Variety Obits


Book Description




Variety Obituaries, 1948-56


Book Description

First published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.




Obituaries


Book Description

This book is a homage to the dead.




Variety Obituaries, 1957-63


Book Description

First published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.




Variety Obituaries, 1980-83


Book Description

First published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.




Obit


Book Description

Like Everything I Really Needed to Know, I Learned in Kindergarten, or Tuesdays with Morrie, Obit is a wise and deeply moving book that illuminates the human condition. For ten years, Jim Sheeler has scoured Colorado looking for subjects whose stories he will tell for the last time. Most are unknowns, but that doesn't mean they're nobodies. Their obituaries are sometimes humorous, sometimes heartbreaking, and chock full of life lessons as taught by the people we all pass on the street every day. And thanks to Sheeler's brilliant and compassionate prose, it's not too late to meet them.




Variety Obituaries, 1964-68


Book Description

First published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.




Walt Before Mickey


Book Description

The untold story of ten critical, formative years in the great producer's life




Variety obituaries


Book Description




Rank Ladies


Book Description

A disrobing acrobat, a female Hamlet, and a tuba-playing labor activist--all these women come to life in Rank Ladies. In this comprehensive study of women in vaudeville, Alison Kibler reveals how female performers, patrons, and workers shaped the rise and fall of the most popular live entertainment at the turn of the century. Kibler focuses on the role of gender in struggles over whether high or low culture would reign in vaudeville, examining women's performances and careers in vaudeville, their status in the expanding vaudeville audience, and their activity in the vaudevillians' labor union. Respectable women were a key to vaudeville's success, she says, as entrepreneurs drew women into audiences that had previously been dominated by working-class men and recruited female artists as performers. But although theater managers publicly celebrated the cultural uplift of vaudeville and its popularity among women, in reality their houses were often hostile both to female performers and to female patrons and home to women who challenged conventional understandings of respectable behavior. Once a sign of vaudeville's refinement, Kibler says, women became associated with the decay of vaudeville and were implicated in broader attacks on mass culture as well.