2 CENTURIES OF THE ENGLISH NOV


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Two Centuries of the English Novel


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




The English Novel


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The Book Is A Standard And Comprehensive Study Of The English Novel. It Would Be Found Highly Useful By The Students, Researchers And Teachers Of English Literature.




Two Centuries of African English


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Two Centuries of Silence


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How Farsi language broke its two centuries of silence. This book is the translation of Do Gharn Sokoot, into English by an Iranian scientist and scholar. Two Centuries of silence is the saga of 200 years of struggle by Iranians in order to free themselves from the yoke of Muslim Arabs- elegantly and passionately told by Abdolhossein Zarinkoob. The book elucidates thekey reasons for the success of Muslim Arabs in their assault on Iran- a fact that was not written in the stars, nor was it an act of God. For its readers, this translation hopes to shed light on what forms the foundation of todays Iran and helpbring some understanding of Iranians and their culture. The fall of Nahavand in 642 CE marked the end of a glorious fourteenth-century history of Iran-a fascinating and dynamic history spanning the years from 700 BCE to 700 CE. For two centuries thereafter, a brutally long, chilling silence cast its shadow over the history and language of Iran. Professor Zarinkoob explores the reason behind the Sasanian downfall and how the uncouth Bedouins triumphed over an immense and glorious civilization such as that? During these two centuries- about which our recent historians have remained silent-why did Farsi become a "lost" language, obscure and traceless? In the time when Iranian swordsmen revolted against the Arabs under any pretext, fighting the Arabs and Muslims, how did Zoroastrian priests argue and debate in the light of knowledge and wisdom against the Muslim faith? Finally, why a book that tells the tale of a most turbulent period of Iran's history is titlesTwo Centuries of Silenceand not Two Centuries of Chaos and Uproar? Prof. Zarinkoob's colorful narrative unravels these mysteries through Iranian eyes and is delivered here only as they may.




Two Centuries of the English Novel (Classic Reprint)


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Excerpt from Two Centuries of the English Novel Chapter VI. Has already appeared, in lengthier form, in the Westminster Review, and for permission to reproduce it here, I have to acknowledge my indebtedness. My thanks are due to my brother, Mr. O. H. Williams, for assistance in the preparation of the index. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




TALE OF 2 CENTURIES


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Alessandra D'Angeli is in need of an adventure. Tired of her sixteenth-century life in Italy and homesick for her time-traveling cousin, Cat, who visited her for a magical week and dazzled her with tales of the future, Alessandra is lost. Until the stars hear her plea. One mystical spell later, Alessandra appears on Cat's Beverly Hills doorstep five hundred years in the future. Surrounded by confusing gadgets, scary transportation, and scandalous clothing, Less is hesitant to live the life of a twenty-first century teen...until she meets the infuriating--and infuriatingly handsome--surfer Austin Michaels. Austin challenges everything she believes in...and introduces her to a world filled with possibility. With the clock ticking, Less knows she must live every moment of her modern life while she still can. But how will she return to the drab life of her past when the future is what holds everything she's come to love?




Women's Lives and the 18th-century English Novel


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Novels of the eighteenth century usually offer wedded bliss as a reward to their heroines. How did these novels affect—and how were they affected by—the women who were reading them? By drawing upon thousands of unpublished documents from the era, written by more than 250 women, Brophy creates a picture of the real lives of eighteenth-century women and then examines the work of seven novelists in relation to this portrait. Excerpts from letters, diaries, and journals, written by women ranging from servants to nobility, reveal the stages of feminine life in the 1700s: dutiful daughter, courted maiden, obedient wife, and pitiful widow or spinster. Their lives are assessed against those portrayed in the works of seven novelists—five women (Sarah Fielding, Charlotte Lennox, Sarah Scott, Clara Reeve and Fanny Burney) and two men (Henry Fielding and Samuel Richardson). Fiction both reflects and creates the values of its time. In the eighteenth century, marriage was regarded as every woman's vocation and the novel often reinforced this conviction. “Only leave me myself,” the heroine's plea in Richardson's Clarissa, laments the dependent position of women in the age. However, the novel also influenced the self-perception of eighteenth-century women in a positive way, Brophy asserts, by admiring their intelligence, by condemning sexual transgressions in and out of marriage, and, most important, by placing women at the center of their own stories, as heroines in their own right. The abundant primary materials and straightforward writing in Women's Lives and the Eigtheenth-Century English Novel make this a book of interest to scholars of social and cultural history and to students of the novel.