Division to Unification in Imperial China


Book Description

Learn about the history of China from the Age of Division through to the Golden Age of the Tang dynasty.







The Making of Modern China


Book Description

"Does what it sets out to do and serves as a Chinese history text teenagers might actually read." —Asian Review of Books on Division to Unification in Imperial China The fourth volume in the Understanding China Through Comics series covers the stunningly productive Ming dynasty and its fall to the Manchus under the Qing, the last Chinese dynasty. The book also addresses Wang Yangming's School of Mind and the painful process of modernization and conflict with the West and Japan, including the Opium Wars and the Boxer Rebellion. Includes timeline. Jing Liu is a Beijing- and Davis, CA–based designer and entrepreneur who uses his artistry to tell the story of China.




Foundations of Chinese Civilization


Book Description

A fun way to learn about China in a visual, informative comic-style history. Who founded China? Are Chinese people religious? What is Chinese culture and how has it changed over time? The accessible and fun Understanding China Through Comics series answers those questions and more. For all ages, Foundations of Chinese Civilization covers China's early history in comic form, introducing philosophies like Confucianism and Daoism, the story of the Silk Road, famous emperors like Han Wudi, and the process of China's unification. Includes a handy timeline. This is volume one of the Understanding China Through Comics series. Jing Liu is a Beijing native now living in Davis, California. A successful designer and entrepreneur who helped brands tell their stories, Jing currently uses his artistry to tell the story of China.




Understanding China


Book Description

After ten years, John Bryan Starr has thoroughly revised and updated his classic introduction to the background of, the data about, and the issues at stake in China's present and future. In the new edition, Starr seamlessly weaves in additional material on the 2008 Olympics in Beijing, the Chinese government's ongoing efforts to curb the influence of the Internet, and the intensifying trade disputes between the United States and China. Succinct, modest, and refreshingly forthright, Understanding China remains a necessary guide for the uninitiated to everything from the Chinese economy and political system, to its intellectual freedoms and human rights, to its relationship with the rest of the world.




American Born Chinese


Book Description

A tour-de-force by rising indy comics star Gene Yang, American Born Chinese tells the story of three apparently unrelated characters: Jin Wang, who moves to a new neighborhood with his family only to discover that he's the only Chinese-American student at his new school; the powerful Monkey King, subject of one of the oldest and greatest Chinese fables; and Chin-Kee, a personification of the ultimate negative Chinese stereotype, who is ruining his cousin Danny's life with his yearly visits. Their lives and stories come together with an unexpected twist in this action-packed modern fable. American Born Chinese is an amazing ride, all the way up to the astonishing climax. American Born Chinese is a 2006 National Book Award Finalist for Young People's Literature, the winner of the 2007 Eisner Award for Best Graphic Album: New, an Eisner Award nominee for Best Coloring and a 2007 Bank Street - Best Children's Book of the Year. This title has Common Core Connections




Barbarians and the Birth of Chinese Identity


Book Description

"A great way to learn about China's vast history "--Amy Tan, author of The Joy Luck Club Excels at clarifying the often-confusing transitional periods between dynasties... An excellent introduction to the large trends of early Chinese history."--School Library Journal "The lucid, economical text makes one eager for the successive volumes."--Booklist "The combination of silhouettes--often threatening, martial ones--with open-faced, expressively individualized figures of many social classes adds dramatic tension while neatly balancing the big-picture narrative. There's a lot to absorbeven in this abbreviatedform, but the visual approach lightens the load considerably."--Kirkus Reviews "Simple and effective...This direct, appealing introduction to the foundations of one of the world's oldest civilizations is recommended for teens and adults."--Library Journal "An excellent history that clearly explains the great (and ordinary) people who have made China what it is and the conflicts and debates that have shaped Chinese history. There is nothing else like it in English or Chinese."--Alan Baumler, Professor of History at Indiana University of Pennsylvania "No more burying yourself in text-heavy history books to learn about China, this comic-style book manages to be rich in information and bring Chinese history to readers in a more clear, fun, and accessible way than it's ever been done before. Easily integrated into a social studies or Chinese culture curriculum, I can't wait to get a copy for my class."--Grace Zeng, Chinese Teacher and Middle School Chinese Curriculum Area Leader at International School of Beijing "It is certainly a fascinating look at Chinese history, and doing it in comics has certainly made it more accessible to people, especially for the Western world."--Radio Australia "Jing Liu has brought to life the long and complex early period of Chinese history in this wonderful graphic novel. Foundations of Chinese Civilization is a delight to read; humorous, informative, and truly captivating."--Alexandra Pearson, Founder of The Bookworm Literary Festival "This book is "The Magic School Bus" for those starting to explore Chinese culture."--Dan Cao, Instructor at Confucius Institute at UC Davis "Since the 1990s, Jing Liu has been entertaining and informing foreigners about China with his cartoons. His new series of comic books is a fun, easy, accessible way to gain a basic understanding of Chinese history and culture."--Jeremy Goldkorn, Founder of Danwei 4.5/5 Stars "A very nice way to establish a foundation to understanding China's history and a possible gateway to more intense study and comprehension of a very complex subject."--Portland Book Review 4.5/5 Stars "Entertaining, engaging, and informative, this is a perfect doorway for the student new to ancient China."--Seattle Book Review "Informed and informative, Division to Unification in Imperial China is especially recommended for young readers ages 11 to 17 and should be a part of every school and community library's History of China collection."--The Midwest Book Review "The book does what it says it does: a child will come away with a basic understanding of early Chinese history, what makes the Chinese tick as a people and culture."--Asian Review of Books "With Donald Trump's focus on China, with no signs of letting up, it is a perfect time to gain a better understanding of a very misunderstood country. This is a highly accessible work tailored to fast learning while also very entertaining."--The Comics Grinder




A History of Chinese Civilization


Book Description

When published in 1982, this translation of Professor Jacques Gernet's masterly survey of the history and culture of China was immediately welcomed by critics and readers. This revised and updated edition makes it more useful for students and for the general reader concerned with the broad sweep of China's past.




Chinese Independent Animation


Book Description

This study of ‘independent’ animation opens up a quietly subversive and vibrant dimension of contemporary Chinese culture which, hitherto, has not received as much attention as dissident art or political activism. Scholarly interest in Chinese animation has increased over the last decade, with attention paid to the conventional media circle of production, distribution and consumption. The ‘independent’ sector has been largely ignored however, until now. By focusing on distinctive independent artists like Pisan and Lei Lei, and situating their work within the present day media ecology, the author examines the relationship between the genre and the sociocultural transformation of contemporary China. Animation, the author argues, has a special significance, as the nature of the animation text is itself multilayered and given to multiple interpretations and avenues of engagement. Through an examination of the affordances of this ‘independent’ media entity, the author explores how this multifaceted cultural form reveals ambiguities that parallel contradictions in art and society. In so doing, independent animation provides a convenient ‘mirror’ for examining how recent social upheavals have been negotiated, and how certain practitioners have found effective ways for discussing the post-Socialist reality within the current political configuration.




Animation in China


Book Description

By the turn of the 21st century, animation production has grown to thousands of hours a year in the People’s Republic of China (PRC). Despite this, and unlike American blockbuster productions and the diverse genres of Japanese anime, much animation from the PRC remains relatively unknown. This book is an historical and theoretical study of animation in the PRC. Although the Wan Brothers produced the first feature length animated film in 1941, the industry as we know it today truly began in the 1950s at the Shanghai Animation Film Studio (SAFS), which remained the sole animation studio until the 1980s. Considering animation in China as a convergence of the institutions of education, fine arts, literature, popular culture, and film, the book takes comparative approaches that link SAFS animation to contemporary cultural production including American and Japanese animation, Pop Art, and mass media theory. Through readings of classic films such as Princess Iron Fan, Uproar in Heaven, Princess Peacock, and Nezha Conquers the Dragon King, this study represents a revisionist history of animation in the PRC as a form of "postmodernism with Chinese characteristics." As a theoretical exploration of animation in the People’s Republic of China, this book will appeal greatly to students and scholars of animation, film studies, Chinese studies, cultural studies, political and cultural theory.