Under Papa's Picture


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That's Papa's Way


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When a father and child go fishing together, each does certain things his own way, and both have a wonderful day.




Papa's Mechanical Fish


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Candace Fleming and illustrator Boris Kulikov pair up to tell a fun story about a real submarine inventor in Papa's Mechanical Fish Clink! Clankety-bang! Thump-whirr! That's the sound of Papa at work. Although he is an inventor, he has never made anything that works perfectly, and that's because he hasn't yet found a truly fantastic idea. But when he takes his family fishing on Lake Michigan, his daughter Virena asks, "Have you ever wondered what it's like to be a fish?"—and Papa is off to his workshop. With a lot of persistence and a little bit of help, Papa—who is based on the real-life inventor Lodner Phillips—creates a submarine that can take his family for a trip to the bottom of Lake Michigan.




Aristo's Family


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ARISTO’S obsessive need to trace and belong to his family - even though he was told they were all burnt and left unidentifiable during the 1974 Turkish invasion of Cyprus - has estranged his English wife, and is gradually distancing his only child, while in turn, Pavlos has an increasing need to belong to a father who will make time for him. Father and son - or strangers forever ? As the practices at Papas’ late-night museum ‘staff meetings’ unfold themselves to Pavlos, the boy is led deeper into a sinister confrontation with what Papas calls his ‘family', but which brings Pavlos, through the ancient face-masks and relics, to unquiet souls of Greeks believed to have been thousands of years dead. A strong blend of eeriness, suspense, an outsider's need to belong and the poignancy of lives which could be yours when driven to extremity. Editorial Reviews : " The first few chapters are atmospheric; intriguing. They made me want to keep reading. The beautifully observed characters and exotic setting have all the makings of a first class novel. " Barbara Erskine - best selling author of Lady of Hay. " The promise of the early chapters is more than well-maintained. This novel is a real page-turner, worthy of comparison with the early John Fowles' The Magus - and yet the book is distinctively Raymond Nickford. Atmospheric, vibrant,spooky. " Reay Tannahill - Historian and author of The Seventh Son. " Raymond Nickford's worlds are so claustrophobic they are almost unbearable to read - yet read we must. The first paragraph of this novel says more than many say in five chapters.....after a few chapters I am engrossed. " Jane Alexander – author of Samael. " There is so much to like here - the characters, the settings, the story; emotional, intriguing and full of human interest. Another winning combination. " Andrew Wright - author of Sanctuary's Loss. " A psychological suspense as poignant and powerful as Nickford’s Greek sojourn in his book Aristo’s Family. " - Haunted Books Meet the author: susansbooks37.wordpress.com/2013/05/05/meet-the-author-raymond-nickford/ A moving but uplifting story of a broken Anglo-Greek family in Cyprus - Aristo's 'family' is furtive, creepy, occupying isolated dwellings in the Troodos mountains at night, uncannily out of tune with contemporary life - in fact, behaving just a bit too much like ancients in a modern world for comfort, as Aristo's only teenage son, Pavlos, comes to realise, the family are not just shadowy but only too sinister. When Aristo is regressed in hypnosis he unexpectedly begins to reveal to Pavlos uncanny knowledge of ancient Greek individuals whose personalities still seem, in part, to inhabit the family he believes is his, living up in the Troodos mountains. The family, as he calls the group, want to make Pavlos 'clean', after Aristo had discovered his boy taking much more than verbal comfort from the middle-aged and charming Katherine, an archaeologist colleague of Aristo's. At times, I did I have to take the threat of the cleansing ritual and the ancient misuse of the scythe with a pinch of salt but there was no obvious striving after sensation and shock and, through all the looming menace, Pavlos wants only to trust that his father is not leading him to a family which will harm him but that, after all, his Dad is only trying to get closer to him. On the whole, when the scythe was not looming round the corner, a moving story always was. Phillip Mason The opening chapters offered no Big Bang sensation and yet I was hooked early, partly by the dry humour in which the author dips Mr Spiropoulos, the education inspector and some of the Cypriot villagers, and partly because of the feeling that, like the teenage Pavlos who is hypnotised by his father, Aristo, I felt I myself was gradually sinking alongside the character into the trances, which Aristo excuses as the 'Greek lessons' for his boy. Through hypnotism, Aristo wants to convince his son there is a wider family, even though the authorities say his family were burnt beyond recognition when the Turks invaded Cyprus. The strangeness of the act made me read on to find out whether Aristo was really as unloving as the sessions would suggest or whether he was just a desperately lonely man. In turn, Pavlos craves to be closer to his Dad but when the weird family take on an ancient connection up in the deserted Troodos mountains at night, I feared for the son and wondered whether father or son would draw closer or still further apart. Pavlos turns to the mature, Katherine, another colleague of his father's and into whose charms he ultimately sinks but to what 'kind' of 'family' Aristo is leading him, kept me on board. Susanna Deakin




Papa Is a Poet


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Papa Is a Poet: is a picture book about the famous American poet Robert Frost, imagined through the eyes of his daughter Lesley. When Robert Frost was a child, his family thought he would grow up to be a baseball player. Instead, he became a poet. His life on a farm in New Hampshire inspired him to write "poetry that talked," and today he is famous for his vivid descriptions of the rural life he loved so much. There was a time, though, when Frost had to struggle to get his poetry published. Told from the point of view of Lesley, Robert Frost's oldest daughter, this is the story of how a lover of language found his voice.




Big Papa and the Time Machine


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Discover the true meaning of being brave in this tender and whimsical picture book from Daniel Bernstrom (One Day in the Eucalytus, Eucalyptus Tree) and Shane Evans (Chocolate Me!) that follows a grandfather and grandson who travel through time in a beloved 1952 Ford. A little boy who lives with his grandpa isn't reprimanded for being afraid to go to school one day. Instead, Big Papa takes him away in his time machine--a 1952 Ford--back to all of the times when he, himself, was scared of something life was handing him. Full of heartfelt moments and thrilling magical realism, Big Papa and the Time Machine speaks to the African American experience in a touching dialogue between two family members from different generations, and emerges as a voice that shares history and asks questions about one family's experience in 20th-century black America. "Wasn't you scared?" "Oh, I was scared," Big Papa said. "Sometimes you gotta walk with giants if you ever gonna know what you made of. That's called being brave."




Meissner V. Papas


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Papa's Backpack


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When a soldier has to leave his or her family for extended service, it's an emotional time for all involved. It can be especially confusing and upsetting for children, who long for the comfort and security of a parent's presence. Papa's Backpack honors the bond between a parent/soldier and a child, and acknowledges the difficult and emotional process of separation during deployment. A young bear cub dreams of accompanying Papa when he leaves on a mission, wanting to stay close to provide comfort and moral support, ultimately overcoming adversity together.







Cinemas, Identities and Beyond


Book Description

Cinemas, Identities and Beyond examines different modes of representing and constructing identities in and through the medium of film, transcending the narrow confines of the local / national / regional, and challenging spatial and temporal boundaries. It gathers fifteen essays that explore different dimensions of identities in contexts ranging from domestic spheres, urban milieus, socio-political environments, diasporic film-making issues, anthropology, film festivals, and psychoanalysis, to the examination of stardom in society. Engaging with cinematic representations, narrative conventions, film form, industry concerns, and other socio-cultural-economic-political factors relating to the production, distribution, exhibition and consumption of film, Cinemas, Identities and Beyond contributes to one of the most thought-provoking contemporary debates on cinemas and identities in film studies. Revisiting films such as Farewell My Concubine, The Matrix trilogy, The Straight Story, El Topo, and Days of Being Wild, this anthology establishes a framework that actively queries stabilised, ideological paradigms. The book discovers new frontiers and discourses to help us better understand ourselves and our surroundings when another decade of the new millennium is about to begin. Cinemas, Identities and Beyond will prove to be of value to a broad range of scholars, critics and students who are interested in issues pertaining to identities, and their construction in and beyond film.