The Burlington Magazine for Connoisseurs
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Page : 726 pages
File Size : 18,90 MB
Release : 1927
Category : Art
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Page : 726 pages
File Size : 18,90 MB
Release : 1927
Category : Art
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Page : 852 pages
File Size : 43,8 MB
Release : 1858
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Author : James Silk Buckingham
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Page : 896 pages
File Size : 27,18 MB
Release : 1861
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Page : 864 pages
File Size : 15,65 MB
Release : 1891
Category : Arts
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Author : Avery Library
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Page : 848 pages
File Size : 30,14 MB
Release : 1968
Category : Architecture
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Page : 1584 pages
File Size : 45,26 MB
Release : 1922
Category : Country life
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Page : 506 pages
File Size : 29,54 MB
Release : 1907
Category : Art
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Page : 672 pages
File Size : 33,80 MB
Release : 1868
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Page : 72 pages
File Size : 23,14 MB
Release : 1969-12-15
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New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Author : Mark Westgarth
Publisher : Routledge
Page : 171 pages
File Size : 33,24 MB
Release : 2020-04-07
Category : Art
ISBN : 1000050629
Rather than the customary focus on the activities of individual collectors, The Emergence of the Antique and Curiosity Dealer in Britain 1815–1850: The Commodification of Historical Objects illuminates the less-studied roles played by dealers in the nineteenthcentury antique and curiosity markets. Set against the recent ‘art market turn’ in scholarly literature, this volume examines the role, activities, agency and influence of antique and curiosity dealers as they emerged in the opening decades of the nineteenth century. This study begins at the end of the Napoleonic Wars, when dealers began their wholesale importations of historical objects; it closes during the 1850s, after which the trade became increasingly specialised, reflecting the rise of historical museums such as the South Kensington Museum (V&A). Focusing on the archive of the early nineteenth-century London dealer John Coleman Isaac (c.1803–1887), as well as drawing on a wide range of other archival and contextual material, Mark Westgarth considers the emergence of the dealer in relation to a broad historical and cultural landscape. The emergence of the antique and curiosity dealer was part of the rapid economic, social, political and cultural change of early nineteenth-century Britain, centred around ideas of antiquarianism, the commercialisation of culture and a distinctive and evolving interest in historical objects. This book will be of interest to scholars in art history, histories of collecting, museum and heritage studies and nineteenth-century culture.