Italy


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Florence


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The Modern City


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Pilgrimage to Vallombrosa


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"Set aside your Bella Tuscanys and Year in Provences for a different kind of travel book. Pilgrimage to Vallombrosa puts a walking stick in your hand and Marsh’s Man and Nature in your knapsack, exploring how Italians have managed their natural and cultural heritage in ways that sustain both. John Elder’s poetic meditations on land and life demonstrate that only by searching beyond our familiar boundaries can we discover better ways of living back at home."—Marcus Hall, author of Earth Repair: A Transatlantic History of Environmental Restoration "This collaboration—between George Perkins Marsh and John Elder, between Vermont and Italy, between maple and olive—is one of the smartest, soundest, deepest books about the relationship between people and nature that I’ve ever read. It will be a classic."—Bill McKibben, author of The End of Nature "Elder’s impassioned pilgrimage shows us how to delight in messy wilderness, to secure a curative habitation of the world, and, with Marsh, to lend ecological nous to our gravest task: knowing ourselves and respecting one another. Let the maple seeds and olive stones of Elder’s visionary harvest restore to us a reflective and redemptory future."—from the foreword by David Lowenthal The pivotal figure in Pilgrimage to Vallombrosa is the nineteenth-century diplomat and writer George Perkins Marsh, generally regarded as America’s first environmentalist. Like Elder, Marsh was a Vermonter, and his diplomatic career took him for some years to Italy, where, witnessing the ecological devastation wrought upon the landscape by runaway deforestation and the plundering of other natural resources, he was moved to produce his famous manifesto, Man and Nature. Marsh drew parallels between the despoiled Italian environment and his home landscape of Vermont, warning that the latter was vulnerable to ecological woes of a similar magnitude if not carefully maintained and protected. In short, his was a prescient voice for stewardship. Elder follows in Marsh’s footsteps along a trajectory running from Vermont to Italy, and at length fetches up at the managed forest of Vallombrosa. Punctuated throughout with learned and genial considerations of the poetry of Wordsworth, Basho, Dante, and Frost, Elder’s narrative takes up issues of sustainability as practiced locally, reports on family doings, and returns finally—as did Marsh’s—to Vermont, where he measures traditional stewardship values against more aggressive conservation-oriented measures such as the expansion of wilderness areas. John Elder, Professor of English and Environmental Studies at Middlebury College, is the author of Reading the Mountains of Home and The Frog Run. Under the Sign of Nature: Explorations in Ecocriticism




American Forestry


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Florence


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Italy


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The Sword and the Cross


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“[A] searing story of France’s attempt to colonize the vast Sahara desert and of two unforgettable men who dedicated their lives to the effort.” —Rob Mitchell, The Boston Herald Whether writing of the Alps, the high seas, or the North Pole, Fergus Fleming has won acclaim as one of today’s most vivid and engaging historians of adventure and exploration. The Sword and the Cross takes us to the Sahara at the end of the nineteenth century, when France had designs on a hostile wilderness dominated by deadly Tuareg nomads. Two fanatical adventurers, Charles de Foucauld and Henri Laperrine, rose to the cause of their country’s national honor. Abandoning his decadent lifestyle as a sensualist and womanizer, Foucauld founded a monastic order so severe that during his lifetime it never had a membership of more than one. Yet he remained a committed imperialist and from his remote hermitage continued to assist the military. The stern career soldier Laperrine, meanwhile, founded a camel corps whose exploits became legendary. During World War I the Sahara’s fragile peace crumbled. In the desert mountains Foucauld paid a tragic price for his role as imperial pawn. Laperrine, by then recalled to the Western Front, returned to avenge his friend. “Fleming captures the hopelessness of the French efforts to conquer the Saharan expanse . . . Provides a vital lesson about the limits of power.” —Zachary Karabell, Los Angeles Times