Alter Icons


Book Description

"A collection of essays by eleven scholars of Russian history, art, literature, cinema, philosophy, and theology that track key shifts in the production, circulation, and consumption of the Russian icon from Peter the Great's Enlightenment to the post-Soviet revival of the Orthodox Church"--Provided by publisher.




Ukrainian Icons


Book Description




The Ukrainian Icon 11th - 18th centuries (From Byzantine origins to the baroque)


Book Description

Icon painting, the ultimate expression of Orthodox Christian art, reached its zenith in Ukraine between the 11th and 18th centuries. This book spans the entire period, showing the development of the style. The Ukrainian icon is a surprising synthesis of the traditions of Eastern Byzantine art and the stylistic characteristics of Russian icon painting. The introduction of this book explains the stages of development of icon-painting over five centuries in Ukraine’s major Centres of art - Kyiv, Chernihiv, Transcarpathia, Galicia, and Volhynia - and discusses the life and work of the masters of icon-painting. Despite the strict stylistic considerations imposed by the genre, Ukrainian icons display a striking range and variety of backgrounds and contexts. The author has been awarded the Ukrainian Medal of Arts, the Order of Princess Olga.







Tsars and Cossacks


Book Description

Ukrainian Cossacks used icon painting to investigate their relationship not only with God but also their relationship with the Russian tsar. In this groundbreaking study, Serhii Plokhy examines the political and religious culture of Ukrainian Cossackdom, as reflected in the Cossack-era paintings, icons, and woodcuts.




Ukrainian Icons


Book Description

For the first time, 250 works by highly professional and folk artists from the 13th to the early 19th centuries are featured in this elegant album, representing a diverse array of times and styles. As part of private collections in different Ukrainian cities--Lviv, Ivano-Frankivsk, Kyiv, Cherkasy, and Poltava--these works of great cultural value have been previously inaccessible to a broader circle of enthusiasts. Finely complementing one another, these masterpieces clearly illustrate the milestones of old Ukrainian icon painting over 500 years.




The Ukrainian Icon


Book Description

Icon painting, the ultimate expression of Orthodox Christian art, reached its zenith in the Ukraine between the 11th and 18th centuries. This book spans the entire period, showing the development of the style. The Ukrainian is a surprising synthesis of the traditions of eastern Byzantine art and the stylistic characteristics of Russian icon-painting. The introduction to this book explains the stages of development of icon-painting over five centuries and discusses the life and work of the masters of icon-painting. The magnificent, full-color photographs include complete iconostasises as well as individual icons painted in the Episcopal and monastic workshops. There are also icons painted in rural environments for home use, which are beautiful examples of naive art. Each painting is fully captioned with a complete description of the provenance.




Icons of Ukraine


Book Description




Ukraine and Russia


Book Description

The question of where Russian history ends and Ukrainian history begins has not yet received a satisfactory answer. Generations of historians referred to Kyiv, the capital of Ukraine, as the starting point of the Muscovite dynasty, the Russian state, and, ultimately, the Russian nation. However, the history of Kyiv and that of the Scythians of the Northern Black Sea region have also been claimed by Ukrainian historians, and are now regarded as integral parts of the history of Ukraine. If these are actually the beginnings of Ukrainian history, when does Russian history start? In Ukraine and Russia, Serhii Plokhy discusses many questions fundamental to the formation of modern Russian and Ukrainian historical identity. He investigates the critical role of history in the development of modern national identities and offers historical and cultural insight into the current state of relations between the two nations. Plokhy shows how history has been constructed, used, and misused in order to justify the existence of imperial and modern national projects, and how those projects have influenced the interpretation of history in Russia and Ukraine. This book makes important assertions not only about the conflicts and negotiations inherent to opposing historiographic traditions, but about ways of overcoming the limitations imposed by those traditions.