Utopian Craftsmen


Book Description




Utopian Craftsmen


Book Description




Gustav Stickley's Craftsman Farms


Book Description

From 1911 to 1917 Craftman Farms was the home of Gustav Stickley, one of the central figures in the American Arts and Crafts Movement. This book unravels the, sometimes contradictory, ideas that informed many of the artists and literary figures in the progressive era in America.




The Real Thing


Book Description

In this classic study of the relationship between technology and culture, Miles Orvell demonstrates that the roots of contemporary popular culture reach back to the Victorian era, when mechanical replications of familiar objects reigned supreme and realism dominated artistic representation. Reacting against this genteel culture of imitation, a number of artists and intellectuals at the turn of the century were inspired by the machine to create more authentic works of art that were themselves "real things." The resulting tension between a culture of imitation and a culture of authenticity, argues Orvell, has become a defining category in our culture. The twenty-fifth anniversary edition includes a new preface by the author, looking back on the late twentieth century and assessing tensions between imitation and authenticity in the context of our digital age. Considering material culture, photography, and literature, the book touches on influential figures such as writers Walt Whitman, Henry James, John Dos Passos, and James Agee; photographers Alfred Stieglitz, Walker Evans, and Margaret Bourke-White; and architect-designers Gustav Stickley and Frank Lloyd Wright.




Dancing Class


Book Description

"Tomko blazes a new trail in dance scholarship by interconnecting U.S. History and dance studies. . . . the first to argue successfully that middle-class U.S. women promoted a new dance practice to manage industrial changes, crowded urban living, massive immigration, and interchange and repositioning among different classes." —Choice From salons to dance halls to settlement houses, new dance practices at the turn of the century became a vehicle for expressing cultural issues and negotiating matters of gender. By examining master narratives of modern dance history, this provocative and insightful book demonstrates the cultural agency of Progressive-era dance practices.




Gustav Stickley, the Craftsman


Book Description

Superb study was first to survey totality of influential designer’s accomplishments, focusing on Craftsman houses. Stickley’s design philosophy, influential journal, The Craftsman, major events in the rise and fall of the Craftsman empire, plus illustrations, descriptions, floor plans for many choice examples of Craftsman houses. 86 black-and-white halftones. 31 line illus. Introduction.




Oxford Jackson


Book Description

In the late nineteenth century one man changed Oxford forever. T. G. Jackson built the Examination Schools, the Bridge of Sighs, worked at a dozen colleges, and restored a score of other Oxford icons. He also built for many of the major public schools, for the University of Cambridge, and at the Inns of Court. A friend of William Morris, he was a pioneering member of the arts and crafts moment. A distinguished historian, he also restored dozens of houses and churches - and ensured the survival of Winchester Cathedral. As an architectural theorist he was a leader of the generation that rejected the Gothic Revival and sought to develop a new and modern style of building. Drawing on extensive archival work, and illustrated with a hundred images, this is the first in-depth analysis of Jackson's career ever written. It sheds light on a little-known architect and reveals that his buildings, his books, and his work as an arts and craftsman were not just important in their own right, they were also part of a wider social change. Jackson was the architect of choice for a particular group of people, for the 'intellectual aristocracy' of late Victorian England. His buildings were a means by which they could articulate their identity and demonstrate their distinctiveness. They reformed the universities and the schools whilst he refashioned their image. Essential reading for anyone interested in Victorian architecture and nineteenth-century society, this book will also be of interest to all those who know and love Oxford or Cambridge.




In Good Hands


Book Description

In 1905 two Montreal women, Alice Peck and May Phillips, founded the Canadian Handicrafts Guild. Inspired by British and American women in the arts and crafts movement, and spurred by their thirty-year rivalry with Mary Dignam of the Toronto-based Women's Art Association of Canada, these two created an organization that revived popular interest in traditional handwork done by women, Canadiens, Indigenous people, and new Canadians.




In the Arts and Crafts Style


Book Description

Each chapter of this book examines a different facet of this aesthetic, beginning with its European origins and proceeding to American classics, including California's Mission style. The book highlights the work of such influential designers as Gustav Stickley, L & J.G. Stickley, Charles Voysey, Greene & Greene, George Ohr, Tiffany, Frank Lloyd Wright, and Charles Rohlfs, among others, and features Arts and Crafts standards, such as the Morris chair, the Stickley settle, the Tiffany lamp, and the Fulper bowl, all displayed in a variety of contemporary interiors.




Author Under Sail


Book Description

In Author Under Sail: The Imagination of Jack London, 1902–1907, Jay Williams explores Jack London’s necessity to illustrate the inner workings of his vast imagination. In this second installment of a three-volume biography, Williams captures the life of a great writer expressed though his many creative works, such as The Call of the Wild and White Fang, as well as his first autobiographical memoir, The Road, some of his most significant contributions to the socialist cause, and notable uncompleted works. During this time, London became one of the most famous authors in America, perhaps even the author with the highest earnings, as he prepared to become an equally famous international writer. Author Under Sail documents London’s life in both a biographical and writerly fashion, depicting the importance of his writing experiences as his career followed a trajectory similar to America’s from 1876 to 1916. The underground forces of London’s narratives were shaped by a changing capitalist society, media outlets, racial issues, increases in women’s rights, and advancements in national power. Williams factors in these elements while exploring London’s deeply conflicted relationship with his own authorial inner life. In London’s work, the imagination is figured as a ghost or as a ghostlike presence, and the author’s personas, who form a dense population among his characters, are portrayed as haunted or troubled in some way. Along with examining the functions and works of London’s exhaustive imagination, Williams takes a critical look at London’s ability to tell his stories to wide arrays of audiences, stitching incidents together into coherent wholes so they became part of a raconteur’s repertoire. Author Under Sail provides a multidimensional examination of the life of a crucial American storyteller and essayist.