Hip-hop and Urban Dance


Book Description

Describes the development of hip-hop from the choreography and improvisation to the culture and well known figures in the world of hip-hop.




Urban Choreography


Book Description

Despite a very substantial architecture and urban heritage, Melbourne in the mid 1980s was experiencing a flight to the suburbs and becoming a rather dull city that closed on evenings and weekends. While many challenges remain, the incremental transformation of central Melbourne is now a global success story that needs to be better studied. This is not one story but many: the design of new architecture and public space reclaimed from cars and rail yards; from turning its back on the water, Melbourne has integrated the river and become a waterfront city. It has grown greener--literally, environmentally and politically. Laneways that were once filled with garbage are now filled with 'hidden' bars, artworks, housing and urban art. Urban Choreography will document and discuss the many urban design transformations over this period with a focus on key events, plans, projects, places and people involved and seeks to understand the political and other forces that drove, framed and constrained these changes.




Urban Bush Women


Book Description

"The author's long-term engagement with the company has given her unprecedented access to Urban Bush Women. This Clearly contributes to her in-depth understanding of the dynamics of the company and of the choreographic processes that undergird Urban Bush Women Concert Pieces."---Sarah Davies Cordova, author of Paris Dances: Textual Choreographies in the Ninettenth-Century French Novel --




Urban Composition


Book Description

Cities and towns are among humanity's greatest achievements, yet no single individual or organization creates them. The buildings, streets, and gardens of even a small town embody substantial investments of money, natural resources, and political capital. Much more than the sum of its parts, a settlement's vitality comes from its collective composition. Sometimes the cities and towns that emerge are glorious places, but too frequently they have only fragments of greatness or are soulless and environmentally unhealthy. Our new Architecture Brief Urban Composition shows architects, planners, artists, and engineers of individual projects how they can best fulfill their public trust to help make meaningful urban places. Each chapter contains a set of design queries followed by a discussion, illustrations, and references for further research. This accessible primer on urban design provides guidelines for designing buildings or plans for large cities or small towns. Urban Composition showcases projects across the United States and internationally, in metropolitan areas such as Chicago, Seattle, and London, and small communities such as Marfa, Texas.




Technology and the City


Book Description

The contributions in this volume map out how technologies are used and designed to plan, maintain, govern, demolish, and destroy the city. The chapters demonstrate how urban technologies shape, and are shaped, by fundamental concepts and principles such as citizenship, publicness, democracy, and nature. The many authors herein explore how to think of technologically mediated urban space as part of the human condition. The volume will thus contribute to the much-needed discussion on technology-enabled urban futures from the perspective of the philosophy of technology. This perspective also contributes to the discussion and process of making cities ‘smart’ and just. This collection appeals to students, researchers, and professionals within the fields of philosophy of technology, urban planning, and engineering.




Urban Grassroots Movements in Central and Eastern Europe


Book Description

What can we learn about collective action across Central and Eastern Europe by focusing on activism within urban spaces? This volume argues that the recent resurgence of urban grassroots mobilisation represents a new phase in the development of post-socialist civil societies and that these civil societies have significantly more vitality than is commonly perceived. The case studies here reflect the diversity and complexity of post-socialist urban movements, capturing also the extent to which the laboratory of urban politics is richly illustrative of the complex nexus of state-society-market relations within post-socialism. The grassroots campaigns and actions reflect the new social cleavages and increased polarisation as a consequence of neoliberal urbanisation and global integration, as well as the transformation of state power and authority in the region. Studying urban activism in Central and Eastern Europe is instructive for urban movements scholars generally, as it forces us to acknowledge the variety of forms that contention can take and the usefulness of embedding the study of urban movements within a larger understanding of civil society.







The Oxford Handbook of Screendance Studies


Book Description

The Oxford Handbook of Screendance Studies offers a full overview of the histories, practices, and critical and theoretical foundations of the rapidly changing landscape of screendance. Drawing on their practices, technologies, theories, and philosophies, scholars from the fields of dance, performance, visual art, cinema and media arts articulate the practice of screendance as an interdisciplinary, hybrid form that has yet to be correctly sited as an academic field worthy of critical investigation. Each chapter discusses and reframe current issues, as a means of promoting and enriching dialogue within the wider community of dance and the moving image. Topics addressed embrace politics of the body; agency, race, and gender in screendance; the relationship of choreography to image; constructs of space and time; representation and effacement; production and curatorial practice; and other areas of intersecting disciplines. The Oxford Handbook of Screendance Studies features newly-commissioned and original scholarship that will be essential reading for all those interested in the intersection of dance and the moving image, including film and video-makers, dance artists, screendance artists, academics and writers, producers, composers, as well as the wider interested public. It will become an invaluable resource for researchers and professionals in the field.




Lawrence Halprin


Book Description

During a career spanning six decades, Lawrence Halprin (1916-2009) became one of the most prolific and outspoken landscape architects of his generation. He took on challenging new project types, developing a multidisciplinary practice while experimenting with adaptive reuse and ecological designs for new shopping malls, freeways, and urban parks. In his lifelong effort to improve the American landscape, Halprin celebrated the creative process as a form of social activism. A native New Yorker, Halprin earned degrees from Cornell and the University of Wisconsin before completing his design degree at Harvard. In 1945 he joined Thomas Church's firm, where he collaborated on the iconic Donnell Garden. He opened his own San Francisco office in 1949, where he initially focused on residential commissions in the Bay Area, completing close to three hundred in ten years' time. By the 1960s the firm had gained recognition for significant urban renewal projects such as Ghirardelli Square in San Francisco (1962-68), Nicollet Mall in Minneapolis (1962-67), and Freeway Park in Seattle (1970-74). Halprin used his conception of a Sierra stream as the catalyst for the Portland Open Space Sequence, a series of parks featuring great fountains that linked housing and civic space in the inner city. A charismatic speaker and passionate artist, Halprin designed landscapes that reflected the democratic and participatory ethic characteristic of his era. He communicated his ideas as well in lectures, books, exhibits, and performances. Along with his contemporary Ian McHarg, Halprin was his generation's great proselytizer for landscape architecture as environmental design. Throughout his long career, he strived to develop poetic and symbolic landscapes that, in his words, could "articulate a culture's most spiritual values."




Circle Dance


Book Description

"Circle Dance: The Art of John T. Scott is a celebration of this renowned artist's work in printmaking, sculpture, collage, and painting produced over the course of a nearly forty-year career. Published in conjunction with an exhibit of the same name at the New Orleans Museum of Art, Circle Dance features 100 color photographs of Scott's art, from his earliest productions in cast bronze, welded steel, and printmaking, to his most recent forays into site-specific public art and mammoth works on paper."--Jacket.