United States of America V. Micus
Author :
Publisher :
Page : 100 pages
File Size : 19,95 MB
Release : 1983
Category :
ISBN :
Author :
Publisher :
Page : 100 pages
File Size : 19,95 MB
Release : 1983
Category :
ISBN :
Author : Richard Carlin
Publisher : Univ. Press of Mississippi
Page : 485 pages
File Size : 31,99 MB
Release : 2016-03-10
Category : Biography & Autobiography
ISBN : 1496805712
Association of Recorded Sound Collections Awards for Excellence Best Historical Research in Record Labels – Best History (2017) This biography tells the story of one of the most notorious figures in the history of popular music, Morris Levy (1927-1990). At age nineteen, he cofounded the nightclub Birdland in Hell's Kitchen, which became the home for a new musical style, bebop. Levy operated one of the first integrated clubs on Broadway and helped build the careers of Dizzy Gillespie and Bud Powell and most notably aided the reemergence of Count Basie. In 1957, he founded a record label, Roulette Records. Roulette featured many of the significant jazz artists who played Birdland but also scored top pop hits with acts like Buddy Knox, Frankie Lymon and the Teenagers, Joey Dee and the Starliters, and, in the mid-1960s, Tommy James. Stories abound of Levy threatening artists, songwriters, and producers, sometimes just for the sport, other times so he could continue to build his empire. Along the way, Levy attracted "investors" with ties to the Mafia, including Dominic Ciaffone (a.k.a. "Swats" Mulligan), Tommy Eboli, and the most notorious of them all, Vincent Gigante. Gigante allegedly owned large pieces of Levy's recording and retail businesses. Starting in the late 1950s, the FBI and IRS investigated Levy but could not make anything stick until the early 1980s, when Levy foolishly got involved in a deal to sell remaindered records to a small-time reseller, John LaMonte. With partners in the mob, Levy tried to force LaMonte to pay for four million remaindered records. When the FBI secretly wiretapped LaMonte in an unrelated investigation and agents learned about the deal, investigators successfully prosecuted Levy in the extortion scheme. Convicted in 1988, Levy did not live to serve prison time. Stricken with cancer, he died just as his last appeals were exhausted. However, even if he had lived, Levy's brand of storied high life was effectively bust. Corporate ownership of record labels doomed most independents in the business, ending the days when a savvy if ruthless hustler could blaze a path to the top.
Author : Wilma S. Davis
Publisher :
Page : 304 pages
File Size : 49,39 MB
Release : 1956
Category : Copyright
ISBN :
Author : United States. Courts
Publisher :
Page : 704 pages
File Size : 21,22 MB
Release : 1972
Category : Copyright
ISBN :
Author : Jenny Kanellopoulou
Publisher : Routledge
Page : 195 pages
File Size : 31,33 MB
Release : 2021-11-04
Category : Music
ISBN : 1000466477
This book explores the nature of the music industries before and after the digital revolution from the point of view of the consumer, and explores the question of whether there is a role for competition policy intervention in the music industries. Considering the historically consolidated environment of the music industries, and their rapidly evolving business models in the twenty-first century, the author argues that there is a need for updated competition design to promote consumer welfare and competition in these markets. Opening a much-needed interdisciplinary dialogue across music studies, business, and law, the book applies business model literature to antitrust law in the context of the music industries. It offers a comprehensive history of encounters between the music industry and antitrust and regulatory authorities in the US, UK, and EU, from the payola scandals of the 1950s to the merger of Live Nation and Ticketmaster in 2010, showing how even as business models in the industry have changed, it has repeatedly moved towards consolidation with little regulation. Drawing on this history, it considers how competition policy can foster innovation and safeguard consumer interests in the music markets of the future. Offering new analytical and methodological tools, this book is relevant to those studying the music industries from business, legal, and cultural perspectives.
Author :
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Page : 1422 pages
File Size : 48,94 MB
Release : 1988
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Author : United States. Supreme Court
Publisher :
Page : 1208 pages
File Size : 29,84 MB
Release : 1908
Category : Law reports, digests, etc
ISBN :
Author : the late Russell Sanjek
Publisher : Oxford University Press
Page : 741 pages
File Size : 27,60 MB
Release : 1988-07-28
Category : Music
ISBN : 0198021275
This volume focuses on developments in the music business in the twentieth century, including vaudeville, music boxes, the relationship of Hollywood to the music business, the "fall and rise" of the record business in the 1930s, new technology (TV, FM, and the LP record) after World War II, the dominance of rock-and-roll and the huge increase in the music business during the 1950s and 1960s, and finally the changing music business scene from 1967 to the present, especially regarding government regulations, music licensing, and the record business.
Author : Russell Sanjek
Publisher : New York : Oxford University Press
Page : 741 pages
File Size : 22,49 MB
Release : 1988
Category : Music
ISBN : 0195043111
Volume three of this work focuses on developments in the music business in the twentieth century, from its earliest days to the present era.
Author : Pamela L. Feldman
Publisher : Washington, D.C. : Archive of Folk Culture, American Folk-life Center, Library of Congress
Page : 42 pages
File Size : 15,29 MB
Release : 1983
Category : Eskimos
ISBN :
Alphabetic listing by author. Includes Library of Congress call number.