Typee: A Romance of the South Seas


Book Description

This is the extended and annotated edition including an extensive biographical annotation about the author and his life. Typee (1846; in full: Typee: A Peep at Polynesian Life) is American writer Herman Melville's first book, a classic in the literature of travel and adventure partly based on his actual experiences as a captive on the island Nuku Hiva (which Melville spelled as Nukuheva) in the South Pacific Marquesas Islands, in 1842. The title comes from the name of a valley there called Tai Pi Vai. It was Melville's most popular work during his lifetime, but made him notorious as the "man who lived among the cannibals." For 19th century readers, his career seemed to decline afterward, but during the early 20th century it was seen as the beginning of a career that peaked with Moby-Dick. (from wikipedia.com)




Typee : A Romance of the South Sea


Book Description

Typee: A Peep at Polynesian Life is the first book by American writer Herman Melville, published in early part of 1846, when Melville was 26 years old.




Omoo


Book Description

"Following the commercial and critical success of his first book, Typee, Herman Melville continued his series of South Seas adventure-romances with Omoo. Melville's second book chronicles the narrator's involvement in a mutiny aboard a South Seas whaling vessel, his incarceration in a Tahitian jail, and then his wanderings as an omoo, or rover, on the island of Eimeo (Moorea). Based on Melville's personal experience as a sailor on a South Pacific whaleship, Omoo is a first-person account of life as a sailor during the nineteenth century, filled with colorful characters and detailed descriptions of the far-flung locales of Polynesia."--BOOK JACKET.




Typee


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Typee


Book Description

Six months at sea! Yes, reader, as I live, six months out of sight of land; cruising after the spermwhale beneath the scorching sun of the Line, and tossed on the billows of the wide-rolling Pacific--the sky above, the sea around, and nothing else! Weeks and weeks ago our fresh provisions were all exhausted. There is not a sweet potato left; not a single yam. Those glorious bunches of bananas, which once decorated our stern and quarter-deck, have, alas, disappeared! and the delicious oranges which hung suspended from our tops and stays--they, too, are gone! Yes, they are all departed, and there is nothing left us but salt-horse and sea-biscuit. Oh! ye state-room sailors, who make so much ado about a fourteen-days' passage across the Atlantic; who so pathetically relate the privations and hardships of the sea, where, after a day of breakfasting, lunching, dining off five courses, chatting, playing whist, and drinking champagne-punch, it was your hard lot to be shut up in little cabinets of mahogany and maple, and sleep for ten hours, with nothing to disturb you but 'those good-for-nothing tars, shouting and tramping overhead',--what would ye say to our six months out of sight of land? Oh! for a refreshing glimpse of one blade of grass--for a snuff at the fragrance of a handful of the loamy earth! Is there nothing fresh around us? Is there no green thing to be seen? Yes, the inside of our bulwarks is painted green; but what a vile and sickly hue it is, as if nothing bearing even the semblance of verdure could flourish this weary way from land. Even the bark that once clung to the wood we use for fuel has been gnawed off and devoured by the captain's pig; and so long ago, too, that the pig himself has in turn been devoured. There is but one solitary tenant in the chicken-coop, once a gay and dapper young cock, bearing him so bravely among the coy hens. But look at him now; there he stands, moping all the day long on that everlasting one leg of his. He turns with disgust from the mouldy corn before him, and the brackish water in his little trough. He mourns no doubt his lost companions, literally snatched from him one by one, and never seen again. But his days of mourning will be few for Mungo, our black cook, told me yesterday that the word had at last gone forth, and poor Pedro's fate was sealed. His attenuated body will be laid out upon the captain's table next Sunday, and long before night will be buried with all the usual ceremonies beneath that worthy individual's vest. Who would believe that there could be any one so cruel as to long for the decapitation of the luckless Pedro; yet the sailors pray every minute, selfish fellows, that the miserable fowl may be brought to his end. They say the captain will never point the ship for the land so long as he has in anticipation a mess of fresh meat. This unhappy bird can alone furnish it; and when he is once devoured, the captain will come to his senses. I wish thee no harm, Pedro; but as thou art doomed, sooner or later, to meet the fate of all thy race; and if putting a period to thy existence is to be the signal for our deliverance, why--truth to speak--I wish thy throat cut this very moment; for, oh! how I wish to see the living earth again! The old ship herself longs to look out upon the land from her hawse-holes once more, and Jack Lewis said right the other day when the captain found fault with his steering.




The South Seas


Book Description

The South Seas charts the idea of the South Seas in popular cultural productions of the English-speaking world, from the beginnings of the Western enterprise in the Pacific until the eve of the Pacific War. Building on the notion that the influences on the creation of a text, and the ways in which its audience receives the text, are essential for understanding the historical significance of particular productions, Sean Brawley and Chris Dixon explore the ways in which authors’ and producers’ ideas about the South Seas were “haunted” by others who had written on the subject, and how they in turn influenced future generations of knowledge producers. The South Seas is unique in its examination of an array of cultural texts. Along with the foundational literary texts that established and perpetuated the South Seas tradition in written form, the authorsexplore diverse cultural forms such as art, music, theater, film, fairs, platform speakers, surfing culture, and tourism.




Typee; A Romance of the South Seas


Book Description

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.




Typee


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Typee: A Romance of the South Seas: Novel


Book Description

Typee is Herman Melville's first novel, based on his actual experiences after having jumped ship in the Marquesas Islands. Extremely popular at the time of its initial publication, it provoked disbelief among its readers until the events it described were corroborated by Melville's fellow castaway, Richard T. GreeneHerman Melville (August 1, 1819 - September 28, 1891) was an American novelist, short story writer, and poet of the American Renaissance period. His best known works include Typee (1846), a romantic account of his experiences in Polynesian life, and his whaling novel Moby-Dick (1851). His work was almost forgotten during the last 30 years of his life. His writing draws on his experience at sea as a common sailor, exploration of literature and philosophy, and engagement in the contradictions of American society in a period of rapid change. He developed a complex, baroque style; the vocabulary is rich and original, a strong sense of rhythm infuses the elaborate sentences, the imagery is often mystical or ironic, and the abundance of allusion extends to biblical scripture, myth, philosophy, literature, and the visual arts.




Typee A Romance of the South Seas


Book Description

Typee: A Peep at Polynesian Life is the first book by American writer Herman Melville, published first in London, then New York, in 1846.