Variety TV REV 1991-92 17


Book Description

First published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.




Essentially Bruce Greenwood: Actor Musician


Book Description

An informal book written in an informal style glancing over Bruce Greenwood's career thus far, which contains an overview of some of his movies and TV shows, quotes from interviews and a comprehensive biography.




Hanna-Barbera


Book Description

With careers spanning eight decades, William Hanna and Joseph Barbera were two of the most prolific animation producers in American history. In 1940, the two met at MGM and created Tom and Jerry, who would earn 14 Academy Award nominations and seven wins. The growth of television led to the founding of Hanna-Barbera's legendary studio that produced countless hours of cartoons, with beloved characters from Fred Flintstone, George Jetson and Scooby-Doo to the Super Friends and the Smurfs. Prime-time animated sitcoms, Saturday morning cartoons, and Cartoon Network's cable animation are some of the many areas of television revolutionized by the team. Their productions are critical to our cultural history, reflecting ideologies and trends in both media and society. This book offers a complete company history and examines its productions' influences, changing technologies, and enduring cultural legacy, with careful attention to Hanna-Barbera's problematic record of racial and gender representation.




Variety and Daily Variety Television Reviews, 1993-1994


Book Description

This collection of essays and reviews represents the most significant and comprehensive writing on Shakespeare's A Comedy of Errors. Miola's edited work also features a comprehensive critical history, coupled with a full bibliography and photographs of major productions of the play from around the world. In the collection, there are five previously unpublished essays. The topics covered in these new essays are women in the play, the play's debt to contemporary theater, its critical and performance histories in Germany and Japan, the metrical variety of the play, and the distinctly modern perspective on the play as containing dark and disturbing elements. To compliment these new essays, the collection features significant scholarship and commentary on The Comedy of Errors that is published in obscure and difficulty accessible journals, newspapers, and other sources. This collection brings together these essays for the first time.




The Big Screen Comedies of Mel Brooks


Book Description

Mel Brooks is often regarded as one of Hollywood's funniest men, thanks to such highly successful films as The Producers, Blazing Saddles, and Young Frankenstein. His films do have a tendency to turn out much like the jokes that comprise them--hit-or-miss, one minute shoot-the-moon brilliant and the next minute well short of laughs. This work provides a thorough synopsis and thematic analysis for each of his twelve films along with complete cast and production credits: The Producers (1968), The Twelve Chairs (1970), Blazing Saddles (1974), Young Frankenstein (1974), Silent Movie (1976), High Anxiety (1977), History of the World--Part 1 (1981), To Be or Not to Be (1983), Spaceballs (1987), Life Stinks (1991), Robin Hood: Men in Tights (1993), and Dracula: Dead and Loving It (1995).




Reality TV


Book Description

Scholars explore this not-so-recent tv trend.




American Television Abroad


Book Description

This work examines the practices of MGM, Paramount, 20th Century Fox, RKO, Warner Bros., Universal, United Artists, and Columbia; how they came to dominate the film industry and the role the US government has played in advancing their hold.







Pleading the Blood


Book Description

The definitive look at one of the most important Black art films and original filmmakers of the 1970s. Bill Gunn's Ganja & Hess (1973) has across the decades attained a sizable cult following among African American cinema devotees, art house aficionados, and horror fans, thanks to its formal complexity and rich allegory. Pleading the Blood is the first full-length study of this cult classic. Ganja & Hess was withdrawn almost immediately after its New York premiere by its distributor because Gunn's poetic re-fashioning of the vampire genre allegedly failed to satisfy the firm's desire for a by-the-numbers "blaxploitation" horror flick for quick sell-off in the urban market. Its current status as one of the classic works of African American cinema has recently been confirmed by the Blu-ray release of its restored version, by its continued success in screenings at repertory houses, museums, and universities, and by an official remake, Da Sweet Blood of Jesus (2014), directed by Spike Lee, one of the original picture's longtime champions. Pleading the Blood draws on Gunn's archived papers, screenplay drafts, and storyboards, as well as interviews with the living major creative participants to offer a comprehensive, absorbing account of the influential movie and its highly original filmmaker.




First Lady of Laughs


Book Description

Before Hacks and The Marvelous Mrs. Maisel, there was the comedienne who started it all First Lady of Laughs tells the story of Jean Carroll, the first Jewish woman to become a star in the field we now call stand-up comedy. Though rarely mentioned among the pantheon of early stand-up comics such as Henny Youngman and Lenny Bruce, Jean Carroll rivaled or even outshone the male counterparts of her heyday, playing more major theaters than any other comedian of her period. In addition to releasing a hit comedy album, Girl in a Hot Steam Bath, and briefly starring in her own sitcom on ABC, she also made twenty-nine appearances on The Ed Sullivan Show. Carroll made enduring changes to the genre of stand-up comedy, carving space for women and modeling a new form of Jewish femininity with her glamorous, acculturated, but still recognizably Jewish persona. She innovated a newly conversational, intimate style of stand-up, which is now recognized in comics like Joan Rivers, Sarah Silverman, and Tiffany Haddish. When Carroll was ninety-five she was honored at the Friars Club in New York City, where celebrities like Joy Behar and Lily Tomlin praised her influence on their craft. But her celebrated career began as an impoverished immigrant child, scrounging for talent show prize money to support her family. Drawing on archival footage, press clippings, and Jean Carroll’s personal scrapbook, First Lady of Laughs restores Jean Carroll’s remarkable story to its rightful place in the lineage of comedy history and Jewish American performance.