Vasily Vereshchagin Turkestan Series


Book Description

Vasily Vereshchagin (1842 -1904) was a Russian soldier, painter and traveller. He was born to a lesser noble family and sent to the Tsarskoe Selo military academy in 1850, 8 years old. in 1853, 11 years old he joined the Sea Cadet Corps in St Petersburg. He graduated in 1861 but left military service to attend the Imperial Academy of Fine Arts. In 1863 he won a medal from the academy for his Ulysses Slaying the Suitors. In 1864, he went to Paris, 22 years old, where he studied under Jean-Léon Gérôme. In 1867 he was invited to accompany General Konstantin Kaufman's expedition to Turkestan. He was granted the rank of ensign. His heroism at the siege of Samarkand from June 2-8, 1868 resulted an award of the Cross of St George (4th class). Having jointed the diplomatic corps, Vereshchagin was posted throughout Central Asia, and his artistic skills matured. In 1871 he set up a studio in Munich and it was here the initial "Turkestan Series" was painted.







Photographing, Exploring and Exhibiting Russian Turkestan


Book Description

This book illuminates the crucial role photography played from the very beginning of the Russian colonial presence in Central Asia and its entanglement with the orientalist legacy that followed. Inessa Kouteinikova examines these under-studied materials while also addressing the photographic market and reception of photography in the Russian Empire, the position of the popular press, the place of public exhibitions and emergence of the first ethnographic museums that took pace from Moscow to Tashkent during the time of the Russian conquest. This book embraces the dominant mode for representing the new colonial territories in the mid-late-19th-century Russia, by outlining the technical, commercial and artistic milieus during the Golden Age of Russian orientalism. The book will be of interest to scholars working in art history, history of photography and Russian studies.




The Struggle for the Eurasian Borderlands


Book Description

A major new account of the Eurasian borderlands as 'shatter zones' which have generated some of the world's most significant conflicts.




Photographing Central Asia


Book Description

This volume addresses new theoretical approaches in visual and memory studies that prompted to rethink of the photography of Russian Turkestan of the nineteenth and early twentieth centuries. Attempts to relate the visual unknown documentations to postcolonial criticism also opened up new interpretive arenas, helping to decentralize the analysis of the history of photography. The aim of this volume is to interpret photography as a specific tool that reifies reality, subjectively frames it, and fits it into various political, ideological, commercial, scientific, and artistic contexts. Without reducing the entire argument to the binary of ‘photography and power’, the authors reveal the different modes of seeing that involve distinct cultural norms, social practices, power relations, levels of technology, and networks for circulating photography, and that determined the manner of its (re)use in constructing various images of Central Asia. The volume demonstrates that photography was the cornerstone of imperial media governance and discourse construction in colonial Turkestan of the tsarist and early Soviet periods. The various cases show the complex mechanisms by which images of Turkestan were created, remembered, or forgotten from the nineteenth until the twenty-first century. The book should appeal to scholars of the Russian Empire and Central Asia; of history of photography and visual culture; of memory studies. It should be appropriate for use in upper-level undergraduate courses, and even a broader public.




Turkestan and the Fate of the Russian Empire


Book Description

The central argument of this book is that the half-century of Russian rule in Central Asia was shaped by traditions of authoritarian rule, by Russian national interests, and by a civic reform agenda that brought to Turkestan the principles that informed Alexander II's reform policies. This civilizing mission sought to lay the foundations for a rejuvenated, 'modern' empire, unified by imperial citizenship, patriotism, and a shared secular culture. Evidence for Brower's thesis is drawn from major archives in Uzbekistan and Russia. Use of these records permitted him to develop the first interpretation, either in Russian or Western literature, of Russian colonialism in Turkestan that draws on the extensive archival evidence of policy-making, imperial objectives, and relations with subject peoples.




Nationalism in a Transnational Age


Book Description

Nationalism was declared to be dead too early. A postnational age was announced, and liberalism claimed to have been victorious by the end of the Cold War. At the same time postnational order was proclaimed in which transnational alliances like the European Union were supposed to become more important in international relations. But we witnessed the rise a strong nationalism during the early 21st century instead, and right wing parties are able to gain more and more votes in elections that are often characterized by nationalist agendas. This volume shows how nationalist dreams and fears alike determine politics in an age that was supposed to witness a rather peaceful coexistence by those who consider transnational ideas more valuable than national demands. It will deal with different case studies to show why and how nationalism made its way back to the common consciousness and which elements stimulated the re-establishment of the aggressive nation state. The volume will therefore look at the continuities of empire, actual and imagined, the role of "foreign-" and "otherness" for nationalist narratives, and try to explain how globalization stimulated the rise of 21st century nationalisms as well.




Kazakhstan


Book Description

This new, thoroughly updated third edition of Bradt's Kazakhstan remains the only guide available dedicated solely to the world's ninth largest country. This new edition covers all the most recent developments, including an updated history section, additional cultural coverage, more practical information to make independent travel easier, and the most up-to-date and relevant maps. Kazakhstan is more accessible than ever: tourist visas are no longer required and there are now numerous direct flights and connections from Europe. Tourist infrastructure has also significantly improved over the past few years and there are faster trains connecting east to west and north to south, as well as many options for internal flights. Kazakhstan is a modern country with a profound appreciation of its roots; numerous petroglyph sites with ancient rock art as well as the remains of Silk Road settlements testify to its varied history. The country offers a curious mix of Soviet nostalgia and architecture combined with the latest technology: Kazakhstan has better 4G coverage than Germany, France or Italy. For visitors, there are excellent opportunities for active tourism such as skiing, hiking, rafting, horse riding or simply gazing into the endless steppe. Bradt's Kazakhstan is indispensable for discovering this extraordinary country, a place that is as geographically diverse as its cultural mix: around 130 different ethnic groups calls Kazakhstan home. From snow-covered peaks with excellent skiing opportunities and hiking trails through river valleys to the secluded lakes of the Tian Shan Mountains, to endless semi-desert steppes and then on to the blue waters of the Caspian, Bradt's Kazakhstan is a perfect companion for all travellers, from nature lovers to cultural explorers, teenage backpackers to family groups.







The Tretyakov Gallery, Moscow


Book Description