The Postmillennial Vampire


Book Description

This book explores the idea that while we see the vampire as a hero of romance, or as a member of an oppressed minority struggling to fit in and acquire legal recognition, the vampire has in many ways changed beyond recognition over recent decades due to radically shifting formations of the sacred in contemporary culture. The figure of the vampire has captured the popular imagination to an unprecedented extent since the turn of the millennium. The philosopher René Girard associates the sacred with a communal violence that sacred ritual controls and contains. As traditional formations of the sacred fragment, the vampire comes to embody and enact this ‘sacred violence’ through complex blood bonds that relate the vampire to the human in wholly new ways in the new millennium.




Redemption


Book Description

A vampire slayer by necessity. Anissa Garnet is a vampire. She’s also a slayer. Anissa is no stranger to taking out the enemies of her clan leader. Her assignment is simple. Jonah Bourke is not to attend the League of Vampires. Ever. It should have been an easy kill. It should have been one and done. It would have been, if Jonah Bourke hadn’t saved her life. An assignment like no other. Vampire clan leader Jonah Bourke is that one. He didn’t plan to be a hero. He didn’t want to save the life of the slayer that was sent to kill him. Maybe he wouldn’t have, if he’d known. Too late now. Anissa just compounded his problems. Not that he didn’t have plenty: A rebellious twin who wants to claim leadership of their clan and a litany of supernaturals that want him dead. So what’s a vampire to do when he saves the life of the vampire girl sent to kill him?




League of Vampires Box Set


Book Description

Three complete books filled with witches, vampires, fae, shades, and sexy characters in swoonworthy romances and nail-biting action. Redemption A vampire slayer by necessity. Anissa Garnet is a vampire. She’s also a slayer. Anissa is no stranger to taking out the enemies of her clan leader. Her assignment is simple. Jonah Bourke is not to attend the League of Vampires. Ever. It should have been an easy kill. It should have been one and done. It would have been, if Jonah Bourke hadn’t saved her life. An assignment like no other. Vampire clan leader Jonah Bourke is that one. He didn’t plan to be a hero. He didn’t want to save the life of the slayer that was sent to kill him. Maybe he wouldn’t have, if he’d known. Too late now. Anissa just compounded his problems. Not that he didn’t have plenty: A rebellious twin who wants to claim leadership of their clan and a litany of supernaturals that want him dead. So what’s a vampire to do when he saves the life of the vampire girl sent to kill him? Sanctuary A half-blood by birth. Anissa Garnet is half-fae, half-vampire. And she’s not the daughter of just any fae, she’s the daughter of Gregor, the leader of the fae. Except now she’s made the mistake of walking away from her fae kind. As if that wasn’t bad enough, she left her mother’s kind—vampires—behind. Now this half-breed has gone rogue, but she hasn’t done it alone. Vampire clan leader no more. Jonah Bourke not only stepped down from being a clan leader, he also left behind his entire clan, the one he was destined to rule. All to merge his fate with Anissa, the slayer that had been sent to kill him. New Alliances, old foes. The Sanctum provides more than sanctuary. It provides answers, which sometimes leads to more questions, and then even more threats. Absolution Ancient enemies, newfound coalitions. Anissa’s not about to take Jonah’s decision to face his enemies alone. This former slayer isn’t your average sit on the sidelines kind of girl. New heroes, not so new archenemies. Fane wants forgiveness and allegiance, but not at the cost of the ones he loves most. Certainly, not at the expense of a new soul that is joining his cadre. Needs rarely line up with wants. Philippa’s feelings for Vance won’t be the end of her, but will they be the end of a loved one?




True Blood: Steve Newlin's Field Guide to Vampires (And Other Creatures of Satan)


Book Description

A hilarious handbook by Bon Temps’s famed anti-vampire activist—with photos, letters, and some snark in the margins from Pam and Eric . . . The vampires, werewolves, faeries, and other supernatural creatures that call Bon Temps, Louisiana home aren’t universally accepted around town—and sweet-talking, bible-thumping Steve Newlin is their self-appointed nemesis. In his demented field guide, Steve has recorded all he knows about these Creatures of Satan, and that’s a lot: their strengths, their weaknesses, their bylaws, and, of course, how to kill them. Sadly for Steve—but luckily for True Blood fans everywhere—his journal was stolen by Fangtasia vampires Pam and Eric, who have defaced it in a most disrespectful and snarky manner. From an associate producer of the show and the actor who played Steve, Steve Newlin’s Field Guide to Vampires is packed with untold insight into these compelling characters, along with photos, letters, postcards, handwritten notes, and Steve’s own idle doodles, perfectly capturing the tongue-in-cheek camp that made True Blood a major HBO hit and a genuine TV classic.




Vampire Taxonomy


Book Description

Now that millions have read and seen Twilight, where do they turn for vampire advice? This wry, witty, fully illustrated, and bloody essential guide. Vampires are all around-books, movies, TV, comics- infiltrating our culture like never before. But what happens if one should run into a real vamp on the street? Vampire Taxonomy is the best defense against a fatal encounter in the dark. For the reader's protection, Meredith Woerner reveals the truth about: ?Sunlight sensitivity-Do vamps venture out in the day or stick solely to the evening hours? ?Physiology-When ready to feed, do they change appearance or simply lure with the seductive flash of a fang? ?Dress-Are they decked out in leather with aspirations of becoming the first vampire rock stars or do they cling to Gothic robes and ruffled collars? ?Diet-Are they waging a never-ending struggle against the temptation of human blood or do they view the world as their personal blood buffet?




Race in the Vampire Narrative


Book Description

Race in the Vampire Narrative unpacks the vampire through a collection of classroom ready original essays that explicitly connect this archetypal outsider to studies in race, ethnicity, and identity. Through essays about the first recorded vampire craze, television shows True Blood, and Being Human, movies like Blade: Trinity and Underworld, to the presentation of vampires of colour in romance novels, graphic novels, on stage and beyond, this text will open doorways to discussions about Otherness in any setting, serving as an alternative way to explore marginality through a framework that welcomes all students into the conversation. Vampires began as terrors, nightmares, the most horrifying of creatures; now they are sparkly antiheroes more likely to kill your dog than drink you to death; commodified, absorbed, and defanged. Race in the Vampire Narrative demonstrates that the vampire serves as a core metaphor for the constructions of race, and the ways in which we identify, manufacture, and commodify marginalized groups. By drawing together disparate discussions of non-white vampires in popular culture, the collection illustrates the ways in which vampires can be used to explicitly help students understand ethnicity in the modern world making this the perfect companion text to any course from First Year Studies, Sociology, History, Cultural Studies, Women’s Studies, Criminal Justice, and so much more.




The Transmedia Vampire


Book Description

This book explores vampire narratives that have been expressed across multiple media and new technologies. Stories and characters such as Dracula, Carmilla and even Draculaura from Monster High have been made more "real" through their depictions in narratives produced in and across different platforms. This also allows the consumer to engage on multiple levels with the "vampire world," blurring the boundaries between real and imaginary realms and allowing for different kinds of identity to be created while questioning terms such as "author," "reader," "player" and "consumer." These essays investigate the consequences of such immersion and why the undead world of the transmedia vampire is so well suited to life in the 21st century.




Vampire Culture


Book Description

Unique and exciting, this ethnographic study is the first to address a little-known subculture, which holds a fascination for many. The first decade of the twenty-first century has displayed an ever increasing fixation with vampires, from the recent spate of phenomenally successful books, films, and television programmes, to the return of vampire-like style on the catwalk. Amidst this hype, there exists a small, dedicated community that has been celebrating their interest in the vampire since the early 1990s. The London vampire subculture is an alternative lifestyle community of people from all walks of life and all ages, from train drivers to university lecturers, who organise events such as fang fittings, gothic belly dancing, late night graveyard walks, and 'carve your own tombstone'. Mellins presents an extraordinary account of this fascinating subculture, which is largely unknown to most people. Through case study analysis of the female participants, Vampire Culture investigates women's longstanding love affair with the undead, and asks how this fascination impacts on their lives, from fiction to fashion. Vampire Culture includes photography from community member and professional photographer SoulStealer, and is an essential read for students and scholars of gender, film, television, media, fashion, culture, sociology and research methods, as well as anyone with an interest in vampires, style subcultures, and the gothic.




Bite of the Vampire


Book Description

Jasmine has the mission as a rogue vampire assassin to chase down a rogue in Wales. When she meets Stasio, she thinks he could provide a cover for her as her pseudo-boyfriend while she eliminates the rogue. But another assassin, who keeps stealing her missions, thwarts her. The next thing she knows, he claims Stasio is a rogue vampire! No way! Stasio is a Welsh prince escaping the Dallas League of Vampires—with his three prince friends, and a witch, who his friend had turned and is now one of them—to return to their native Wales where they were also considered rogues. They’d tried to overthrow their League centuries earlier, lost their castles, and had fled. Surely, no one would ever think they would return. But then everything is turned upside down and Jasmine is stuck running as a rogue with Stasio and his friends. But that’s not the end of it. When they arrive in Scotland to flee the peril, a group of Scottish vampires want to overthrow their own League and they want the princes to help them. Do they do it and risk it all? Will Jasmine leave them and find her own way? If they help them fight the vampire elders and lose like they did with their own League centuries ago, will they survive this time? These are the questions they have to answer before they get themselves even more over their heads than they already are and lose them this time.




The Vampire in Context. From 1898 to 2012


Book Description

Vampires have been part of peoples’ folklore since the pre-history. Although they had meant different things and had different traits depending on the cultures, they appeared over and over again throughout various tales. In the beginning, the vampire used to be depicted as a bloodsucking, murdering monster, while more recently he became desirable, a heartthrob for which not only his fictive love interests fall, but also millions of readers who make vampire stories so popular in our time. Despite these radical changes, literary vampire stories have in common that most of them reflect on the social circumstances during their time of origin. The vampire is particularly suitable for the exemplification of sexuality. This term paper deals with the statement that the changes in sexuality and gender account for the changes in vampire stories. Chapter 1 will look at vampires in folklore to show the legitimacy of the vampire/sexuality connection, since these have been linked very early on. Chapters 2 and 3 give an overview over sexuality and gender in the Victorian age – the time in which the literary vampire first became popular – and how these topics are perceived today. Chapters 4 and 5 will explain how the circumstances are reflected in Victorian vampire literature and modern literature respectively.