focuses on 50 of the most important entertainers in the history of country music, from its beginnings in the folk music of early America through the 1970s. Divided into five distinct categories, it discusses the pioneers who brought mountain music to mass audiences; cowboys and radio stars who spread country music countrywide; honky-tonk and bluegrass musicians who differentiated country music during the 1940s; the major contributions that female artists made to the genre; and the modern country sound which dominated the genre from the late 1950s to the mid-1980s. Each entry includes a brief biography of the chosen artist with special emphasis on experiences which influenced their musical careers. Covered musicians include Fiddlin' John Carson, Riley Puckett, Gene Autry, Roy Rogers, Bob Wills, Bill Monroe, Hank Williams, Sr., Dale Evans, June Carter Cash, Loretta Lynn, Buck Owens, Roy Clark, Willie Nelson and Merle Haggard.




Continuum Companion to Twentieth Century Theatre


Book Description

International in scope, this book is designed to be the pre-eminent reference work on the English-speaking theatre in the twentieth century. Arranged alphabetically, it consists of some 2500 entries written by 280 contributors from 20 countries which include not only top-level experts, but, uniquely, leading professionals from the world of theatre. A fascinating resource for anyone interested in theatre, it includes: - Overviews of major concepts, topics and issues; - Surveys of theatre institutions, countries, and genres; - Biographical entries on key performers, playwrights, directors, designers, choreographers and composers; - Articles by leading professionals on crafts, skills and disciplines including acting, design, directing, lighting, sound and voice.




The Opera of the Twentieth Century


Book Description

In the late 1500s in Florence, aristocrats of the Renaissance renovated classical Greek dramas into dramatic musicals and gave birth to the first operas. After centuries of transformation, the opera is still appreciated as a historically dynamic paradigm of the fine arts. Composers of the twentieth century have worked hard to fashion a voice distinct from the romantic composers of the nineteenth century and the traditions that preceded them, and this volume explores the extent of their success. Beginning with a thorough introduction to the history of operatic forms and transformation, this book presents a comprehensive discussion of twentieth century opera. Giving ear to many composers and many styles--romantic and modern and assorted variations--the discussion includes such globally renowned composers as Strauss, Puccini, Prokofiev and Mascagni, as well as the esoteric works of less famous composers. Spanning as it does from Puccini's Tosca and Charpentier's Louise to Heggie's Dead Man Walking and Corigliano's The Ghosts of Versailles, twentieth century operatic form has something for every taste. The discussion is therefore structured chronologically and directed at exploring this complex diversity and ingenuity of twentieth-century styles. Examples from across the globe and firsthand commentary from contemporary operatic professionals complement the discussion. Concluding chapters comment upon the operatic presence in the twenty-first century and the future of operatic forms.




Philippine Politics and Society in the Twentieth Century


Book Description

This work addresses key topics which should be of interest to the academic and non-academic reader, such as the national level electoral politics, economic growth, the Philippine Chinese, law and order, opposition, the Left, and local and ethnic politics.




The Language of Twentieth Century Music


Book Description

This rich anthology of 50 first-rate musical compositions documents the development of musical style from the early Middle Ages to the middle of the 18th century. Each piece has been carefully selected by noted musicologist Carl Parrish as an exemplar of an important step in the evolution of musical style, as well as for its intrinsic interest and beauty. Selections include a Gregorian hymn, an English lute piece, a German organ chorale prelude, operatic arias, instrumental and vocal motets, a French ballad, and works by Vivaldi, Telemann, Pergolesi, Alessandro Scarlatti, Buxtehude, and other masters. Dr. Parrish has also provided an interesting commentary on each composition, evaluating its style, form and historical setting. Complete compositions or sections of compositions are supplied whenever possible, and to facilitate study, each example is presented so that it can be performed either vocally or at the piano.




Religion, Culture and Politics in the Twentieth-Century United States


Book Description

Anyone who seeks to understand the dynamics of culture and politics in the United States must grapple with the importance of religion in its many diverse and contentious manifestations. With conservative evangelicals forming the base of the Republican Party, racial-ethnic communities often organised along religious lines, and social-political movements on the left including major religious components, many of the country's key cultural-political debates are carried out through religious discourse. Thus it is misleading either to think of the US as a secular society in which religion is marginal, or to work with overly narrow understandings of religion which treat it as monolithically conservative or concerned primarily with otherworldly issues.In this volume, Mark Hulsether introduces the key players and offers a select group of case studies that explore how these players have interacted with major themes and events in US cultural history. Students in American Studies and Cultural Studies will appreciate how he frames his analysis using categories such as cultural hegemony, race and gender contestation, popular culture, and empire.Key Features:*Provides a concise introduction to the field*Balances a stress on religious diversity with attention to power conflicts within multiculturalism*Dramatizes the internal complexity and dynamism of religious communities*Brings religious issues into the field of cultural studies, building bridges that can enable more informed and constructive discussion of religion in these fields*Provides an integrated view of religion and its importance in recent US history.