Van Dyck's Hosts in Genoa


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In the seventeenth century, many young artists from the north and south of the Netherlands gained experience in Rome. However, that Flemish artists in Genoa contributed to lively artistic exchange and trade is less known. In this book the author Alison Johnston Stoesser throws new light on their activities during that day and age, particularly on those of the brothers Lucas and Cornelis de Wael. As artists and dealers, the brothers had connections with many key figures in the Flemish and Genoese art world, including the painter Anthony Van Dyck. For forty years Cornelis, the youngest brother, enjoyed great successes with his paintings of everyday scenes, fairs, and field and naval battles. In addition, the brothers sold the works of other artists as well as many other objects of devotion.




Van Dyck in Genoa


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Van Dyck


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Van Dyck and His Age


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Liechtenstein, the Princely Collections


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Liechtenstein is one of the smallest European states, a principality situated between Austria and Switzerland in the Upper Rhine Valley. The nation is less than three hundred years old, but the ruling family, whose name it bears, traces its lineage back to the twelfth century. For successive generations, members of the Princely House of Liechtenstein have been devoted art collectors. With a high degree of appreciation of artistic achievement, they have pursued a centuries-long family tradition of acquiring not only great paintings and sculpture but also rare firearms, fine porcelain, and other works of art. The result of this tradition is a collection of masterpieces that in its depth and breadth reflects more than four hundred years of European history and ranks among the world's greatest private collections. This publication accompanies an exhibition at The Metropolitan Museum of Art that marked the first time the masterpieces from this private collection were put on public display. The rich and varied array of paintings, sculpture, and other works included in this exhibition not only represents the paradigm of a great European princely collection, but also has the added distinction of being the collection of the only surviving monarchy of the Holy Roman Empire. -- Metropolitan Museum of Art website.




The Look of Van Dyck


Book Description

Based on a close study of Van Dyck's Self-portrait with a Sunflower, this book examines the picture's context in the symbolic discourses of the period and in the artist's oeuvre. The portrait is interpreted as a programmatic statement, made in the ambience of the Caroline court after Van Dyck's appointment as 'Principal Painter', of his view of the art of painting. This statement, formulated in appropriately visual terms, characterizes painting as a way of looking and seeing, a mode of vision. In making such a claim, the artist steps aside from the familiar debate about whether painting was a manual or an intellectual discipline, and moves beyond any idea of it as simply a means of representing the external world: the painter's definitive faculty of vision can reach further than those realities which present themselves to the eye. John Peacock analyses the motif of looking - the ways in which figures regard or disregard each other - throughout Van Dyck's work, and the images of the sunflower and the gold chain in this particular portrait, to reveal what is essentially an idealist conception of pictorial art. He contradicts previous opinions that the artist was pedestrian in his thinking, by showing him to be familiar with a range of ideas current in contemporary Europe about painting and the role of the painter.




Jews and Muslims Made Visible in Christian Iberia and Beyond, 14th to 18th Centuries


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This volume aims to show through various case studies how the interrelations between Jews, Muslims and Christians in Iberia were negotiated in the field of images, objects and architecture during the Later Middle Ages and Early Modernity. . By looking at the ways pre-modern Iberians envisioned diversity, we can reconstruct several stories, frequently interwoven with devotional literature, poetry or Inquisitorial trials, and usually quite different from a binary story of simple opposition. The book’s point of departure narrates the relationship between images and conversions, analysing the mechanisms of hybridity, and proposing a new explanation for the representation of otherness as the complex outcome of a negotiation involving integration. Contributors are: Cristelle Baskins, Giuseppe Capriotti, Ivana Čapeta Rakić, Borja Franco Llopis, Francisco de Asís García García, Yonatan Glazer-Eytan, Nicola Jennings, Fernando Marías, Elena Paulino Montero, Maria Portmann, Juan Carlos Ruiz Souza, Amadeo Serra Desfilis, Maria Vittoria Spissu, Laura Stagno, Antonio Urquízar-Herrera.




Ambrogio Spinola between Genoa, Flanders, and Spain


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Many of the most significant studies devoted to Ambrogio Spinola have focused on one particular aspect of his life: his successful military career. This volume, through its interdisciplinary and cultural approach, breaks open this all too narrow perspective and expands our understanding of Spinola and his world. As a great military strategist and Catholic knight, entrepreneur in the international finance market, courtier, and diplomat, Spinola was certainly a Genoese, but he was also a member of the transnational Iberian elite, to which he linked his fate and that of his children. His life's journey between Italy, Flanders, and Spain, and the reinterpretations of his life by his contemporaries in art, literature, and the press, give us the opportunity to reflect on the multiple identities and the physical and mental wanderings of many Europeans of the Early Modern Age. Ambrogio Spinola offers an example of humanity that is impossible to capture in a single reading and is much more contemporary than we can imagine. Ambrogio Spinola between Genoa, Flanders, and Spain allows the reader to better understand not only his military activities, but also (and above all) the family, social and political foundations of his successful career, as well as the various forms of art and communication (literature, architecture, paintings, sculptures, engravings, newspapers, etc.), which were used to celebrate him both during his life and beyond.




Anthony Van Dyck


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