Author : Gémino H. Abad
Publisher : UP Press
Page : 676 pages
File Size : 35,86 MB
Release : 2010
Category : Literary Criticism
ISBN : 9715426387
This two-volume anthology is the sequel to Upon Our Own Ground (2008).
Author : Gémino H. Abad
Publisher : UP Press
Page : 646 pages
File Size : 36,58 MB
Release : 2010
Category : Literary Criticism
ISBN : 9715426395
This two-volume anthology is the sequel to Upon Our Own Ground (2008).
Author : Bernard A. Drew
Publisher : McFarland
Page : 291 pages
File Size : 49,15 MB
Release : 2015-04-02
Category : Literary Criticism
ISBN : 1476616108
Even well-meaning fiction writers of the late Jim Crow era (1900-1955) perpetuated racial stereotypes in their depiction of black characters. From 1918 to 1952, Octavus Roy Cohen turned out a remarkable 360 short stories featuring Florian Slappey and the schemers, romancers and ditzes of Birmingham's Darktown for The Saturday Evening Post and other publications. Cohen said, "I received a great deal of mail from Negroes and I have never found any resentment from a one of them." The black readership had to be satisfied with any black presence in the popular literature of the day. The best known white writers of black characters included Booth Tarkington (Herman and Verman in the Penrod books), Irvin S. Cobb (Judge Priest's houseman Jeff Poindexter), Roark Bradford (Widow Duck, the plantation matriarch), Hugh Wiley (Wildcat Marsden, the war veteran who traveled the country in the company of his goat) and Charles Correll and Freeman Gosden (radio's Amos 'n' Andy). These writers deservedly declined in the civil rights era, but left a curious legacy that deserves examination. This book, focusing on authors of series fiction and particularly of humorous stories, profiles 29 writers and their black characters in detail, with brief entries covering 72 others.
Author : Jamie Hampson
Publisher : Routledge
Page : 264 pages
File Size : 49,67 MB
Release : 2016-06-16
Category : Social Science
ISBN : 1315420716
Why did the ancient artists create paintings and engravings? What did the images mean? This careful study of rock art motifs in the Trans-Pecos area of Texas and a small area in South Africa demonstrates that there are archaeological and anthropological ways of accessing the past in order to investigate and explain the significance of rock art motifs. Using two disparate regions shows the possibility of comparative rock art studies and highlights the importance of regional studies and regional variations. This is an ideal resource for students and researchers.
Author :
Publisher :
Page : 324 pages
File Size : 50,50 MB
Release : 1991
Category : Africa, Southern
ISBN :
Author : James J. Farrell
Publisher : Psychology Press
Page : 370 pages
File Size : 37,96 MB
Release : 1997
Category : History
ISBN : 9780415913850
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Author : Werner J. Einstadter
Publisher : Rowman & Littlefield
Page : 446 pages
File Size : 18,11 MB
Release : 2006
Category : Social Science
ISBN : 9780742542914
Designed for upper-level senior and graduate criminological theory courses, this text thoroughly examines the ideas and assumptions underlying each major theoretical perspective in criminology. It lays bare theorists' ideas about human nature, social structure, social order, concepts of law, crime and criminals, the logic of crime causation and the policies and criminal justice practices that follow from these premises. The book provides students with a clear critical, analytic overview of criminological theory that enable enformed evaluative comparisons among different theorists.
Author : Duane Emerson Lundy
Publisher : Universal-Publishers
Page : 350 pages
File Size : 13,53 MB
Release : 2023-10-20
Category : Music
ISBN : 162734456X
This empirical and theoretical book should be of interest to anyone who dares to consider the contentious topic of measuring and justifying aesthetic value in music, as well as the issue of how experts compare to nonexperts in terms of aesthetic fluency, aesthetic sensitivity and aesthetic judgment in appraising music. The book should be both practical and personal for anyone who has a music collection and loves to see it grow continuously but wisely. What makes someone an expert? The key issue tackled here is how one develops into such a connoisseur of music. Overall, the book should spark much healthy debate about rock music quality and aesthetics in general, both among scholars of aesthetics and the musically passionate general public. Many of the ideas for connoisseur development for music could also be applied to appraisal in other areas of aesthetics beyond music, such as films, visual art, or literature. Words of Praise Professor Lundy's Guide to Rock Music Connoisseurship is simply fantastic. It is written with elegance, eloquence, and passion. His vast knowledge of rock’n’roll will enlighten every reader, and his enthusiasm for this topic is infectious. The book is designed to be comprehensible to any reader, but also carefully cited to please the most demanding scholar. He successfully aims to teach the reader how to become expert in evaluating the aesthetic quality of music, using a precision system to guide us into deeper and defensible judgements on what pieces of music are the best and which are the worst. This is a beautiful book that enriches the heart and brightens the mind. --Rhett Diessner, Professor Emeritus of Psychology, Lewis-Clark State College, author of Understanding the Beauty Appreciation Trait: Empirical Research on Seeking Beauty in All Things Aesthetic judgments of music are important, but poorly understood. To the everyday listener, they may seem arbitrary or otherwise inexplicable. In this book, Professor Lundy offers an unashamedly positive view on aesthetic judgments, emphasizing their rational nature and showing how various non-aesthetic biases that do exist can be minimized. The result is a joyful celebration of music, science, and connoisseurship, which is sure to spark further interest and debate on this fascinating topic. --Professor Patrik N. Juslin, Music Psychology Group, Uppsala University, Sweden
Author : Marcel Cornis-Pope
Publisher : John Benjamins Publishing
Page : 540 pages
File Size : 47,41 MB
Release : 2007-07-18
Category : Literary Criticism
ISBN : 9027292353
The third volume in the History of the Literary Cultures of East-Central Europe focuses on the making and remaking of those institutional structures that engender and regulate the creation, distribution, and reception of literature. The focus here is not so much on shared institutions but rather on such region-wide analogous institutional processes as the national awakening, the modernist opening, and the communist regimentation, the canonization of texts, and censorship of literature. These processes, which took place in all of the region’s cultures, were often asynchronous and subjected to different local conditions. The volume’s premise is that the national awakening and institutionalization of literature were symbiotically interrelated in East-Central Europe. Each national awakening involves a language renewal, an introduction of the vernacular and its literature in schools and universities, the creation of an infrastructure for the publication of books and journals, clashes with censorship, the founding of national academies, libraries, and theaters, a (re)construction of national folklore, and the writing of histories of the vernacular literature. The four parts of this volume are titled: (1) Publishing and Censorship, (2) Theater as a Literary Institution, (3) Forging Primal Pasts: The Uses of Folk Poetry, and (4) Literary Histories: Itineraries of National Self-images.
Author : Joe Banks
Publisher : MIT Press
Page : 530 pages
File Size : 40,9 MB
Release : 2021-02-24
Category : Music
ISBN : 1913689123
An account of the English rock band Hawkwind shows them to be one of the most innovative and culturally significant bands of the 1970s. Fifty years on from when it first formed, the English rock band Hawkwind continues to inspire devotion from fans around the world. Its influence reaches across the spectrum of alternative music, from psychedelia, prog, and punk, through industrial, electronica, and stoner rock. Hawkwind has been variously, if erroneously, positioned as the heir to both Pink Floyd and the Velvet Underground, and as Britain's answer to the Grateful Dead and Krautrock. It has defined a genre—space rock—while operating on a frequency that's uniquely its own. Hawkwind offered a form of radical escapism and an alternative account of a strange new world for a generation of young people growing up on a planet that seemed to be teetering on the brink of destruction, under threat from economic meltdown, industrial unrest, and political polarization. While other commentators confidently asserted that the countercultural experiment of the 1960s was over, Hawkwind took the underground to the provinces and beyond. In Days of the Underground, Joe Banks repositions Hawkwind as one of the most innovative and culturally significant bands of the 1970s. It's not an easy task. As with many bands of this era, a lazy narrative has built up around Hawkwind that doesn't do justice to the breadth of its ambition and achievements. Banks gives the lie to the popular perception of Hawkwind as one long lysergic soap opera; with Days of the Underground, he shows us just how revolutionary Hawkwind was.
