Uncommon Places


Book Description

"Originally published in 1982, Stephen Shore's legendary Uncommon Places has influenced more than a generation of photographers. Shore was among the first artists to take color beyond the domain of advertising and fashion photography, and his large-format color work on the American vernacular landscape stands at the root of what has become a vital photographic tradition over the past forty years. Uncommon Places: The Complete Works, published by Aperture in 2004, presents a definitive collection of the landmark series, and in the span of a decade, has become a contemporary classic. Now, for this lushly produced reissue, the artist has added twenty rediscovered images and a statement explaining what it means to expand a series now many decades old. Like Robert Frank and Walker Evans before him, Shore discovered a hitherto unarticulated vision of America via highway and camera. Approaching his subjects with cool objectivity, Shore in these images retains precise internal systems of gestures in composition and light, through which a parking lot emptied of people, a hotel bedroom, or a building on a side street assumes both an archetypal aura and an ambiguously personal importance. In contrast to his signature landscapes with which Uncommon Places is often associated, this expanded survey reveals equally remarkable collections of interiors and portraits." -- Publisher's description.




The Uncommon Commonplace


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Women and Men


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Black Post-Blackness


Book Description

A 2008 cover of The New Yorker featured a much-discussed Black Power parody of Michelle and Barack Obama. The image put a spotlight on how easy it is to flatten the Black Power movement as we imagine new types of blackness. Margo Natalie Crawford argues that we have misread the Black Arts Movement's call for blackness. We have failed to see the movement's anticipation of the "new black" and "post-black." Black Post-Blackness compares the black avant-garde of the 1960s and 1970s Black Arts Movement with the most innovative spins of twenty-first century black aesthetics. Crawford zooms in on the 1970s second wave of the Black Arts Movement and shows the connections between this final wave of the Black Arts movement and the early years of twenty-first century black aesthetics. She uncovers the circle of black post-blackness that pivots on the power of anticipation, abstraction, mixed media, the global South, satire, public interiority, and the fantastic.




The Public


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Masquerade


Book Description

In Masquerade, Alfred F. Young scrapes through layers of fiction and myth to uncover the story of Deborah Sampson, a Massachusetts woman who passed as a man and fought as a soldier for seventeen months toward the end of the American Revolution. Deborah Sampson was not the only woman to pose as a male and fight in the war, but she was certainly one of the most successful and celebrated. She managed to fight in combat and earn the respect of her officers and peers, and in later years she toured the country lecturing about her experiences and was partially successful in obtaining veterans’ benefits. Her full story, however, was buried underneath exaggeration and myth (some of which she may have created herself), becoming another sort of masquerade. Young takes the reader with him through his painstaking efforts to reveal the real Deborah Sampson in a work of history that is as spellbinding as the best detective fiction.




Uncommon Places


Book Description

"Journeying back and forth across North America, Stephen Shore seizes upon a landscape of the commonplace--and transforms it into visions of classical beauty. These are scenes that would scarcely attract the attention of most travelers. Among them: an unpaved backstreet in Presidio, Texas; a nearly abandoned beach in Miami; a highway intersection near Kingman, Arizona; children playing on a sandbar in Yosemite; a softball game in Bozeman, Montana, and a plate of hotcakes on a diner's plastic-topped table."--Dust jacket.




Setting the Tone


Book Description

DIVDIVA sterling collection of essays, commentary, reviews, and personal recollections on art, love, and the musical life, from Ned Rorem, award-winning composer and author extraordinaire/divDIV Ned Rorem, the acclaimed American composer and writer, displays his incisive, sometimes outrageous genius for artistic critique and social commentary with a grand flourish in this engaging collection of essays and diary entries. Fearlessly offering opinions on a wealth of subjects—from the lives of the famous and infamous to popular culture to the state of contemporary art—Rorem proves once again that he is an artist who tells unforgettable stories not only through music, but with a pen, as well./divDIV /divDIVSetting the Tone gathers together essays and commentary previously published elsewhere and combines them with pages from Rorem’s ongoing diary, offering readers a vivid and enlightening view of Rorem’s world along with an honest portrait of the author himself. Whether he’s lambasting critics and former friends and acquaintances, vivisecting opera, or presenting his views on theater, film, books, or composers and their music, Rorem is ingenious, incorrigible, and madly entertaining./div/div




The Public


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A Ned Rorem Reader


Book Description

Ned Rorem, composer and writer, is both a gifted memoirist and one of our most acerbic cultural commentators. This anthology of his musings on music, people, and life surveys the full range of his literary achievement and reflects the evolution of his sensibilities. The first part of the book is devoted to writing of an autobiographical nature, including ruminations on being alone and on becoming a composer. The second part focuses on music and individuals from Bartók and Ravel to Edith Piaf and the Beatles. The final part consists of portraits and memorials of such figures as Martha Graham, Paul Bowles, Marc Blitzstein, Frank O'Hara, Allen Ginsberg, and Truman Capote. The book also includes a lengthy conversation on the art of the diary.