Irish Pastoral


Book Description

Offers an exemplary probe into the Irish literary tradition that has been much remarked upon but little analysed, examines the collision between Irish and English pastoral forms and seeks to ascertain the ways in which these literary modes subsequently intertwine as a seeming result of the consolidation of English colonial dominance of Ireland.




The Irish Novel at the End of the Twentieth Century


Book Description

The Irish Novel at the End of the Twentieth Century: Gender, Bodies and Power interprets a wide variety of the most interesting Irish novels of the last ten years of the century from a perspective that focuses on the regulated sexual and constructed gendered body. The demarcating line of identity-the perennial Irish problem-can be gauged at the basic level of sexual and gender identity in contrast to or in alliance with political, social, religious or cultural norms. All mechanisms that have gone into controlling the body-gender regulation, violence, desire, religious taboos-can all be reinterpreted through the body in motion.




Irish Literature


Book Description

Illustrates the impressive achievement of the great writers in the Irish literary arena and shows the varied accomplishment of others, providing unexpected, entertaining examples from the pens of the less well known. In this book, there are serious and humorous essayists represented, including Steele, Lord Orrery, Sheridan and Edgeworth.




Anthology of Twentieth-century British and Irish Poetry


Book Description

Collects over 450 works by such poets as Thomas Hardy, Catherine Walsh, W.H. Auden, Dylan Thomas, T. S. Eliot, and D.H Lawrence; and covers modernist traditions, black British poets, and avant-garde poetry.




Irish Literature in Italy in the Era of the World Wars


Book Description

This book addresses both the dissemination and increased understanding of the specificity of Irish literature in Italy during the first half of the twentieth century. This period was a crucial time of nation-building for both countries. Antonio Bibbò illustrates the various images of Ireland that circulated in Italy, focusing on political and cultural discourses and examines the laborious formation of an Irish literary canon in Italy. The center of this analysis relies on books and articles on Irish politics, culture, and literature produced in Italy, including pamplets, anthologies, literary histories, and propaganda; translations of texts by Irish writers; and archival material produced by writers, publishers, and cultural and political institutions. Bibbò argues that the construction of different and often conflicting ideas of Ireland in Italy as well as the wavering understanding of the distinctiveness of Irish culture, substantially affected the Italian responses to Irish writers and their presence within the Italian publishing field. This book contributes to the discussion on transnational aspects of canon formation, reception studies, and Italian cultural studies.




The "tinkers" in Irish Literature


Book Description

Irish travellers or 'tinkers' have appeared as characters in Irish literature since the early nineteenth century. Representations of this semi-nomadic cultural and ethnic minority in works by non-traveller authors almost invariably function in some way within the context of Irish identity politics, whereby the 'tinker' often serves as a 'primitive' Other to a modern, civilized Irish Self. This study considers the 'tinker' character in a large body of serious and popular literary texts, some well known, others rarely if ever discussed, and traces how the literary construct of the 'tinker' figure as domestic or foreign Other evolves over time. Three chapters concentrate on specific historical contexts, as the 'tinker' shifts from being a relatively straightforward scapegoat in the literature of the early nineteenth century, to being a more complex and ambiguous embodiment of both the aspirations and anxieties of the Anglo-Irish writers of the Revival, to being a barometer of aspects of modernity and regression in the mid-twentieth-century Irish Republic. Three further chapters focus on thematic contexts that have particular relevance for the development of the 'tinker' figure: children's literature from and about Ireland; fabulist narratives, particularly those with plot configurations derived from Celtic mythology; and crime and detective fiction set in Ireland. Finally the way in which individual travellers represent themselves in autobiographical narratives of the late twentieth century is considered, often in response to the fictional 'tinker' stereotype that has persisted in sedentary society and its cultural expressions for centuries.




Ireland In The 20th Century


Book Description

Ireland's bestselling popular historian tells the story of contemporary Ireland - controversial, authoritative and highly readable. Tim Pat Coogan's biographies of Michael Collins and DeValera and his studies of the IRA, the Troubles and the Irish Diaspora have transformed our understanding of contemporary Ireland, and all have been massive bestsellers. Now he has produced a major history of Ireland in the twentieth century. Covering both South and North and dealing with cultural and social history as well as political, this enthralling work will become the definitive single-volume account of the making of modern Ireland.




Irish Women - Writers - At the Turn of the Twentieth Century


Book Description

This collection presents international research on the work of Irish women writers at the turn of the twentieth century. These essays make a key contribution to contemporary feminist recovery projects and remapping the landscape of Irish literature of this period.




Languages of the Night


Book Description

This book argues that the sudden decline of old rural vernaculars – such as French patois, Italian dialects, and the Irish language – caused these languages to become the objects of powerful longings and projections that were formative of modernist writing. Seán Ó Ríordáin in Ireland and Pier Paolo Pasolini in Italy reshaped minor languages to use as private idioms of poetry; the revivalist conception of Irish as a lost, perfect language deeply affected the work of James Joyce; the disappearing dialects of northern France seemed to Marcel Proust to offer an escape from time itself. Drawing on a broad range of linguistic and cultural examples to present a major reevaluation of the origins and meaning of European literary modernism, Barry McCrea shows how the vanishing languages of the European countryside influenced metropolitan literary culture in fundamental ways.