Two Concordances to Ripa's Iconologia


Book Description

The first concordance is to key words in 9 Italian editions, while the second is to ilustrations in 16 editions - 8 Italian, and 8 translations into French, Dutch, German and English. The concordances are complemented by an introduction and a description of the editions used.




Literature in the Light of the Emblem


Book Description

The literature of the 16th and 17th centuries was informed by the symbolic thought embodied in the mixed art form of emblems. This study explores the relationship between the emblem and the literature of England and Germany during the period.










Images of Sex and Desire in Renaissance Art and Modern Historiography


Book Description

Studies on gender and sexuality have proliferated in the last decades, covering a wide spectrum of disciplines. This collection of essays offers a metanarrative of sexuality as it has been recently embedded in the art historical discourse of the European Renaissance. It revisits ‘canonical’ forms of visual culture, such as painting, sculpture and a number of emblematic manuscripts. The contributors focus on one image—either actual or thematic—and examine it against its historiographic assumptions. Through the use of interdisciplinary approaches, the essays propose to unmask the ideology(ies) of representation of sexuality and suggest a richer image of the ever-shifting identities of gender. The collection focuses on the Italian Renaissance, but also includes case studies from Germany and France.




Guide to the Literature of Art History 2


Book Description

"This bibliography supplements the greatest of modern art bibliographies, Etta Arntzen and Robert Rainwater's Guide to the literature of art history (ALA, 1980)"--Preface.




Images of Plague and Pestilence


Book Description

Since the late fourteenth century, European artists created an extensive body of images, in paintings, prints, drawings, sculptures, and other media, about the horrors of disease and death, as well as hope and salvation. This interdisciplinary study on disease in metaphysical context is the first general overview of plague art written from an art-historical standpoint. The book selects masterpieces created by Raphael, Titian, Tintoretto, Rubens, Van Dyck, and Poussin, and includes minor works dating from the fourteenth to twentieth centuries. It highlights the most important innovative artistic works that originated during the Renaissance and the Catholic Reformation. This study of the changing iconographic patterns and their iconological interpretations opens a window to the past.




Emblem Scholarship


Book Description

Table of Contents Peter M. Daly, Jack Hopper, Daniel S. Russell, A Tribute to Gabriel Hornstein Peter M. Daly, Introduction Michael Bath, Christopher Harvey's School of the Heart Antonio Bernat Vistarini and John T. Cull, On the Trail of Hispanic Emblem Studies Pedro F. Campa, The Space between Heraldry and the Emblem: the Case for Spain Peter M. Daly, The Pelican-in-her-Piety G. Richard Dimler, S. J., Mendo's Principe perfecto: A Historical and Textual Analysis of Documento XX David Graham, Emblema multiplex: Towards a Typology of Emblematic Forms, Structures and Functions Sabine Modersheim, The Emblem in Architecture Dietmar Peil, Tradition and Error. On Mistakes and Variants: Problems in the Reception of Emblems Mary V. Silcox, 'A Manifest Shew of All Coloured Abuses': Stephen Batman's A Christall Glasse of Christian Reformation as an Emblem Book Alan Young, Sir John Tenniel's Emblematic Shakespeare Cartoons for Punc




Archiv für Geschichte der Philosophie


Book Description

Vols. 1-23 (1888-1910) include "Jahresberichte über sämtliche Erscheinungen auf dem Gebiete der Geschichte der Philosophie"; v.24-41 include section "Die neuesten Erscheinungen auf dem Gebiete der Geschichte der Philosophie" (varies slightly)




Imitations


Book Description

Bouquet composed his imitations and translations of Alciato's emblems around 1590. The main interest of this collection is the light it sheds on the way Alciato, a Renaissance artist, was read in France in the late 16th century.