Unwinnable Weekly Issue 14


Book Description

Since 2010, Unwinnable has been a showcase for offbeat, experimental, poignant and funny stories about games, books, movies and even weird stuff, like an advice column from a space marine 38,000 years in the future. We're devoted to examining the intersection of the culture we love and the lives we lead, bringing you the best in pop-cultural criticism, creative non-fiction and the occasional serialized short once a week in a beautiful digital magazine. Unwinnable is life with culture. In this issue, Ian Gonzales talks to Jörg Tittel, writer of the forthcoming graphic novel Ricky Rouse has a Gun about satire and cheap knock-offs. Juan Valdelomar responds to Matt Duhamel’s “An Artist’s Statement” (from way back in Issue Eight) with a statement of his own. Cassidee Moser has a personal revelation thanks to the Nintendo 3DS Street Pass. Finally, Ansh Patel ruminates on how death is not the end in Crusader Kings II. No matter what your taste, Unwinnable Weekly has you covered, so make sure to check out our selection of back issues today!




Unwinnable Weekly Issue 16


Book Description

Since 2010, Unwinnable has been a showcase for weird, experimental, poignant, funny and iconoclastic stories. We're devoted to examining the intersection of the culture we love and the lives we lead. Unwinnable wants to bring you the best in pop-culture criticism, creative non-fiction, and the occasional serialized fiction once a week in a beautiful digital magazine. Unwinnable is life with culture. In this issue, Nathaniel Wattenmaker grows up (a little bit) and kicks his competitive gaming habit and Brian Bannen discovers how Joel Schumacher’s abysmal Batman movies actually saved the franchise. Andrew Smith teaches his class about videogame literacy, with surprising results. Finally, in our cover story, Jeremy Signor investigates the parallels between his anxiety and certain games like Silent Hill and Lone Survivor. That last one features photography from Stu Horvath and longtime Unwinnable contributor Brian Taylor. Hope you dig it. No matter what your taste, Unwinnable Weekly has you covered, so make sure to check out our selection of back issues today!







Batman (2011-2016) #5


Book Description

Deep beneath Gotham City lies the Court of Owls' deadliest trap--and Batman has fallen right into it! Can he escape, or will he perish in a maze of nightmare? Enter the labyrinth, Batman--if you dare!













Unwinnable Weekly Issue 17


Book Description

Since 2010, Unwinnable has been a showcase for weird, experimental, poignant, funny and iconoclastic stories. We're devoted to examining the intersection of the culture we love and the lives we lead. Unwinnable wants to bring you the best in pop-culture criticism, creative non-fiction, and the occasional serialized fiction once a week in a beautiful digital magazine. Unwinnable is life with culture. Matt Marrone kicks things off this week with a look at Stanley Kubrick’s use of the menacing paintings of Alex Colville in The Shining. He is only a little bit obsessed. Stu Horvath gets burned by The Vanishing of Ethan Carter and explains why surprise endings in horror are almost always a bad idea (if you want to play Ethan Carter, do it before you read this essay, naturally). Mary Alexandra Agner lightens things up with some of her narrative rules for playing Minecraft and, finally, Gus Mastrapa delivers up the latest installment of Dungeon Crawler. No matter what your taste, Unwinnable Weekly has you covered, so make sure to check out our selection of back issues today!




Unwinnable


Book Description

Afghanistan was an unwinnable war. As British and American troops withdraw, discover this definitive account that explains why. It could have been a very different story. British forces could have successfully withdrawn from Afghanistan in 2002, having done the job they set out to do: to defeat al-Qaeda. Instead, in the years that followed, Britain paid a devastating price for their presence in Helmand province. So why did Britain enter, and remain, in an ill-fated war? Why did it fail so dramatically, and was this expedition doomed from the beginning? Drawing on unprecedented access to military reports, government documents and senior individuals, Professor Theo Farrell provides an extraordinary work of scholarship. He explains the origins of the war, details the campaigns over the subsequent years, and examines the West's failure to understand the dynamics of local conflict and learn the lessons of history that ultimately led to devastating costs and repercussions still relevant today. 'The best book so far on Britain's...war in Afghanistan' International Affairs 'Masterful, irrefutable... Farrell records all these military encounters with the irresistible pace of a novelist' Sunday Times