Universal Ritual Inner Working


Book Description

This is the 1987 revised edition of the Universal Ritual Inner Working of the Board of Installed Masters.




Stability Ritual


Book Description

The complete three degrees of craft freemasonry of the Oldest form of masonic ritual still practiced.




Emulation Ritual


Book Description

The most detailed and authoritive text on the true meaning of the Taylors Masonic rituals! The principal contents of this book are the Official Taylors Lectures on the Three Degrees of Craft Freemasonry. These lectures deal with the description of the ritual of those Degrees along with their moral and symbolic significance and are of a formal nature, arranged as catechisms - that is by question and answer form. The text can be studied at home or can be preformed by two or more brethren in open lodge. Much evidence suggests that many sections of these lectures are as old as the degrees themselves. This book adds much to ones enjoyment and understanding of Freemasonry.




Freemasonry and Ritual Work


Book Description

Letters, documents, ritual texts, and lectures from the Cognitive-Ritual Section of the Esoteric School: 1904-1919 + Documents of a new beginning after the First World War: 1921-1924 (CW 265) To ground his project of founding the new mysteries of Anthroposophy in spiritual history, Rudolf Steiner always sought to unite with and transform where possible the older initiatory streams such as Freemasonry and Rosicrucianism. In November 1905, both Steiner, who was General Secretary of the German Section of the Theosophical Society and Arch Warden of its Esoteric Section, and Marie von Sivers were invited to "join," in a purely formal way, the Order of Ancient Freemasons of the Memphis and Misraim Rite, allowing him to form his own Mystic Temple, Mystica Aeterna, in Berlin. On this basis, Steiner created--freely and out of his own spiritual experience and inspiration--the Cognitive-Ritual Section, or Misraim Service, of the Esoteric Section. "Everything was done as it must be when spiritual reality is to be investigated directly and experienced in full consciousness." Though outwardly similar to existing Masonic rituals, forms, and legends, the spiritual content Steiner gave was new and vital. Especially important was the ritual work, reverently undertaken with a deep sense of responsibility and of the sacramental nature of all human activity. This astonishing volume of rich, primary materials contains letters, documents, ritual texts, meditations, and lectures pertaining to Steiner's teaching of the Misraim Service. Ritual symbols (such as the mallet, the triangle, the right angle, the compass, the rule, the Rose Cross, and the pillars of Jachin and Boaz), as well as the Temple Legend of Hiram Abiff and Solomon and the story of Cain and Abel, all find their place here. The ritual texts are given in full, with illustrations and descriptions of making the ritual objects. There are numerous fictional and superficial books available on Freemasonry, but this unusual volume reveals the deep, esoteric nature of true Masonic rituals and practices and how they form some of the roots of Anthroposophy. C O N T E N T S Introduction by Christopher Bamford Preface to the German Edition by Hella Wiesberger Introduction to the German Edition by Hella Wiesberger 1. The Introduction of the Misraim Service into the Esoteric School 2. The Contents of the Cognitive-Ritual Section - Preparation for Admittance - Ritual Texts - Notes and Parts of Ritual Texts - Explanation of the Ritual Texts - Sketches and Explanations of Ritual Objects - Explanation of the Temple Legend 3. Documents of a New Beginning after the First World War Freemasonry and Ritual Work contains an introduction, a brief chronology of Rudolf Steiner's life, and an index. It is the first complete English translation of « Zur Geschichte und aus den Inhalten der erkenntniskultischen Abteilung der Esoterischen Schule 1904-1914 » (GA 265).




Manual of Freemasonry


Book Description




Emulation Ritual


Book Description

This book contains the Official Emulation version of the Three Degrees of Craft Freemasonry and the installation ceremony with notes and guidelines on ritual procedure and practice. 12th edition 2007




Working with Inner Light


Book Description

1965-1967 ... As the New Age seemed to explode into being, everything spiritual had to be Eastern. Psychedelic artwork showed Glastonbury Tor overshadowed by the Maharishi Mahesh Yogi, or Stonehenge sending its energies up to Lord Krishna - imagery which William G. Gray summed up quite simply as "Balls." He was working hard to make sure that our weakened (or slumbering) Western Traditions would survive. Among his endeavours at the time was this guide to the inner and outer practicalities of ritual magic, which includes instruction on god-forms, words of power, magic circles, initiation, extension of consciousness and raising power through ritual. Previously unpublished, Working with Inner Light is the first new book by William G. Gray since the author's death in 1992. Written in the form of a journal or magical diary, it includes his original sketches, and forms a detailed course in modern Qabalistic magic which will be of immense value to esoteric students and practitioners working within the Western Mysteries today.




Daily Rituals


Book Description

More than 150 inspired—and inspiring—novelists, poets, playwrights, painters, philosophers, scientists, and mathematicians on how they subtly maneuver the many (self-inflicted) obstacles and (self-imposed) daily rituals to get done the work they love to do. Franz Kafka, frustrated with his living quarters and day job, wrote in a letter to Felice Bauer in 1912, “time is short, my strength is limited, the office is a horror, the apartment is noisy, and if a pleasant, straightforward life is not possible then one must try to wriggle through by subtle maneuvers.” Kafka is one of 161 minds who describe their daily rituals to get their work done, whether by waking early or staying up late; whether by self-medicating with doughnuts or bathing, drinking vast quantities of coffee, or taking long daily walks. Thomas Wolfe wrote standing up in the kitchen, the top of the refrigerator as his desk, dreamily fondling his “male configurations”.... Jean-Paul Sartre chewed on Corydrane tablets (a mix of amphetamine and aspirin), ingesting ten times the recommended dose each day ... Descartes liked to linger in bed, his mind wandering in sleep through woods, gardens, and enchanted palaces where he experienced “every pleasure imaginable.” Here are: Anthony Trollope, who demanded of himself that each morning he write three thousand words (250 words every fifteen minutes for three hours) before going off to his job at the postal service, which he kept for thirty-three years during the writing of more than two dozen books ... Karl Marx ... Woody Allen ... Agatha Christie ... George Balanchine, who did most of his work while ironing ... Leo Tolstoy ... Charles Dickens ... Pablo Picasso ... George Gershwin, who, said his brother Ira, worked for twelve hours a day from late morning to midnight, composing at the piano in pajamas, bathrobe, and slippers.... Here also are the daily rituals of Charles Darwin, Andy Warhol, John Updike, Twyla Tharp, Benjamin Franklin, William Faulkner, Jane Austen, Anne Rice, and Igor Stravinsky (he was never able to compose unless he was sure no one could hear him and, when blocked, stood on his head to “clear the brain”).




Universal Comasonry


Book Description

This is a new release of the original 1925 edition.




Mozart the Freemason


Book Description

An exploration of Mozart’s strong ties to Freemasonry and how its principles profoundly shaped his musical work • Reveals how Mozart structured his music on Masonic ritual and ceremony to provide a musical lexicon of Masonic symbols • Shows that Freemasonry plays the same role in Mozart’s work as Lutheran Christianity plays in that of Bach Thanks to recently discovered documents, we now have a fuller picture of the esoteric influences on the life and work of Wolfgang Amadeus Mozart. Musicologist Jacques Henry shows that the Masonic influence on Mozart goes beyond those pieces, such as The Magic Flute, that fulfilled a ritual purpose for the composer. His works actually provide a complete musical lexicon of Masonic symbols inspired by the principles of the craft and the spirit of the Masonic quest. Mozart constructed his Masonic compositions by creating auditory correspondences to the symbols present in the rituals, choosing keys and tempos that transpose their content into harmony. His understanding of the use of symbol allowed him to create music that would lead the listener into a harmony that transcended earthly existence. A number of musicologists believe that the place of the Masonic spiritual vision in Mozart’s work is comparable to that held by Lutheran Christianity in the work of Johann Sebastian Bach. Mozart wed his deep understanding of music to the esoteric wisdom he gained as a Freemason. He shows that when we lose ourselves in the expression of pure harmony, it is the same as the symbol being lost in what it symbolizes. Jacques Henry provides a rigorous and original analysis of Mozart’s works that reveals their inner meaning as shaped by the composer’s profound embrace of the spiritual principles of Freemasonry.