The European Folktale


Book Description

"Niles' excellent translation should bring Lüthi's sensitive and articulate study the recognition it deserves among English readers." —Library Journal Lüthi demonstrates how the folktale, by its very distance from reality, can play upon the most important themes of human existence.




American Folktales: From the Collections of the Library of Congress


Book Description

This two-volume collection of folktales represents some of the finest examples of American oral tradition. Drawn from the largest archive of American folk culture, the American Folklife Center at the Library of Congress, this set comprises magic tales, legends, jokes, tall tales and personal narratives, many of which have never been transcribed before, much less published, in a sweeping survey. Eminent folklorist and award-winning author Carl Lindahl selected and transcribed over 200 recording sessions - many from the 1920s and 1930s - that span the 20th century, including recent material drawn from the September 11 Project. Included in this varied collection are over 200 tales organized in chapters by storyteller, tale type or region, and representing diverse American cultures, from Appalachia and the Midwest to Native American and Latino traditions. Each chapter begins by discussing the storytellers and their oral traditions before presenting and introducing each tale, making this collection accessible to high school students, general readers or scholars.




Finding Is the First Act


Book Description

An imaginative and illuminating study, Finding Is the First Act places historical thinking in creative tension with literary appreciation. The structures of Jesus's parable of the hidden treasure (Matt 13:44) are examined by mapping its plot options (finding, acting, buying) in view of other Jewish treasure stories and the vast array of treasure plots in world folklore. Startling differences emerge in the plot options chosen by Jesus that point to a new understanding of the directive to give up all one has for the Kingdom of God. "Why Jesus' treasure parable? For three reasons that I am aware of. First, . . . the story has always fascinated me. . . . Second, in recent work on parables there has often been a tendency to concentrate especially on the longer parables of Jesus. I wanted deliberately to move in theopposite direction and to give full emphasis to a very short parable . . . . Third, this particular parable, in contrast, for example, to that of The Mustard Seed, does not furnish much grist for the diachronic mill of biblical studies. I was deliberately choosing an item which, in isolation from its Matthean context, could hardly sustain a monograph study along the standard lines of tradition criticism." --from the Preface




Shadows and Cypress


Book Description

A bewitching convocation of Dixie's most frightening ghost tales From backwaters as dark as a cypress swamp to nooks as mysterious as a musty college library, southerners have conjured spirits and told ghost stories. "Shadows and Cypress: Southern Ghost Stories" is a Dixie s(r)ance that summons ghost tales from Alabama, Arkansas, Florida, Georgia, Kentucky, Louisiana, Mississippi, North Carolina, South Carolina, Tennessee, Texas, and Virginia. Collecting more than a dozen stories from each state, this book channels the South's entire panorama of creepy locales into one volume. The limestone caves of Kentucky, the swamps of Louisiana and Florida, the pine hills and hollows of Appalachia, and the plains of Texas -- these are perfect haunts for a host of narratives about visitors from the spirit world. The many cultures that converged in the American South enriched the region's ghost stories. "Shadows and Cypress" taps African American, French, Hispanic, and Scotch-Irish storytelling traditions to capture the distinctive signatures that each has left on ghostlore. Throughout the region, the southern ghost story is hardly a curio from the crypt. It's still alive and well. Folklorist Alan Brown draws stories from crannies as contemporary as the college dormitory or cars parked on a lover's lane. To give the reader the unique experience of hearing a classic ghost story told, Brown presents these tales exactly as they were recorded in his field research or as archived in the trove of the WPA oral collections. A wide variety of spectres found only in this region arise in "Shadows and Cypress." The fillet and loogaru from Louisiana, plat-eye from South Carolina, and haints from across Dixie are among the creatures bumping in the night. Beginning with the Revolutionary War and continuing to present day, this generous gathering of tales will chill and delight readers and long haunt shelves as a comprehensive sourcebook of the region's supernatural allure. Alan Brown is a professor of English at the University of West Alabama. He has published several books, including "Dim Roads and Dark Nights" (1993) and "The Face in the Window and Other Alabama Ghostlore" (1996).




Storytelling


Book Description

Storytelling is an ancient practice known in all civilizations throughout history. Characters, tales, techniques, oral traditions, motifs, and tale types transcend individual cultures - elements and names change, but the stories are remarkably similar with each rendition, highlighting the values and concerns of the host culture. Examining the stories and the oral traditions associated with different cultures offers a unique view of practices and traditions."Storytelling: An Encyclopedia of Mythology and Folklore" brings past and present cultures of the world to life through their stories, oral traditions, and performance styles. It combines folklore and mythology, traditional arts, history, literature, and festivals to present an overview of world cultures through their liveliest and most fascinating mode of expression. This appealing resource includes specific storytelling techniques as well as retellings of stories from various cultures and traditions.




Folklore and the Fantastic in Nineteenth-Century British Fiction


Book Description

Jason Marc Harris's ambitious book argues that the tensions between folk metaphysics and Enlightenment values produce the literary fantastic. Demonstrating that a negotiation with folklore was central to the canon of British literature, he explicates the complicated rhetoric associated with folkloric fiction. His analysis includes a wide range of writers, including James Barrie, William Carleton, Charles Dickens, George Eliot, Sheridan Le Fanu, Neil Gunn, George MacDonald, William Sharp, Robert Louis Stevenson, and James Hogg. These authors, Harris suggests, used folklore to articulate profound cultural ambivalence towards issues of class, domesticity, education, gender, imperialism, nationalism, race, politics, religion, and metaphysics. Harris's analysis of the function of folk metaphysics in nineteenth- and early twentieth-century narratives reveals the ideological agendas of the appropriation of folklore and the artistic potential of superstition in both folkloric and literary contexts of the supernatural.