Un sospiro, S. 144:3 (from "Trois í©tudes de concert")


Book Description

The third concert etude in D-flat major from Liszt's Trois etudes de concert will challenge advanced pianists with its constant hand-crossings and varying number of cascading notes per measure in the accompaniment. A lovely pentatonic melody is embedded in the rolling arpeggio-like patterns, frequently played by alternating hands throughout the piece. Keeping this cantando melodic line distinct and phrased while transparently maintaining the flowing accompaniment is the primary challenge of this masterwork. This edition is based on Musikalische Werke herausgegeben von der Franz Liszt-Stifung, Series II, edited by Ferruccio Busoni.




Six grand etudes


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Rigoletto


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The 20 Most Famous Pieces by Liszt


Book Description

20 Franz Liszt Masterpieces For Solo Piano. The scores are clearly printed on a light cream-colored thick paper to reduce eye strain. Contents : 1. La Campanella, «Grandes études de Paganini», No. 3, S.141 2. Thèmes et Variations, «Grandes études de Paganini», No. 6, S.141 3. Un Sospiro, «Trois études de concert », No. 3, S.144 4. Waldesrauschen, «2 Konzertetüden », No. 1, S.145 5. Tarantella, « Années de pèlerinage II, Supplément », No. 3, S.162 6. Les jeux d'eaux à la Villa d'Este, « Années de Pèlerinage III », No. 4, S.163 7. Lento Placido, « Consolations », No. 3, S.172 8. Funérailles, « Harmonies Poétiques et Religieuses », No. 7, S.173 9. Piano Sonata in B minor, No. 7, S.178 10. Nuages Gris (Trübe Wolken), S.199 11. Valse oubliée No. 1, « Valses oubliées », S.215 12. Grand Galop Chromatique, S.219 13. Hungarian Rhapsody No. 2, « Hungarian Rhapsodies », S.244 14. Hungarian Rhapsody No. 15, « Hungarian Rhapsodies », S.244 15. Solovei ; The Nightingale (Le Rossignol), S.250 16. El Contrabandista (Rondeau fantastique sur un thème Espagnol), S.252 17. Mephisto Waltz No. 1, S.514 18. Totentanz, S.525 / S.126 19. Liebesträume (Liebestraum) No. 3, S.541 / S.126 20. Ave Maria (Ellens dritter Gesang), « 12 Lieder von Franz Schubert », S.558




The Pianist's Guide to Pedaling


Book Description

" . . . a most precious book which every serious pianist and teacher must own." —Journal of the American Liszt Society Joseph Banowetz and four distinguished contributors provide practical suggestions and musicological insights on the pedaling of keyboard works from the 18th to the 20th century.




Fundamentals of Piano Practice


Book Description

This is the first book that teaches piano practice methods systematically, based on mylifetime of research, and containing the teachings of Combe, material from over 50 pianobooks, hundreds of articles, and decades of internet research and discussions with teachersand pianists. Genius skills are identified and shown to be teachable; learning piano can raiseor lower your IQ. Past widely taught methods based on false assumptions are exposed;substituting them with efficient practice methods allows students to learn piano and obtainthe necessary education to navigate in today's world and even have a second career. See http://www.pianopractice.org/




Un Sospiro, S. 144:3 (from Trois Études de Concert)


Book Description

The third concert etude in D-flat major from Liszt's Trois etudes de concert will challenge advanced pianists with its constant hand-crossings and varying number of cascading notes per measure in the accompaniment. A lovely pentatonic melody is embedded in the rolling arpeggio-like patterns, frequently played by alternating hands throughout the piece. Keeping this cantando melodic line distinct and phrased while transparently maintaining the flowing accompaniment is the primary challenge of this masterwork. This edition is based on Musikalische Werke herausgegeben von der Franz Liszt-Stifung, Series II, edited by Ferruccio Busoni.




Music for Piano


Book Description

This historical survey focuses on music for piano solo but also includes important compositions for piano duet and two pianos. Scholarly yet readable, it covers the entire repertoire from the Renaissance to the late 20th century and incorporates a bibliography of 1 100 sources for further study.




The Liszt Companion


Book Description

Franz Liszt is most well-known for his compositions for piano and orchestra, but his influence is also strong in chamber music, choral music, and orchestral transcriptions. This new collection of essays presents a scholarly overview of all of the composer's work, providing the most comprehensive and current treatment of both his oeuvre and the immense amount of secondary literature written about it. Highly regarded critics and scholars write for both a general and academic audience, covering all of Liszt's major compositions as well as the neglected gems found among his choral and chamber works. Following an outline of the subject's life, The Liszt Companion goes on to detail Liszt's critical reception in the German press, his writings and letters, his piano and orchestral works, his neglected secular choral works, and his major organ compositions. Also explored here are his little-known chamber pieces and his songs. An exhaustive bibliography and index of works conclude the volume. This work will both elucidate aspects of Liszt's most famous work and revive interest in those pieces that deserve and require greater attention.