Uncommon Legacies


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Uncommon Legacies


Book Description

Uncommon Legaciescelebrates the power, significance, and exceptional artistic quality of one of the most important collections of early Native American art. Assembled in the course of trade and missionary activities beginning in the late eighteenth century, the spectacular examples illustrated provide a rare opportunity to observe the creativity of Native artists in response to their interactions with non-Natives. Included here are magnificently illustrated chapters on the art of the American Southeast, the Northwest Coast, the Northeast Woodlands and Great Lakes, the Plains, and South America. Since the 1860s the Peabody Essex Museum has displayed its Native American collections at various times as historical, archaeological, ethnological, and, most recently, as art objects. Recognition of Native American art as "art" did not occur until the mid-1930s. Prior to that time, it was considered artifact or craft, "curiosity" or "primitive art." There are more than 400 Native American cultures, each with its own distinct artistic tradition yet always open to the adoption of new forms of expression and materials in response to ever-changing conditions. Since art is created within the context of a given culture at a given time, a more complete understanding of specific objects requires an understanding of the culture in which they were created. The works presented here are expressive of worldviews, beliefs, and ways of being within each Native American community. While every group has its own approach to the creative process, each generation has to determine what values to express through the arts and how best to express those values. John R. Grimes is curator of Native American art and culture at the Peabody Essex Musem, Salem, Massachusetts. Christian F. Feest is professor of anthropology at the University of Frankfurt, Germany. Mary Lou Curran is an associate curator at the Peabody Essex Museum. Other contributors include Thomas "Red Owl" Haukaas, Richard W. Hill Sr., Doreen Jensen, Duane H. King, Karen Kramer, Gerald McMaster, Peter L. Macnair, Ramiro Matos, and Jay Stewart.







Calendar


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Elizabeth Webster and the Court of Uncommon Pleas


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Welcome to Elizabeth Webster's world, where the common laws of middle school torment her days . . . and the uncommon laws of an even weirder realm govern her nights. Elizabeth Webster is happy to stay under the radar (and under her bangs) until middle school is dead and gone. But when star swimmer Henry Harrison asks Elizabeth to tutor him in math, it's not linear equations Henry really needs help with-it's a flower-scented, poodle-skirt-wearing, head-tossing ghost who's calling out Elizabeth's name. But why Elizabeth? Could it have something to do with her missing lawyer father? Maybe. Probably. If only she could find him. In her search, Elizabeth discovers more than she is looking for: a grandfather she never knew, a startling legacy, and the secret family law firm, Webster & Son, Attorneys for the Damned. Elizabeth and her friends soon land in court, where demons and ghosts take the witness stand and a red-eyed judge with a ratty white wig hands out sentences like sandwiches. Will Elizabeth's father arrive in time to save Henry Harrison-and is Henry the one who really needs saving? Set in the historic streets of Philadelphia, this riveting middle-grade mystery from New York Times bestselling author William Lashner will have readers banging their gavels and calling for more from the incomparable Elizabeth Webster.




North Country


Book Description

In 1862, four years after Minnesota was ratified as the thirty-second state in the Union, simmering tensions between indigenous Dakota and white settlers culminated in the violent, six-week-long U.S.–Dakota War. Hundreds of lives were lost on both sides, and the war ended with the execution of thirty-eight Dakotas on December 26, 1862, in Mankato, Minnesota—the largest mass execution in American history. The following April, after suffering a long internment at Fort Snelling, the Dakota and Winnebago peoples were forcefully removed to South Dakota, precipitating the near destruction of the area’s native communities while simultaneously laying the foundation for what we know and recognize today as Minnesota. In North Country: The Making of Minnesota, Mary Lethert Wingerd unlocks the complex origins of the state—origins that have often been ignored in favor of legend and a far more benign narrative of immigration, settlement, and cultural exchange. Moving from the earliest years of contact between Europeans and the indigenous peoples of the western Great Lakes region to the era of French and British influence during the fur trade and beyond, Wingerd charts how for two centuries prior to official statehood Native people and Europeans in the region maintained a hesitant, largely cobeneficial relationship. Founded on intermarriage, kinship, and trade between the two parties, this racially hybridized society was a meeting point for cultural and economic exchange until the western expansion of American capitalism and violation of treaties by the U.S. government during the 1850s wore sharply at this tremulous bond, ultimately leading to what Wingerd calls Minnesota’s Civil War. A cornerstone text in the chronicle of Minnesota’s history, Wingerd’s narrative is augmented by more than 170 illustrations chosen and described by Kirsten Delegard in comprehensive captions that depict the fascinating, often haunting representations of the region and its inhabitants over two and a half centuries. North Country is the unflinching account of how the land the Dakota named Mini Sota Makoce became the State of Minnesota and of the people who have called it, at one time or another, home.




In Contact


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Loren's In Contact offers a fascinating synthesis of current knowledge of the contact period between Europeans and Native peoples in the American Eastern woodlands.




Legacy of Shadows


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When uppish airline captain Geoff Mayer fi nds his ancestors were workhouse paupers it's a terrible shock. He has always been comfortably-off - his father owned a chain of grocery stores, and his grandfather was a doctor. So he expects his earlier forebears to have been well-heeled... perhaps, even, nobility. When they turn out to be old-style working class, it's anathema to Hanna, Geoff's snobbish wife. It is the mid-80s, and both are staunch supporters of Tory Prime Minister Margaret Thatcher. Hanna sees Geoff's embarrassing family tree as a threat to her status. But infuriatingly, as he traces his ancestors he even starts to sympathise with them. Worse, as Geoff works back to the 1700s, he discovers his female forebears working London's streets as prostitutes He fi nds little other information except records of births, marriages and deaths. Geoff doesn't even know the shocking truth of what happened to his own mother. But for the reader, the truth is revealed as the story goes "live" in each generation...and all have their own dramatic story. Secretly Hanna has had a string of lovers. When she walks out on their 23 year marriage and tells their son that Geoff is not his father, his cosy world is shattered. This is a story that combines life in the turbulent and divisive "Thatcher" 1980s with the realities behind England's "good old days" - highlighting some interesting parallels with modern times.




Choice


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Encyclopedia of Native American Artists


Book Description

Indigenous North Americans have continuously made important contributions to the field of art in the U.S. and Canada, yet have been severely under-recognized and under-represented. Native artists work in diverse media, some of which are considered art (sculpture, painting, photography), while others have been considered craft (works on cloth, basketry, ceramics).Some artists feel strongly about working from a position as a Native artist, while others prefer to produce art not connected to a particular cultural tradition.