Undergraduate Music Students' Perceptions of Lesson and Rehearsal Planning


Book Description

This dissertation comprises three projects that were designed to investigate specific lesson planning practices and how music teacher educators might improve students' instructional preparation. The first investigation is a review of literature pertaining to lesson planning and teacher knowledge - specifically Pedagogical Content Knowledge (PCK) and Content Knowledge (CK). The second investigation is a survey study about preservice teachers' perceptions of where in their coursework lesson plans were taught and used, beliefs regarding the importance of planning, and how prepared they felt to use lesson planning in their classes. Respondents (N = 107) indicated that they were taught lesson planning more often in music education courses than in general education or music method courses. The third investigation is an experimental study. Novice conductors (N = 20) were randomly divided into two equal groups (n = 10 per group). I sought to determine whether novices who focused their rehearsal preparation using typical score study methodologies (CK) differed from those whose preparation involved both score study and specific rehearsal strategies (CK and PCK). I found no significant differences between the control and experimental groups' score study knowledge or rehearsal effectiveness ratings. Results from these three projects indicated that preservice teachers (a) found lesson planning to be important, (b) felt prepared to use lesson plans as part of the instructional process, and (c) could use either preparation method to prepare for rehearsals.







Student Musical Experiences and Self-Efficacy in AP Music Theory


Book Description

The purpose of this case study was to examine musical experiences which may affect student perceptions of self-efficacy in Advanced Placement (AP) Music Theory. Four students from a single AP Music Theory class participated in interviews where they discussed experiences in high school music study. Interview topics included ensemble participation in high school, outside-school involvement in musical activities and study, and perceptions of success in the course and preparation for the AP Music Theory examination. Specific research questions addressed in the study were: (1) What course skills addressed in AP Music Theory do students from different musical backgrounds feel most prepared to demonstrate within the context of the AP Music Theory examination? (2) What do student participants from different musical backgrounds cite as specific challenges in AP Music Theory? (3) How do students perceive their own musical backgrounds in relationship to their perceived success in AP Music Theory? Findings suggested that prior musical experiences and a positive, low-stress classroom atmosphere contributed to participants' confidence completing fundamental performance tasks in AP Music Theory, and that those influences affected participants' feelings of self-efficacy in the class and on the AP Music Theory examination. Conversely, participants' application of prior knowledge and previously developed musical skills to more difficult AP-style performance tasks solicited feelings of self-doubt and lower levels of self-efficacy. Implications of this study suggest that teachers of school music ensembles, applied lessons, and AP Music Theory should consider student self-efficacy when designing instruction and planning rehearsals or lessons. Researchers might consider measuring student feelings of self-efficacy in specific performance tasks, and the ways in which teachers can help students to develop self-efficacy in music classes.










Student Perceptions of Informal Learning Experiences in Instrumental Music Ensembles


Book Description

As music educators search for ways to engage their students in musical practice that is culturally and socially relevant, the use of informal music practices as a means of instruction is gaining popularity. The purpose of this research was to understand the perspectives of adolescent music students as they engaged in informal music learning experiences within the context of their school music ensembles. Specifically, the research examined to what extent participation in informal learning contexts impact student practice, musical achievement, the quality of students' experiences in their school music ensemble, and students' self-perceptions. Data included participant journal entries, video and audio taped rehearsals, semi-structured interviews with students and teachers, field notes, and pre- and post-project questionnaires. The researcher found that students who were actively engaged within informal learning contexts developed new strategies for music learning, and students perceived that they gained greater confidence in their ability to learn independently, recognized benefits from collaborations with peers, were more thorough in their practice and became more productive in their school ensembles. The researcher recommends that teachers situate learning contexts in ways that encourage student ownership over aspects of their learning, develop students' communication skills, and enhance students' awareness of the skills that they possess.




Analyzing Influences


Book Description

Editorial Board: Deborah Blair VanderLinde, Oakland University. William Bauer, University of Florida. Lisa R. Hunter, The State University of New York at Fredonia. Ronald Kos, Boston University. Joshua A. Russell, The Hartt School, University of Hartford. Peter Whiteman, Institute of Early Childhood, Macquarie University. Analyzing Influences: Research on Decision Making and the Music Education Curriculum examines influences on research in music teacher preparation, practices, and policies. These influences include administrators’ perspectives, preservice music educators’ beliefs, and in-service teachers’ practices. Invited essays offer insights into past and present trends in music teacher preparation. This collection of studies represents best thinking in the field and serves as an impetus for further research and action. Each author’s analysis on the influences affecting their specific areas provides insights into key issues affecting decision making processes. This volume is a significant addition to the libraries of Colleges of Education and Schools of Music, as well as an important reference for music scholars and educators, researchers, and graduate students who are concerned with advancing both the scope and quality of research in the study of music teaching and learning.







Culturally Responsive Teaching in Music Education


Book Description

Culturally Responsive Teaching in Music Education presents teaching methods that are responsive to how different culturally specific knowledge bases impact learning. It is a pedagogy that recognizes the importance of including students’ cultural references in all aspects of learning. Designed to be a supplementary resource for teachers of undergraduate and graduate music education courses, the book provides examples in the context of music education, with theories presented in Section I and a review of teaching applications in Section II. Culturally Responsive Teaching in Music Education is an effort to answer the question: How can I teach music to my students in a way that is culturally responsive? This book serves several purposes, by: • Offering theoretical/philosophical frameworks of social justice • Providing practical examples of transferring theory into practice in music education • Illustrating culturally responsive pedagogy within the classroom • Demonstrating the connection of culturally responsive teaching to the school and larger community




The Art of Conducting


Book Description

This text contains practical instruction in choral and instrumental conducting for both beginning and intermediate students, along with a large selection of scores for classroom practice.