Unwritten Memories


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Memory


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If your memories aren’t your own, then whose are they? One man is about to find out, as he accidentally ingests a mysterious drug that throws him into a hallucination so vivid that it seems real. Now Dr. Taylor Briggs will embark on a journey to unlock the mysteries of his own mind—and to find the killer of the innocent victims whose last moments are being played out in his head, in a stunning psychological thriller that explores memory, its crucial role in our consciousness—and its power to deceive. Also a major motion picture starring Billy Zane, Dennis Hopper, and Ann-Margaret.




Unwritten Memories


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On Records


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Bridging the fields of indigenous, early American, memory, and media studies, On Records illuminates the problems of communication between cultures and across generations. Andrew Newman examines several controversial episodes in the historical narrative of the Delaware (Lenape) Indians, including the stories of their primordial migration to settle a homeland spanning the Delaware and Hudson Rivers, the arrival of the Dutch and the first colonial land fraud, William Penn’s founding of Pennsylvania with a Great Treaty of Peace, and the “infamous” 1737 Pennsylvania Walking Purchase. As Newman demonstrates, the quest for ideal records—authentic, authoritative, and objective, anchored in the past yet intelligible to the present—has haunted historical actors and scholars alike. Yet without “proof,” how can we know what really happened? On Records articulates surprising connections among colonial documents, recorded oral traditions, material and visual cultures. Its comprehensive, probing analysis of historical evidence yields a multi-faceted understanding of events and reveals new insights into the divergent memories of a shared past.




The Unwritten Diary of Israel Unger


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At the beginning of the Nazi period, 25,000 Jewish people lived in Tarnow, Poland. By the end of the Second World War, nine remained. Like Anne Frank, Israel Unger and his family hid for two years in an attic crawl space. Against all odds, they emerged alive. Now, after decades of silence, here is Israel’s “unwritten diary.” Nine people lived behind that false wall above the Dagnan factory in Tarnow. Their stove was the chimney that went up through the attic; their windows were cracks in the wall. Survival depended on the food the adults leaving the hideout at night were able to forage. Even at the end of the war, however, Jewish people emerging from hiding were still not safe. After the infamous postwar Kielce pogrom, Israel’s parents sent him and his brother as “orphans” to France in a program called Rescue Children, a Europe-wide attempt to find Jewish children orphaned by the Holocaust. When the family was finally reunited, they lived a precarious existence between France—as people sans pays—and England until the immigration papers for Canada came through in 1951. In Montreal, in the world described so well by Mordecai Richler, Israel’s father, a co-owner of a factory in Poland, was reduced to sweeping factory floors. At the local yeshiva (Jewish high school), Israel discovered chemistry, and a few short years later he left poverty behind. He had a stellar academic career, married, and raised a family in Fredericton, New Brunswick. The Unwritten Diary of Israel Unger is as much a Holocaust story as it is a story of a young immigrant making every possible use of the opportunities Canada had to offer.




The Unwritten Book


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“One of our most interesting and bold writers . . . [offers] a characteristically wild effort that defies genre distinctions, flits from the profound to the mundane with fierce intelligence and searching restlessness, and at its best, delves deep into the recesses of the human heart with courageous abandon . . . An intoxicating blend of humor and pathos.” —Priscilla Gilman, The Boston Globe “Eerie, profound, and daring, this is a book only the inimitable Hunt could write.” —Adrienne Westenfeld, Esquire From Samantha Hunt, the award-winning author of The Dark Dark, comes The Unwritten Book, her first work of nonfiction, a genre-bending creation that explores the importance of books, the idea of haunting, and messages from beyond I carry each book I’ve ever read with me, just as I carry my dead—those things that aren’t really there, those things that shape everything I am. A genre-bending work of nonfiction, Samantha Hunt’s The Unwritten Book explores ghosts, ghost stories, and haunting, in the broadest sense of each. What is it to be haunted, to be a ghost, to die, to live, to read? Books are ghosts; reading is communion with the dead. Alcohol is a way of communing, too, as well as a way of dying. Each chapter gathers subjects that haunt: dead people, the forest, the towering library of all those books we’ll never have time to read or write. Hunt, like a mad crossword puzzler, looks for patterns and clues. Through literary criticism, history, family history, and memoir, inspired by W. G. Sebald, James Joyce, Ali Smith, Toni Morrison, William Faulkner, and many others, Hunt explores motherhood, hoarding, legacies of addiction, grief, how we insulate ourselves from the past, how we misinterpret the world. Nestled within her inquiry is a very special ghost book, an incomplete manuscript about people who can fly without wings, written by her father and found in his desk just days after he died. What secret messages might his work reveal? What wisdom might she distill from its unfinished pages? Hunt conveys a vivid and grateful life, one that comes from living closer to the dead and shedding fear for wonder. The Unwritten Book revels in the randomness, connectivity, and magic of everyday existence. And at its heart is the immense weight of love.




the present need for history


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The Authority to Imagine


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Angels and heaven


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